Coletora de Canções

I recently caught the tail-end of this on HBO and had to watch all of it on Netflix.

It is nearly mesmerizing. I think the only flaw I found with it was the beginning. I wanted a longer beginning, so that more contrast would become evident as the movie went on.

Having said that, Songcatcher is sweet and just a bit haunting.

Jane Adams steals this with a elegant and yearning performance. But the performances are all beautiful and slow as a massage without the meter running. I've always like Aidan Quinn and I love that Janet McTeer is not a Kewpie doll someone stuck into a serious film. She's a woman - just as there were once women in movies.

I recommend it highly.

What is life for? That's a question that many people throughout the ages have asked. There is no question in the mind of Tom Bledsoe (Aidan Quinn). Life is for enjoying. His idea of enjoying is playing music and drinking corn liquor. I don't know if I can argue with that.

Neither could Lily Penleric (Janet McTeer), Doctor of Musicology, who came up into the mountains to visit her sister Elna (Jane Adams), and discovered music that had not been heard by "outlanders" in hundreds of years. Songs that were originally written in Ireland and Scotland and hidden in the Apppalatian Mountains. She discovered that there was indeed culture among those whom the outlanders considered ignorant, inbred hillbillies, and she was determined to capture and share that culture.

In the process, she learned what life was really all about. It was a beautiful, tender story about people and differences; like the reaction over the discovery of her sister's partner, Harriet (E. Katherine Kerr).

The music was awesome, and this was Emmy Rossum's first movie. I loved her in The Phantom of the Opera, The Day after Tomorrow, and Mystic River; and now add another great performance to the list. I wasn't inclined to see Posiden, but I will make it a point now to see her again.

I have to end with a note about Pat Carroll, who played Viney Butlet. Her career is is old as i am and I am sure that I have probably seen her many times over the years and not known who she was. I will not forget now, as she was the most interesting character in the movie. Brava!

Songcatcher is a film that shows the side of the mountain people that has been unknown for years. It's kind of like an indie, female version of Oh Brother Where Art Thou, but with a feminist touch and more and better music. The film is very enjoyable with some exceptional acting particularly in the case of Janet McTeer, Aidan Quinn and Emmy Rossum and features some lovely and moving renditions of classic ballads. Maggie Greenwald (The Ballad of Little Jo, for which she wrote and directed) is also both the director and writer of Songcatcher and she has done a fabulous job. The film's focus is on musicologist Lily Penleric (Janet McTeer) in the early 1900s who has just been passed over for a permanent teaching position for the second time. She becomes embittered and decides to leave the school and go to the mountains to visit her sister (Jane Adams) at her school in the mountains of North Carolina. There she learns, to her delight, that many of the old Irish/Scottish ballads have been preserved in their original form, after hearing them sung by her sister's warden Deladis Slocumb (the always delightful Emmy Rossum). After hearing Deladis sing these ballads Lily becomes obsessed with collecting and publishing the songs. With the help of Deladis and her boyfriend Fate Honeycutt (don't you just love these names) Lily goes around the mountain collecting songs. One of her first stops is at incorrigible Viney Butler (Pat Carroll). While she's there Lily meets Viney's grandson Tom Bledsoe (a nearly unrecognizable Aidan Quinn).

The two clash at first but they eventually become, no surprise, romantically involved. Along the way we also meet Lily's antagonist Earl Giddens (David Patrick Kelly) who's has been 'educated' down the mountain and wants to turn the mountain in a coal mine. While collecting the songs, Lily slowly begins to crack from her shell and she learns to love the people of the mountain. The photography in the film is spectacular. It's vibrant and bright with some terrific shots of the wizardly Carolina Mountains. Maggie Greenwald brings the beauty of the mountains out with long-range shots at sunset. As I stated earlier the acting in this film is superb so there are no complaints from me. Lily Penleric was played perfectly by Janet McTeer who seems to be able to convey so much emotion through her eyes. Tom Bledsoe was such a different character than I had ever seen Aidan Quinn play before and it was quite refreshing. He was great as a grumbling, dirty yet somehow attractive mountain man. And Emmy Rossum, in her feature film debut, gives a stunning performance as the angelic voiced ward.

The music in the film is probably it's best asset. Greenwald had actual singers and musicians play the musical parts. Iris Dement and Taj Mahal were just two of the musicians in this film and they added an authenticity to the film. All the songs in this movie were amazing and as soon as I saw this film I went out and bought the soundtrack. The only problems I had with the film are that the plot sometimes seemed a little forced, a little contrived and that there were too many subplots. There were probably in total about seven or eight different plot lines weaved in and out throughout the film. In some films this might work but Greenwald doesn't quite pull it off. The lesbian subplot was not needed at all. It actually took away from the authenticity of the film and didn't seem to fit in with the time period, which was the late Victorian era. Overall I would definitely recommend this movie, especially to those that really enjoyed movies like Oh Brother Where Art Thou. This film captivates the beauty of the Carolina Mountains and shows what the music of the mountains is really like.

"Your music is like the air you breathe" Lily Penleric, Songcatcher

Songcatcher is a fantastic film about understanding culture and people throughout the beauty of music and the poetry of songs. Every beat and word represents something that in many ways is so personally related to people's lives, history and emotions.

This is the lovely story of Dr. Lily Penleric (Janet McTeer) a preeminent teacher musician who impulsively decides to run to visit her sister at a struggling rural school in the Appalachia, right after being denied of an anticipated promotion where she teaches. Over there (in the mountains) she founds a new meaning to her life by finding love and discovering very culturally important Scott-Irish ballads that she might use to save her promotion.

The whole cast performances are awesome, especially Janet McTeer who comes back with another tremendous performance and Aidan Quinn who hasn't been this good so far.

Writer/director Maggie Greenwald gives us a very fresh and tender story that describes so well all characters, situations with the very real and touching concept of music.

Finally, but not the least, David Mansfield music is fantastic. He amazingly takes excellent care of every musical detail related to the lives of these beautiful characters.

Robinson Almanzar.

Just saw this tonight as part of the Spirit Awards showings. A nice surprise, since I spend long hours listening to Alan Lomax's field recordings of mountaineers singing old ballads when I was at Bard College - and later parlayed that experience into a radio job, hosting a traditional music show.

That aspect alone should make anyone loves this music run to see the show. It's reproduced with great authority, and a lot of chestnuts which haven't been heard in Pop culture since Joan Baez are played much as they must have been when first heard: "Matty Groves", "Barbry Allen", "I Wish I Was Single Again", etc. The castng overall is superb - Janet McTeer is a unique and believable presence; Pat Carroll delightful as a mountain matriarch; Aiden Quinn his charming, virile self.

The plot is acceptable, if not 100% believable - several of the (discreet) sexual situations peppered throughout seem much colored by modern attitudes. Especially the reckless bit of carelessness which leads to one of the key catastrophes in the film. And these backwoods people are just a LITTLE too understanding on the issue involved.

On the other hand, several obvious threads veer into surprising directions - the ending being one of them. And the glimpse of Appalachian life will be a revelation to many.

Not to mention the music. Lots and lots of wonderful music. Including Emmy Lou Harris' (NOT Dolly Parton's) closing number over the credits.

Jim Chevallier North Hollywood, CA