AVALIAÇÃO DA IMDb
6,7/10
12 mil
SUA AVALIAÇÃO
Apesar das objeções de seu pai, uma adolescente latina e durona decide que a maneira de escapar de sua vida sem saída é treinar boxe em uma academia do Brooklyn.Apesar das objeções de seu pai, uma adolescente latina e durona decide que a maneira de escapar de sua vida sem saída é treinar boxe em uma academia do Brooklyn.Apesar das objeções de seu pai, uma adolescente latina e durona decide que a maneira de escapar de sua vida sem saída é treinar boxe em uma academia do Brooklyn.
- Prêmios
- 15 vitórias e 18 indicações no total
Douglas Santiago
- Adrian Sturges
- (as Santiago Douglas)
Avaliações em destaque
Since adding my review of this movie way back when, I have been disappointed and surprised to see so many IMDb reviews that see "Girlfight" as a kind of feminist fantasy. Is everyone aware that there really are women prize-fighters, some of whom really are capable of beating the crap out of most men? What's so improbable about the final boy-girl match isn't that the girl wins, but that it's her boyfriend she has to fight. And the only feminist thing about the movie is that the women's movement is probably what made it possible to write it as a drama instead of as a comedy. But there is no feminist "message" in this movie.
Watching Michelle Rodriguez deliver a confident performance in FF7 -- just one of many in her career -- it is easy to overlook this breakout role in this semi-indie boxing film.
Just because it is easy does not mean you should do it.
I re-watched Girlfight prior to this review and, just as I remembered, her reaction shots and dead-man stares were the standouts in a film which holds up surprisingly well.
I cannot over-emphasize how elegant this breakout role is. Stallone, the Jedi master of fight films, had his breakout role in a very forgettable film called the Lords of Flatbush. In it, he had a wrestling scene.
Recommended. And the rating should be higher than it is. It was intended as a character study and there are no bad performances, no dull moments.
Just because it is easy does not mean you should do it.
I re-watched Girlfight prior to this review and, just as I remembered, her reaction shots and dead-man stares were the standouts in a film which holds up surprisingly well.
I cannot over-emphasize how elegant this breakout role is. Stallone, the Jedi master of fight films, had his breakout role in a very forgettable film called the Lords of Flatbush. In it, he had a wrestling scene.
Recommended. And the rating should be higher than it is. It was intended as a character study and there are no bad performances, no dull moments.
Being a regular troublemaker at school, Diana starts to entertain the idea of learning to box properly like her brother is allowed to do. Knowing her father will never let her do it she steals the money from him and starts to train with Hector. Quickly improving in the ring despite the hoots of derision aimed at her from her fellow boxers, Diana finds problems with a lack of female opposition, love in the shape of another up and coming amateur and a conflict on the horizon with her father bound to find out sooner or later.
I'm not sure where I got the idea but for years I had the impression that this was a foreign indie film that had made a big impression and was critically praised. Mostly for these reasons I did really want to see it but never got round to it until it came onto television recently. By this point I had realized that it was an American movie with some indie aspirations but not the grit or adult content I had expected anyway, this preconception was my fault so I put it out of my mind and settled to watch it. The story is a fairly straightforward tale of a teenage girl trying to cut an unusual path in her life, facing and overcoming obstacles along the way. In this regard it is all pretty standard stuff, although the boxing content made it more interesting for me. It is reasonably well written and brings in some themes of domestic violence, back story and so on, without ever really getting to grips with any of them that well.
However what makes the film much better than it could have been was the realistic, convincing and moody playing of newcomer (at the time) Michelle Rodriguez. At times she pushes it a bit too close to being a typical "whatever" teenager and loses our interest but for the most part we can see real heart in her character and she keeps us onside with just enough of a look inside her to keep caring. The direction is also good matching Rodriguez down-to-earth performance by not playing up the boxing scenes or any other aspect of Diana's life. Support is good from Tirelli, Calderon, Douglas and Santiago to name a few and they hold the ground well for Rodriguez to stand out.
Overall this is not a great film, it is an enjoyable one but it rarely is more than par for the course in many areas. The script is OK but doesn't expand very well on the things it hints at, while the boxing scenes never get that exciting (although perhaps this is a strength). What makes it better than the sum of its parts though is a strong performance from Rodriguez delivering a down to earth performance that manages to be defensive and vulnerable at the same time, matched by a gritty tone to the direction throughout. Flawed and nothing special but its good points are enough to make it worth seeing.
I'm not sure where I got the idea but for years I had the impression that this was a foreign indie film that had made a big impression and was critically praised. Mostly for these reasons I did really want to see it but never got round to it until it came onto television recently. By this point I had realized that it was an American movie with some indie aspirations but not the grit or adult content I had expected anyway, this preconception was my fault so I put it out of my mind and settled to watch it. The story is a fairly straightforward tale of a teenage girl trying to cut an unusual path in her life, facing and overcoming obstacles along the way. In this regard it is all pretty standard stuff, although the boxing content made it more interesting for me. It is reasonably well written and brings in some themes of domestic violence, back story and so on, without ever really getting to grips with any of them that well.
However what makes the film much better than it could have been was the realistic, convincing and moody playing of newcomer (at the time) Michelle Rodriguez. At times she pushes it a bit too close to being a typical "whatever" teenager and loses our interest but for the most part we can see real heart in her character and she keeps us onside with just enough of a look inside her to keep caring. The direction is also good matching Rodriguez down-to-earth performance by not playing up the boxing scenes or any other aspect of Diana's life. Support is good from Tirelli, Calderon, Douglas and Santiago to name a few and they hold the ground well for Rodriguez to stand out.
Overall this is not a great film, it is an enjoyable one but it rarely is more than par for the course in many areas. The script is OK but doesn't expand very well on the things it hints at, while the boxing scenes never get that exciting (although perhaps this is a strength). What makes it better than the sum of its parts though is a strong performance from Rodriguez delivering a down to earth performance that manages to be defensive and vulnerable at the same time, matched by a gritty tone to the direction throughout. Flawed and nothing special but its good points are enough to make it worth seeing.
The first step to getting off of that road that leads to nowhere is recognizing that you're on it in the first place; then it becomes a matter of being assertive and taking positive steps to overcome the negative influences in your life that may have put you on that road to begin with. Which is exactly what a young Latino girl does in `Girlfight,' written and directed by Karyn Kusama. Diana (Michelle Rodriguez) is an eighteen-year-old High School senior from the projects in Brooklyn, facing expulsion after her fourth fight in the halls since the beginning of the semester. She affects a `whatever' attitude which masks a deep-seated anger that threatens to take her into places she'd rather not go. She lives with her father, Sandro (Paul Calderon), with whom she has a very tentative relationship, and her younger brother, Tiny (Ray Santiago). With her life teetering on the brink of dissolution, she desperately needs an outlet through which to channel the demons that plague her. And one day she finds it, without even looking for it, when she stops by the gym where Tiny trains. Ironically, Tiny wants nothing to do with boxing; he wants to go to art school, but Sandro is determined that his son should be able to take care of himself on the streets, and pays the ten dollars a week it costs for his lessons. When Diana convinces Tiny's trainer, Hector (Jaime Tirelli), to take her on, and approaches her father for the money, under the guise of calling it a weekly allowance (she doesn't want him to know what she wants the money for), Sandro turns her down and tells her to go out and earn her own money. Ultimately, with Tiny's help she finds a way, and the ring soon becomes her second home. It's an environment to which she readily adapts, and it appears that her life is about to take a turn for the better. And the fact that she will have to fight men, not women, in `gender blind' competitions, does not faze her in the least. Diana has found her element.
First time writer/director Karyn Kusama has done a terrific job of creating a realistic setting for her story, presenting an honest portrait of life in the projects and conveying that desperation so familiar to so many young people who find themselves in dead-end situations and on that road that leads to nowhere. And there's no candy coating on it, either; as Hector tells Diana when she asks him how he came to be where he is, `I was a fighter once. I lost.' Then, looking around the busy gym, `Like most of these guys, they're going to lose, too. But it's all they know--' And it's that honesty of attitude, as well as the way in which the characters are portrayed, that makes this movie as good as it is. It's a bleak world, underscored by the dimly lit, run-down gym-- you can fairly smell the sweat of the boxers-- and that sense of desolation that hangs over it all like a pall, blanketing these people who are grasping and hanging on to the one and only thing they have, all that they know.
Making her screen debut, Michelle Rodriguez is perfectly cast as Diana, infusing her with a depth and brooding intensity that fairly radiates off of her in waves. She is so real that it makes you wonder how much of it is really Rodriguez; exactly where does the actor leave off and the character begin? Whatever it is, it works. It's a powerful, memorable performance, by an actor from whom we will await another endeavor with great anticipation. She certainly makes Diana a positive role model, one in whom many hopefully will find inspiration and the realization that there are alternative paths available in life, at least to those who would seek them out.
As positive as this film is, however, it ends on something of an ambiguous note; though Diana obviously has her feet on the ground, there's no indication of where she's headed. Is this a short term fix for her, or is she destined to become the female counterpart of Hector? After all, realistically (and in light of the fact that the realism is one of the strengths of this film), professional boxing isn't exactly a profession that lends itself to, nor opens it's arms to women. And in keeping with the subject matter of the film, and the approach of the filmmaker, an affirmation of the results of Diana's assertiveness would have been appropriate.
The supporting cast includes Santiago Douglas (Adrian), Elisa Bocanegra (Marisol), Alicia Ashley (Ricki) and Thomas Barbour (Ira). Though it delivers a very real picture of life to which many will be able to identify, there are certain aspects of `Girlfight,' that stretch credibility a bit, regarding some of what happens in the ring. That aside, it's a positive film that for the most part is a satisfying experience. I rate this one 7/10.
First time writer/director Karyn Kusama has done a terrific job of creating a realistic setting for her story, presenting an honest portrait of life in the projects and conveying that desperation so familiar to so many young people who find themselves in dead-end situations and on that road that leads to nowhere. And there's no candy coating on it, either; as Hector tells Diana when she asks him how he came to be where he is, `I was a fighter once. I lost.' Then, looking around the busy gym, `Like most of these guys, they're going to lose, too. But it's all they know--' And it's that honesty of attitude, as well as the way in which the characters are portrayed, that makes this movie as good as it is. It's a bleak world, underscored by the dimly lit, run-down gym-- you can fairly smell the sweat of the boxers-- and that sense of desolation that hangs over it all like a pall, blanketing these people who are grasping and hanging on to the one and only thing they have, all that they know.
Making her screen debut, Michelle Rodriguez is perfectly cast as Diana, infusing her with a depth and brooding intensity that fairly radiates off of her in waves. She is so real that it makes you wonder how much of it is really Rodriguez; exactly where does the actor leave off and the character begin? Whatever it is, it works. It's a powerful, memorable performance, by an actor from whom we will await another endeavor with great anticipation. She certainly makes Diana a positive role model, one in whom many hopefully will find inspiration and the realization that there are alternative paths available in life, at least to those who would seek them out.
As positive as this film is, however, it ends on something of an ambiguous note; though Diana obviously has her feet on the ground, there's no indication of where she's headed. Is this a short term fix for her, or is she destined to become the female counterpart of Hector? After all, realistically (and in light of the fact that the realism is one of the strengths of this film), professional boxing isn't exactly a profession that lends itself to, nor opens it's arms to women. And in keeping with the subject matter of the film, and the approach of the filmmaker, an affirmation of the results of Diana's assertiveness would have been appropriate.
The supporting cast includes Santiago Douglas (Adrian), Elisa Bocanegra (Marisol), Alicia Ashley (Ricki) and Thomas Barbour (Ira). Though it delivers a very real picture of life to which many will be able to identify, there are certain aspects of `Girlfight,' that stretch credibility a bit, regarding some of what happens in the ring. That aside, it's a positive film that for the most part is a satisfying experience. I rate this one 7/10.
I first saw Michelle Rodriguez in The Fast and The Furious, and was sad that her character wasnt given more to work with because it was a role that could have been a great addition to the film.
Just recently I saw her Girlfight which was the role that started and has so far highlighted her career. And to be honest I found it to be one of the best movies I have seen in the last couple years.
The movie is about a girl named Diana played by rodriguez who has alot of pent up anger about herself and her mother's death. So her life at school is spent mostly by getting into fights, but that all changes when she visits her brother at a local boxing facility.
Soon its her and not her brother being the one trained, and through boxing she finds a way to release her anger, and find something to concentrate on. One of the things I found that I loved about the movie was that at the end not all of her problems were taken care of, just some of them. And her dreams are not realized but just taken a step further which is all she really wants.
But most of all it was Michelle's performance that made this movie the experience it is. Her character is REAL, and people aspiring to be actresses should watch her movie for pointers. She imbues her with the rage, and the full range of emotions that she shows through every scene. So watch it and love it 10/10
Just recently I saw her Girlfight which was the role that started and has so far highlighted her career. And to be honest I found it to be one of the best movies I have seen in the last couple years.
The movie is about a girl named Diana played by rodriguez who has alot of pent up anger about herself and her mother's death. So her life at school is spent mostly by getting into fights, but that all changes when she visits her brother at a local boxing facility.
Soon its her and not her brother being the one trained, and through boxing she finds a way to release her anger, and find something to concentrate on. One of the things I found that I loved about the movie was that at the end not all of her problems were taken care of, just some of them. And her dreams are not realized but just taken a step further which is all she really wants.
But most of all it was Michelle's performance that made this movie the experience it is. Her character is REAL, and people aspiring to be actresses should watch her movie for pointers. She imbues her with the rage, and the full range of emotions that she shows through every scene. So watch it and love it 10/10
Você sabia?
- CuriosidadesMichelle Rodriguez trained for two months before the 30-day shoot began. She was also chosen over 300 other women to be cast in the film. It was her first audition.
- Erros de gravaçãoWhen the girls are lined up to do chin-ups, the girl in the purple shirt changes from being in front of Diana to behind her.
- Citações
Adrian: My life with you is war.
Diana Guzman: Maybe. Maybe life is just war period.
- ConexõesFeatured in Siskel & Ebert & the Movies: The Beach/Snow Day/Holy Smoke (2000)
- Trilhas sonorasFried Neck Bones and Some Home Fries
Produced by Coati Mundi
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- How long is Girlfight?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Girlfight
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.565.852
- Fim de semana de estreia nos EUA e Canadá
- US$ 197.896
- 1 de out. de 2000
- Faturamento bruto mundial
- US$ 1.666.028
- Tempo de duração
- 1 h 50 min(110 min)
- Mixagem de som
- Proporção
- 1.85 : 1
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