De Volta ao Paraíso

This was a great movie. It was beautifully shot, showing a northern-ish small mountain town throughout several seasons (it reminded me of Northern Exposure more than once). The plot is by far one of the most realistic and engaging of the many gay movies I have watched. It isn't as agenda-driven as many of the gay films being made these days; it was first and foremost a beautiful story about accepting yourself as an adult, navigating complicated family relationships, and finding/nurturing/accepting relationships that are good for you rather than chasing after pointless fantasies of romance. Even my very-straight-husband loved it (and teared up at the end when the protagonist finally picks the right guy!). It was a great story. The acting is very impressive too. I would absolutely recommend it to both gay and straight audiences.

Only in a fictional town ... sigh! This film is very well-written and has a superb cast. It's so warm, in a realistic, homespun kind of way. The true joy in viewing this film is that it is not stereotypical or predictable, and it doesn't trivialize. It speaks to the heart.

This film also flows very well, with no weak or flat spots in the storyline. It draws the viewer in more as a participant. Bravo!

'Eden' is right...for this rustic, fictional Montana town is a gay-embracing garden paradise. And why not? Movies are for dreamers and in this dream of a movie we get to witness a basically straight-laced, flag-waving midwestern town embrace homosexuality like never before. In fact, the town is more openly accepting of the gay lifestyle than the rather emotionally repressed romantic trio who are at the core of the piece. And therein lies its simple bouquet of a message. The only one who usually gets in the way of you being yourself...is yourself.

A lovely cross between Meg Ryan-Tom Hanks fluff and "Northern Exposure" quirkiness, "Big Eden" insists on keeping it merry and informal, confident in knowing that its casual, natural stance on the whole gay element actually gives it universal appeal.

Arye Gross fills in for Meg here as Henry Hart, a former citizen of "Big Eden" who many years ago moved to the Big City to 'be himself'. The prodigal son, still single, reluctantly returns home following the illness of a beloved relative and is surprisingly met with open arms. The rather chummy, eccentric inhabitants, in fact, hatch matchmaking plans to hopefully dissuade him from leaving.

Tim DeKay plays the muscular, clean-cut Dean, a former school chum and longtime crush of Henry's who has returned to his roots following a failed marriage and is now a doting single parent with two kids in tow. Henry is hoping to spark the dormant but still smouldering feelings they once shared. Eric Schweig plays another classmate, Pike, a strong, silent, highly sensitive Native-American who has longed for the unsuspecting Henry since their early school days.

The story keeps its limited sights on the amusing entanglements of the trio, never allowing itself to get overly serious or preachy. Things may end up a bit too tidy and neat, but, again, the beauty of the piece is in its "gay is normal" approach and almost 60s-like wholesomeness.

The performances are nothing spectacular to write home about, but nevertheless quite winning and thoroughly entertaining. Arye Gross (former of "Ellen") is a pleasant centerpiece, as a man searching not only for love, but for himself and his place in life. DeKay is equally charming as Henry's object of desire though his sexual confusion (or acceptance) seems puzzling coming from such a liberal-minded town. Schweig, looking like he belongs in a production of "One Flew Over the Cuckoo's Nest" instead of a gay love story, overplays the unbearably shy, intensely quiet type at first, but eventually relaxes into his role as he begins to make his feelings known.

The mirthful supporting cast is littered with fresh takes on old stereotypes, none more so than the wonderful Nan ("Goodbye Columbus") Martin as the brazenly intrusive Widow Thayer, whose bold, Yenta-styled matchmaking methods are never less than delightful. Louise Fletcher and, particularly, George Coe give wise, restrained performances that lend a touch of class to the silly antics and superficial tendencies of the story. Veanne Cox too provides a bit of amusing sass as Henry's endearing 'Big City' partner and friend.

"Big Eden" settles in as one of the more 'feel good' movies of the year. I think even Doris Day would give it her stamp of approval. A welcome time-filler indeed.

What a marvelous movie! A gay romantic comedy. Going home to find out your secret life isn't really much of a secret, and knowing that some people actually want to help you find what you thought you would never have.

I have watched it twice on the movie channel now, and I love it. It is hard for me to imagine life actually being like that in a remote place. I am not gay, but this movie reinforced for me, that gays are looking for the right love just like straights. OK, so I'm a romantic. I can only hope that this was really someone's experience.

Hopefully we will see more of this kind of thing, until it is no more unusual. Yea!!!!

Everything has already been said about this film in the adjoining comments, so I'll make a few personal observations.

I'm not about to apologize for liking this film, or make any excuses for its content. Frankly, who's to say such a town can't exist? My origins are in the Deep South, and believe it or not, I've seen communities like this one. Perhaps it is "stereotypical" to think that such a town CANNOT be real. Sure, hatred exists everywhere. I've personally been the victim of a nasty hate crime, but I've also been fortunate enough to visit small communities that embrace everyone, gay or straight. I have every reason to be bitter, but I choose not to be a martyr.

As others have said, I welcome this film as a gay love story that avoids the pitfalls of torpid melodrama and morbid angst. Many have accurately compared this film to the TV series "Northern Exposure." It really is a sweet little film (and I normally avoid that word).

How interesting that ALL of my cynical gay friends love this film. Surprisingly, I only learned of it this year. Ebert totally missed the boat on this one.