Erskineville Kings

A year later Hugh Jackman would become Wolverine, and that's that. But I only heard about this movie - a low low budget Australian production - after reading a review for Prisoners (2013) which said "not since Erskineville Kings have I seen such a powerful performance by Jackman," or something like that. So, I dug deep. Shocked it only has 500 ratings, being Jackman's third movie and the one before X-Men. Slow? Check. Low budget? Check. Boring? Nope. The acting is solid all around, and Jackman's character isn't even introduced until 30min in, by which point I felt engaged enough by the other actors to feel connected. Also, a young Joel Edgerton offered an entertaining role. So, the drama was tangible but the humor was clverly injected to keep you from sinking in the melancholy. The emotional "climax" was superbly performed by Jackman and star Marty Denniss. Not my usual kind of movie but it had respectable substance nonetheless.

I can quite happily quote you chapter and verse when it comes to Erskineville Kings because I love this film with fierce intensity. Even though EK has an unconventional feel to it and we are asked to confront some nasty issues along the way, it touched my soul the very first time I saw it and it still has the capacity to create a heavy swell of tension in my chest with each and every viewing, despite the fact I've seen it more times now than the majority of you have had hot dinners! The fact that Hugh Jackman landed the part of Wace, the oldest of two brothers around whose strained relationship the film is centred, is the reason I became aware of EK in the first place, but Wace is a dark, brooding character who spends the majority of this film being totally unpleasant and whilst we come to learn he has his reasons for behaving this way, I for one do not relate to him easily. No, my well-spring of emotion arises from seeing and responding to the plight of the younger brother Barky (played by the screenwriter and actor Marty Denniss) whose quiet personality and passive nature make him seem like a dog that's been kicked too much but which still wags its tail in a vain attempt to please. Dogs are cute and so is Marty Denniss (he easily makes it to prime position in my top 10) and I just want to hug Barky to death whenever he's on screen and stop his humiliation and end his pain.

I can see why Hugh is particularly proud of this role though because his portrayal of Wace is amazing especially in view of the fact it was his debut feature film. It also never ceases to amaze me how people's reactions to EK vary so widely from those like me who love it with a passion to others I've come across who quite happily admit they have little or no time for it. Is that the mark of a good film or a bad one? I'll leave it to you to decide for yourselves once you've seen it because this review will tell you at a glance exactly which way my vote is cast.

Australian films seem to be going through a surge of neo-realism suburban style. THE BOYS, HEAD ON, PRAISE and now ERSKINEVILLE KINGS. How wonderful it is to see Australian filmmakers looking into their own backyard souls!

The story premise is a simple one. Barky returns to inner-city home from the bush. His journey is made to attend the funeral of his brutal father. Not only does Barky have the past to deal with but his angry brother, Wace. Together they slug it out, bringing up old demons in hope of organising some sort of stability in life. It is the confrontations that bring you on edge with the surprising powerhouse performance from Hugh Jackman as Wace. Marty Denniss brings sincerity to the character of Barky, a man with a painful past and it's the quietness that draws you to him, waiting for those emotions to explode.

The direction heightens the unfolding of the story by simply telling the tale with strong images on inner-suburb Sydney as the main focal point to the show down.

A strong emotional movie made from the hip pockets of the filmmakers.

An excellent performance from Hugh Jackman, in his first straight dramatic role after an exalted career in stage musicals, is the only saving grace for Erskineville Kings, the debut feature from former advertising whiz Alan White.

This is a highly self-indulgent and pretentious piece, filled with laughable nomenclature, savagely stilted dialogue, and the shoddiest technical direction seen in an Australian film for well over a decade.

I saw this film when it was selected to open the 1999 Australian Film Institute Awards screenings in Perth. Aside from Jackman, who has some chance for an award in a lukewarm year for male actors in Australia, Erskineville Kings will undoubtedly disappear without trace when its cinematic release concludes in about a month's time.

A mixed bag of comedy and drama. Hugh Jackman shines and you can see his screen presence straight away. The overall tone is inconsistent, but the story never wanders of the track. The film is slow and the support characters are a little lacking.