Drácula 2000

Being a poor hen-pecked loser who isn't allowed cable television, I found myself in the rather alien position of being spoilt for choice over which movie to watch last Sunday night. British terrestrial television rarely throws up such a dilemma, so I had to consider carefully which one to select. In the corner marked 'safe option' we had Mel Gibson's Ransom (seen it; dull; can't really remember what happened but am assuming they eventually get the kid back), second was Man on the Moon (seen it; vaguely remember being a bit disappointed), and third was Wes Craven's Dracula 2000 (never seen it; presumably a straight-to-video job). Almost without hesitation I plumped for that.

A maverick choice, you might say - but there was method to my madness. On more than one occasion, drunken and deluded girls have approached me in bars and accused me of looking like Jonny Lee Miller. They are wrong of course - those close to me have taken sadistic pleasure in assuring me I look more like a cross between Woody Harrelson and Kelsey Grammar - not particularly good for my sex-symbol status, but useful if I ever wanted work as a stunt double on the set of Cheers.

Anyway, it turns out I chose wisely - Dracula 2000 is a hoot. More Schlock than horror (as you might expect from the creator of the Scream franchise) it has the kind of kitschy charm of Buffy the Vampire Slayer only with worse dialogue and a sillier plot. Those purists who prefer a more classic Peter Cushing/Christopher Lee tussle between good and evil are unlikely to stay beyond the first reel, but there are rewards for those who stick it out.

Miller plays Simon Shepherd the protégé of the mysterious Matthew Van Helsing (Christopher Plummer). A gang of thieves infiltrate Van Helsing's secret stash of old relics and unwittingly release Dracula from his silver coffin. Big mistake. The dark lord makes a bee-line for New Orleans in search Van Helsing's daughter Mary. On his way, he creates merry hell crafting a few undead henchwomen (mostly blonde) and enjoying unspeakable depravity in the middle of the Mardi Gras carnival. Unsurprisingly, Miller and Plummer pack their crucifixes and silver bullets and hurry over to save the day.

This being a sexed-up modern-day version of Bram Stoker's classic, Dracula himself is far from the urbane older gentleman with the black cloak and the widow's peak - this one is young and spunky and has the kind of barnet you might find in a L'oreal commercial. Try to imagine a bastard hybrid of David Copperfield and Alan Partridge and you won't be far off. Dracula's hair is not the only highlight though: There are some brilliantly awful modern cultural references - Sweet and innocent Mary works in Virgin Megastore (geddit?) - and an audacious religious sub-plot which goes some way towards explaining Dracula's hatred of silver.

All in all it is great fun. It was inevitably mauled by the critics, but I guess they don't have a sense of humour. Poor old Jonny's been in some turkeys since he made Trainspotting, but I'm backing him to hilt on this one - it certainly beats watching Mel Gibson and Rene Russo blubbing for two and a half hours.

7/10

An interesting new take on Dracula and vampires in general. It wasn't a bad movie, but then again it wasn't anything to brag about. Christopher Plummer (Abraham Van Helsing) was wonderful as was Jonny Lee Miller (Simon). Gerard Butler was an interesting new Dracula. He played the mysterious and seductive vampire extremely well. I think the biggest disappointment was Justine Waddell (Mary). When watching her first scene in the film, I burst into laughter (and so did everyone around me). Omar Epps was great, as always, as were the other "big names" in this movie. The rest of the acting was okay, but could have been better. The plot had some major potential but, unfortunately, it failed to really go anywhere exciting. This Dracula story is worth a watch but even though Wes Craven is involved here, don't get your hopes up too high.

I've got to admit that it was a lot less awful than I expected. Still not very good though, but I've seen greater disasters under the `Wes Craven Presents'-label…70 years after Bela Lugosi made him immortal, new blood is running through the veins of the horror icon Dracula (which is a pretty ironic statement to itself…). The year is 2000 and the location is Great Britain. Abraham Van Helsing kept himself alive somehow and he still stands guard over the coffin that holds the remainders of Dracula. The vacuum-closed coffin gets stolen and – surprise surprise – Dracula escapes….with a mission, because he's after Van Helsing's daughter in America. Since Abraham used Dracula's blood to keep alive, the exact same powers are to find in her. All of a sudden, this version comes up with a whole new historical background for Dracula…He's portrayed like a real ladies-man and director Lussier even suggests that his wrath against humanity goes all the way back to the Biblical beginning…I'm not quite sure what to think of this whole character-twist. It gives a slight bit of originality and ingeniousness to the franchise, but it's also illogical, extremely far-fetched and it might even be considered as being a little offensive. My biggest fear regarding this film, however, was that it would be a boisterous and computerized update of the legendary myth. I'm glad to say that the visuals in Dracula 2000 are well used and not too exaggerated. Some good old-fashioned gore as well with a couple of nice decapitations and slaughtering. The script is rather weak and contains silly humorist-lines such as: ` Never ever mess with an antique dealer'…and a lot of variants on the `vampires suck'-joke! Gerard Butler is pretty weak as the bloodsucking vampire and he hasn't exactly got the charisma and appearance to play him…Of course, he can't be blamed for that entirely as it's as good as impossible to follow into the footsteps of brilliant actors like Bela Lugosi, Christopher Lee or Gary Oldman who gave image to Dracula before him.

Other than Butler, there is a good diversity in the cast. We receive some quality acting by Christopher Plummer as Prof. Van Helsing and even Omar Epps is remarkable in his role. Lots of eye-candy is provided by Jennifer Esposito (I never saw her this pretty), Jeri Ryan (cleavage-queen) and Colleen Fitzpatrick (she's the modern version of Lucy). I'm rather late with my first viewing on this film. Since I never wanted to spend money on it, I patiently waited for it to come on TV. You're not missing anything in case you don't ever see it, but there are much worse ways to spend your time. It's overall well-made and light-headed entertainment. Not planning on seeing the sequels, though.

I remember watching this 2000 fantasy horror movie titled "Dracula 2000" back in the early or mid-2000s. However, the movie never really stood out as being particularly memorable or outstanding. And I haven't returned to watch it since, at least not before now in 2023. I had the opportunity to revisit it and decided to do so, as I only vaguely remembered the movie.

First of all, I had entirely forgotten that the movie had Gerard Butler playing the part of Dracula, and that was actually a really nice touch to the movie.

The storyline in "Dracula 2000", as written by Joel Soisson and Patrick Lussier, is a reinvention of the Bram Stoker novel, but of course with some major changes added to it. And it actually worked out well enough, because I was certainly entertained by this movie. In fact, the movie was actually not as corny and cheesy as I remembered it to be.

The movie has a great cast ensemble, with the likes of Gerard Butler, Christopher Plummer, Jonny Lee Miller, Justine Waddell, Jennifer Esposito, Omar Epps, Sean Patrick Thomas, Danny Masterson, Lochlyn Munro and Nathan Fillion as well. So there are a bunch of familiar faces on the cast list.

Visually then "Dracula 2000" was good, despite it being a movie that wasn't relying heavily on special effects.

My rating of director Patrick Lussier's 2000 movie "Dracula 2000" lands on a six out of ten stars.

An interesting take on Dracula--You might get a kick out of the end when you find out Dracula's true origin.

It struck me as two movies in one. There was a very passionate vampire story going on, covered up by a high-tech monster movie (think Bram Stoker's Dracula coated with a layer of Underworld or League of Extraordinary Gentlemen).

Considering the double tone of this film, I'm not surprised to see Christopher Plummer co-starring along some very fresh-faced young actors. Any fellow Canadians will notice a few Canucks besides Plummer in this one.

Because of the inconsistent flow of the movie, some silliness, and the disappointing death of one of the main characters, I gave this film a 6/10.