O enfermeiro Greg Focker conhece os pais de sua namorada antes de propor casamento, mas o pai da garota é o pior pesadelo de qualquer encontro.O enfermeiro Greg Focker conhece os pais de sua namorada antes de propor casamento, mas o pai da garota é o pior pesadelo de qualquer encontro.O enfermeiro Greg Focker conhece os pais de sua namorada antes de propor casamento, mas o pai da garota é o pior pesadelo de qualquer encontro.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 7 vitórias e 15 indicações no total
Tom McCarthy
- Bob Banks
- (as Thomas McCarthy, Tom McCarthy)
Avaliações em destaque
Odd to state that "Robert De Niro is the star of this comedy," but that's the case here. One doesn't normally associate him with comedy, but he's a pretty versatile actor, and can play a lot more characters than Mafia-type thugs. He's also a pretty darned good comedian, as he first proved way back in the early '80s with Rupert Pupkin in "The King of Comedy."
Anyway, De Niro and Ben Stiller provide a lot of laughs in this modern-day comedy. No sense going into detail as there are plenty of other reviews here. I hate to see the "hero" of a movie being a character who is chronic liar (Stiller's "Greg Focker") but that's not unusual in the world of films. That, and Blythe Danner's excessive use of God's name as exclamations gets annoying.
Other than that, it's a fun movie that turned out to be a hit and justifiably so. I imagine you could get a lot of laughs from watching this over and over. That would be better than watching the sequel.
Anyway, De Niro and Ben Stiller provide a lot of laughs in this modern-day comedy. No sense going into detail as there are plenty of other reviews here. I hate to see the "hero" of a movie being a character who is chronic liar (Stiller's "Greg Focker") but that's not unusual in the world of films. That, and Blythe Danner's excessive use of God's name as exclamations gets annoying.
Other than that, it's a fun movie that turned out to be a hit and justifiably so. I imagine you could get a lot of laughs from watching this over and over. That would be better than watching the sequel.
I know I'm late to the party, but probably so are you if you're reading reviews at this late date. "Meet the Parents" is a funny flick that hearkens back to the glorious late-80s, or maybe even earlier, when comedies weren't so preoccupied with shocking the audience with gross out gags or surprise twists. Most of this movie is wonderfully predictable, and aside from a few deliberately clumsy drug references and maybe a sexual innuendo or two, it was good clean fun from start to finish.
Most of all, I'd say it's a good date flick to prepare yourself for the inevitable agony of meeting your own boyfriend/girlfriend's parents. We all know it sucks. (If you don't think so, oh, just you wait. Sometimes it takes years for them to expose themselves as the hideous flesh eating monsters that they are.) De Niro manages to take us to the utter extreme of monster but without shattering our suspension of disbelief. This is a key point. If the situation were to become too absurd , we would lose focus on the story and instead hone in on the individual gags. While there are plenty of funny gags to go round, they are really just dressing on an already funny premise: the story of an underdog who just cannot fit in to a judgmental bourgeois family no matter how hard (and usually because of how hard) he tries.
Ben Stiller shows his acting diversity (while on a different movie set playing the terminally airheaded Zoolander) as a dorky protagonist whose best intentions are always poorly timed or received completely the wrong way.
The antagonists, in this case, everybody else in the movie, tread the fine line of comedy and irritation. That is, at any time you could find yourself laughing or hating them. What's masterfully done is the filmmaker's (and of course actors') ability to turn you on a dime, take you to the edge of wanting to kill someone but then having a hearty laugh at their antics. Like I said earlier, Robert De Niro is the anchor that makes this possible, and any casting short of him (well, or maybe Christopher Walken) would have resulted in the film falling apart due to the demands it puts on our willingness to accept a complete jerk like the character he plays. Really his only redeeming quality is that he likes cats. But that's the point, I guess. No matter how rude a person may seem, there's always something redeeming in there.
Well, maybe except for the hilariously loathsome airline attendant who appears in a short but pivotal role at the film's climax. To me, that scene was worth the price of admission.
Don't think twice, this is a movie worth seeing. Other similar films focusing on severely dysfunctional families trying to act normally include De Niro & Billy Crystal in "Analyze This", a great Andy Garcia movie called "City Island" and--this may be a stretch but--I think fans of "Meet the Parents" would really enjoy the original British "Death at a Funeral" (2007). Ya just gotta love comedies about trying to be normal in an utterly abnormal situation.
Most of all, I'd say it's a good date flick to prepare yourself for the inevitable agony of meeting your own boyfriend/girlfriend's parents. We all know it sucks. (If you don't think so, oh, just you wait. Sometimes it takes years for them to expose themselves as the hideous flesh eating monsters that they are.) De Niro manages to take us to the utter extreme of monster but without shattering our suspension of disbelief. This is a key point. If the situation were to become too absurd , we would lose focus on the story and instead hone in on the individual gags. While there are plenty of funny gags to go round, they are really just dressing on an already funny premise: the story of an underdog who just cannot fit in to a judgmental bourgeois family no matter how hard (and usually because of how hard) he tries.
Ben Stiller shows his acting diversity (while on a different movie set playing the terminally airheaded Zoolander) as a dorky protagonist whose best intentions are always poorly timed or received completely the wrong way.
The antagonists, in this case, everybody else in the movie, tread the fine line of comedy and irritation. That is, at any time you could find yourself laughing or hating them. What's masterfully done is the filmmaker's (and of course actors') ability to turn you on a dime, take you to the edge of wanting to kill someone but then having a hearty laugh at their antics. Like I said earlier, Robert De Niro is the anchor that makes this possible, and any casting short of him (well, or maybe Christopher Walken) would have resulted in the film falling apart due to the demands it puts on our willingness to accept a complete jerk like the character he plays. Really his only redeeming quality is that he likes cats. But that's the point, I guess. No matter how rude a person may seem, there's always something redeeming in there.
Well, maybe except for the hilariously loathsome airline attendant who appears in a short but pivotal role at the film's climax. To me, that scene was worth the price of admission.
Don't think twice, this is a movie worth seeing. Other similar films focusing on severely dysfunctional families trying to act normally include De Niro & Billy Crystal in "Analyze This", a great Andy Garcia movie called "City Island" and--this may be a stretch but--I think fans of "Meet the Parents" would really enjoy the original British "Death at a Funeral" (2007). Ya just gotta love comedies about trying to be normal in an utterly abnormal situation.
very edge of your seat, squirm-fest. lots of laughs as you cower in embarrassment. could have utilized Owen Wilson more. i loved it... but the ending was so straight forward and devoid of any comedic relief. it becomes one big sappy cliche. why?
Our story begins when a male nurse named Greg Focker (Stiller) is about to propose to his girlfriend, Pam (Teri Polo); unfortunately, things come to worst and before Greg can say, "Will you marry me?" he finds out that Pam's father, Jack (Robert De Niro) approved of Pam's sister's fiancé because he asked Jack's permission to marry her first. Taken aback, Greg decides to wait until tomorrow, whence they are going to meet Pam's parents, and ask Jack for approval before proposing to Pam. Should be a piece of cake, right? Wrong. Pam's mother (Blythe Danner) is very nice, but herein lies the problem: Not only is it apparent from the start that Pam's plant-expert father is not really a plant-expert (as Greg learns after Jack doesn't seem to recognize a plant Greg gives to him--one of the rarest plants in the world), but it turns out Jack is really in the CIA and was a "human lie detector," as Pam herself puts it. In fact, Jack even gives Greg a lie detector test in one scene to see if he liked the dinner earlier in the evening. "Yes," Greg replies, to see the needle jumping. "Well, it was a little rare for my tastes, maybe." Greg, desperately seeking approval (and nervous as ever), seems to unintentionally cause mayhem in his possible parents-to-be's home. Nerves shot like a drug addict, Greg is the definition of a nervous wreck, and all his problems seem to escalate more and more until a funny-if-sappy comedic showdown.
You know how sometimes you are really nervous, but try to hide the fact? You seem to keep your cool, until you do something, then all your nervousness explodes and you start knocking over things, saying stupid things--single-handedly DOING stupid things that you just never do? And then you look around and everyone is looking at you like you are some sort of freak? Well, that's how it is with Greg's character in "Meet the Parents"--he is so easy to identify with. Just like all of us, we want to keep our cool and impress people--but once we lose it, the coolness seems to slip farther and farther away from our grip until we are klutzes on feet. For Greg's character, small things turn bigger and bigger and bigger--from knocking over the remains of Jack's mother (and having a cat go to the bathroom on the remains), to setting the house on fire and busting the septic tank. Situations seem to escalate farther and farther out of control and they just keep getting worse and worse.
In one scene, Greg tries to impress everyone while playing volleyball in a pool. His team is losing because of him. "Get up and hit the ball," Jack says to him. So the next time the ball comes around to Greg, he jumps up and smacks the ball with all his might, sending it flying towards...Pam's sister (whose wedding is the next day), shattering her nose. Greg lands back in the pool and seems to be happy, until he realizes he smacked his sister-in-law-to-be in the nose. Then everyone looks at him like he's an insensitive idiot.
Things like that have happened to me countless times, and that is why I can so easily identify with Greg. People are yelling at Greg to do something, and when he finally does it, it backfires and everyone looks at him like he's stupid, even though he did exactly what he was told.
That's the kind of thing that makes this movie so great--not only is it extremely funny, but we can easily identify with the main character countless times throughout the film. That is, perhaps, the best thing about this comedy.
You know how sometimes you are really nervous, but try to hide the fact? You seem to keep your cool, until you do something, then all your nervousness explodes and you start knocking over things, saying stupid things--single-handedly DOING stupid things that you just never do? And then you look around and everyone is looking at you like you are some sort of freak? Well, that's how it is with Greg's character in "Meet the Parents"--he is so easy to identify with. Just like all of us, we want to keep our cool and impress people--but once we lose it, the coolness seems to slip farther and farther away from our grip until we are klutzes on feet. For Greg's character, small things turn bigger and bigger and bigger--from knocking over the remains of Jack's mother (and having a cat go to the bathroom on the remains), to setting the house on fire and busting the septic tank. Situations seem to escalate farther and farther out of control and they just keep getting worse and worse.
In one scene, Greg tries to impress everyone while playing volleyball in a pool. His team is losing because of him. "Get up and hit the ball," Jack says to him. So the next time the ball comes around to Greg, he jumps up and smacks the ball with all his might, sending it flying towards...Pam's sister (whose wedding is the next day), shattering her nose. Greg lands back in the pool and seems to be happy, until he realizes he smacked his sister-in-law-to-be in the nose. Then everyone looks at him like he's an insensitive idiot.
Things like that have happened to me countless times, and that is why I can so easily identify with Greg. People are yelling at Greg to do something, and when he finally does it, it backfires and everyone looks at him like he's stupid, even though he did exactly what he was told.
That's the kind of thing that makes this movie so great--not only is it extremely funny, but we can easily identify with the main character countless times throughout the film. That is, perhaps, the best thing about this comedy.
Haha this is one of those comedies that you will always remember. Full of classic lines that my wife and I constantly use on daily bases, like "if it has teat then you can milk it, puff the magical dragon, the circle of trust and so on..." Meet The Parents is full of those phrases that makes me laugh every time I think about it. And that's what defines a good comedy to me. If I watch a comedy I want to laugh and with this one it's what you get. Some people might not like it but then to me they just don't have a sense of humor and that's just a pity for them. You have to like Ben Stiller though because it's basically him that is the great comedian of the movie. If you don't like him you probably not going to like the movie either. Like I don't like the movies with Adam Sandler. I think that guy is not funny and so his comedies are painful to watch for me. In Meet The Parents the whole story is basically about the relation between Ben Stiller and Robert De Niro. Robert De Niro that plays his role brilliantly as well by the way. The other actors are good as well but it's not them that carry the movie. To me it's already a classic movie when I think about the best comedies I ever saw.
Você sabia?
- CuriosidadesRobert De Niro wanted "Mr. Jinx" to appear in more scenes than he was supposed to because De Niro liked the cat so much. Apparently, De Niro would also play with the cat between filming scenes.
- Erros de gravaçãoWhen Greg is at the drug store counter he asks if they have any nicotine patches. He is told that they don't but that they do have the gum. When the store associate takes the gum off the shelf, it is next to boxes of Nicorette patches.
- Citações
Dina Byrnes: I had no idea you could milk a cat!
Greg Focker: Oh yeah, you can milk anything with nipples.
Jack Byrnes: [He reacts] I have nipples, Greg, could you milk me?
- Cenas durante ou pós-créditosDuring the opening logos, the singers in the theme music are lyrically commenting "Look at the light coming out of the earth" during the Universal logo, and "Look at the boy sitting on the moon" during the Dreamworks logo.
- Versões alternativasIn the version that airs on Freeform, the scene near the end in which Greg gets into an argument with the airline stewardess and his subsequent interrogation by an airline official removes all references to the fact that Greg mentioned the word "bomb" on the airplane.
- ConexõesEdited into Meet the Parents: Deleted Scenes (2001)
- Trilhas sonorasA Fool in Love
Music and Lyrics by Randy Newman
Opening Title Performed by Randy Newman
End Title Duet Performed by Randy Newman and Susanna Hoffs and Produced by Mitchell Froom
Randy Newman appears courtesy of DreamWorks Records
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- How long is Meet the Parents?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- La familia de mi novia
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 55.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 166.244.045
- Fim de semana de estreia nos EUA e Canadá
- US$ 28.623.300
- 8 de out. de 2000
- Faturamento bruto mundial
- US$ 330.444.045
- Tempo de duração
- 1 h 48 min(108 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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