Berlin Calling

"Berlin Calling" is an ambitious film that looks into the dark side of the German electronic music but doesn't seem to know what to say about it. Director Hannes Stohr makes a wise move in casting real life electronic musician Paul Kalkbrenner in the lead role of (the overbearingly metaphorically named) DJ Ikarus.

On the cusp of releasing his greatest record Ikarus succumbs to the effects of his longtime drug use and is admitted into a psych ward. From here, the film veers wildly in tone recalling the excesses of "Trainspotting" and the tension of "One Flew Over The Cuckoo's Nest" without ever find a middleground. Subplots involving a teenage fan who works at the hospital; his on again/off again bisexual girlfriend and his dealer never really develop into anything substantial. Worse, Stohr doesn't seem to know what he wants to say about drug use. Is it necessary for creative artists? Is it an evil? Is it OK in small doses? He offers middling cases for each scenario but doesn't make any unique observations.

That said, the music in the film is fantastic. Written by Kalkbrenner himself, it casts a great light on the contemporary German electronic scene and if there is any reason to see the film, it's for the music. He manages to make the subtle shifts in tone and mood accessible for even the casual music fan which is a feat in itself.

I found this film inspiring and despite its age, i felt it does well to come off even today in 2020 as relevant. there is a contagion about it which makes you want to keep going. if you are a recovering drug addict, suggest you don't watch this as this may want you to do those pills and sundry. otherwise rock on.

I was fortunate enough to view the screening of this movie in Toronto on September 7th. I too have to agree that this movie should have been selected for the Toronto International Film Festival.

The movie portrays the life of techno dj as it really is including: gigs, relationships, record deals, touring and drug use. This is the closest you will get to real life. As one of the above users stated anyone who is from the Hardcore/Underground can tell you that this movie will bring quivers up your spine as to how real it portrays.

From beginning to end this film is non stop action. An extremely talented cast mixed with a great direction and an incredible soundtrack made for probably of my favourite films related to e-music to date.

The movie is dynamic, full of emotions and wonderful electronic music. It is definitely not a movie about Berlin party scene, Berlin is the backdrop of the movie.

Club scene is associated with drugs, but it is not a movie about drugs either. Yes the main character is a drug addict DJ who has mental issues but the movie is not Fear and Loathing in Las Vegas, neither One Flew Over the Cuckoos Nest.

The movie explores the life of an artist, his choices, his abysmal loneliness, creativity and above all his relations to other people.

Even though there are some occasional character zigzags, the movie wanders in our emotions in a beautiful way.

I have seen the movie during If Film Festival in Istanbul and regretted that I had missed the performance of DJ Paul Kalkbrenner ten days ago.

Does a movie need to provide answers or is some room for interpretation sometimes the better choice? Berlin Calling does not take the bait to occupy the moral high ground. Instead it is an authentic movie about the music and party scene in Berlin, including its „dark side": drugs.

In a way this movie does not have a beginning and no end, it is an ultimate extract of life – life in the electronic music scene in Berlin.

The pace of the story is fast, almost like the rhythm of the electronic beats - an awesome soundtrack. Berlin Calling is authentic and entertaining movie with great acting and fantastic directing.

The movie feels „(a)live" and to followers of electronic music this is a definite must-see. The only criticism that Berlin Calling may have to accept is that self-experiencing the Berlin party scene may still be better.