Andrômeda

Some strong episodes in the first three seasons - unfortunately they fired the show runner and it became a discombobulated mess.

Thanks to it's release on DVD, I have managed to watch the first 4 seasons of "ANDROMEDA" while avoiding pesky TV commercials. Thus, my take on the series might be different from someone who had the show's rhythm broken by advertising - talk about taking one out of the moment. I really wanted to like this show from the beginning, mostly because of its origins with Star Trek creator Gene Roddenberry. I strongly disliked actor Kevin Sorbo's previous show "HERCULES" (except for the rare appearance by the brilliant Bruce Campbell), but was willing to give his new show a try anyway. After 4 seasons (season 5 is still airing and not available on DVD as of this writing), here's my take on ANDROMEDA: This might be as clear of a case of Dr. Jekyll and Mr. Hyde writing as I can remember in a TV series. There have been episodes that stand up with the best of sci-fi television writing (the original "TWILIGHT ZONE", "City on the Edge of Forever" episode of "STAR TREK", "The Inheritors" episode of "THE OUTER LIMITS", etc.). The two-part episode that ended season 4 was probably the best thing I've seen from TV since "TAKEN", the Spielberg mini-series.

But when ANDROMEDA is bad, it's really bad. I've never been a fan of "BUCK ROGERS IN THE 25TH CENTURY", and some of ANDROMEDA's shows must be compared to the very worst of "BUCK ROGERS". Unfortunately, it's not like there's a good season or a bad one. It's, as my summary states, a roll of the dice. This 50/50 result of script writing (and I really must put the blame there) is in some part due to the pace that TV writers must produce these days. But there's the rare quality TV show out there to make the case that it can be done. I won't blame the actors, because when the writing is good, they're all fine - even impressive at times.

I think the issue with ANDROMEDA is a lack of clear cut identity. Is it a light space romp with plenty of humor? Is it a serious take on a potentially exciting premise? Is it experimental? Is it space opera? Unfortunately, the answer is 'All of the Above'. Beyond this, it's hard to define just why the show is sometimes terrific and other times pathetic. The one thread that I found had to do with the character Trance Gemini. It seemed when the show centered on her, it was usually better than when it didn't. But even that is not always the case.

So my recommendation for viewing ANDROMEDA is this: If you like your sci-fi goofy, this might work for you. If you're really hardcore sci-fi, it also might be worth sifting through the episodes on DVD. As I said, when it's good, it's hard to beat. For special effects junkies, Season 4 has some stellar (excuse the pun) and stylistically unique CGI work, some of the best I've seen on TV. For most casual sci-fi viewers and others however, I imagine wading through the bad apples to get to the good shows will be more trouble than it's worth.

I heard Mr. Sorbo comment on that last season 4 episode I mentioned earlier, and he seemed to think it was their best and they should do more like it. I fully agree, but as the show is running out to it's end now, I think this was a case of finding what was best about the concept way too late. I really wanted to like it, but overall just not as good as it should have been.

The Over-all Plot of Andromeda is based on Gene-Roddenberry's Genesis II. In Both, Dylan Hunt is somehow brought into the future. In the future he finds that the world (galaxy) has turned barbaric. He, with a little help from his friends, try to restore order against the barbaric powers. Many similarities between Genesis II and its retooled, more futuristic update exist but either way both were and are still good watching

I feel the need to post a comment on this title because I've seen a few comments from people who are surprised at the positive user response for such an awful show.

What is truly tragic about Andromeda is that it is a show that never realized its full potential. This is due to the powers that be and their decision to remove Wolfe from his post as head writer of the show.

From Season 1 to the halfway point of Season 2, Wolfe was the head writer of Andromeda and the show was quality in every sense of the word. Wolfe took his experience from shows such as Star Trek: Deep Space Night and invested it in Andromeda, bringing life to intricate plot-lines and vibrant characters functioning in a realized Universe.

As Season 2 began to move along, the usual first season clumsiness that one expects from new TV shows had totally dissolved and an epic plot line was beginning to come to life.

This was tragically cut short when Wolfe was fired. After this unfortunate event, nearly all of his work was thrown out of the window as the series took an entirely different direction in favour of mainstream approval and a more episodic format. The most painful example of the latter is embodied in the decision to do away with the character of Trance in favour of a new incarnation of the character designed to be sexy.

The series began to spiral downwards even more, until it was finally too difficult to watch. Andromeda soon began to buy into nearly every science fiction cliché in the book, and when it ended was a pathetic worm of its former glory.

Four stars out of ten for 1.5 excellent seasons and 3.5 awful ones in a show that tragically never met its unimaginable potential.

This sci-fi series opens in a distant future where the vast System's Commonwealth brings peace and stability to three whole galaxies. Our protagonist is Dylan Hunt, captain of the ship Andromeda Ascendant and his world is about to be turned upside down. A group of genetically modified humans, known as the Nietzscheans, betray the Commonwealth; this includes Dylan's close friend and second-in-command. As the fight rages Andromeda is caught on the event horizon of a black hole. Here Dylan is locked in time till a salvage crew pulls the ship out. Three hundred years have passed and a lot has changed; the Commonwealth is long gone, the Nietzscheans are divided but still oppressing people and a species known as the Magog are literally preying on people.

After initial events Dylan takes the salvagers, pilot Beka Valentine; engineer Seamus Harper; Rev Bem, a Magog who has renounced violence; Tyr Anasazi, a Nietzschean with uncertain motives; and finally the enigmatic Trance Gemini, a purple alien of an unknown species. They are soon joined by 'Rommie' the ships android avatar, built by Harper. Over the course of the series they face various dilemmas as Dylan works to re-establish the System's Commonwealth. Some of these will be single episode problems others will be long running plot arcs. We also get some crew changes as the seasons progress.

This series, from an idea by Star Trek creator Gene Roddenberry, starts of really well as it introduces an interesting group of characters. Dylan is perhaps too much of a 'Captain Perfect' character at times but the others are more interesting; notably Tyr, thanks to his moral ambiguity, and the mysterious Trance. We get plenty of action in just about every episode; this can include space battles, shootouts and physical fights. There is also a good amount of humour. While I still enjoyed later seasons I don't think they were quite as good as the early ones; the plot gets a bit messy at times; the final season, where the crew are trapped in a single star system almost feels like a different series at times. The special effects are pretty good and the cast does a fine job bringing their characters to life. Overall I'd recommend this to fans of space-based sci-fi; it might not be a classic but it is fun enough.