Um olhar "nos bastidores" sobre o mundo altamente competitivo e cortante dos espetáculos de cà es através dos olhos de um grupo de donos de cà es implacáveis.Um olhar "nos bastidores" sobre o mundo altamente competitivo e cortante dos espetáculos de cà es através dos olhos de um grupo de donos de cà es implacáveis.Um olhar "nos bastidores" sobre o mundo altamente competitivo e cortante dos espetáculos de cà es através dos olhos de um grupo de donos de cà es implacáveis.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 11 vitórias e 14 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Conformation dog showing is a world of illusion in which everyone tries to make perfect dogs out of something less. Best in Show strips the illusion away in a brutal satire that undoubtedly had every dog person on the planet cringing in horror and delight. "Isn't that just like so-and-so?" and "I'm nothing like that!"
Christopher Guest may have topped his supreme masterpiece "Spinal Tap" with this signature mockumentary in which he skewers all of dogdom. You will recognize Fred Willard's vapid and obnoxious television host as none other than Joe what's his name from Westminster, and the tension between him and Trevor Beckwith (Jim Piddock) is a thinly veiled roman a clef of David and Joe at the Big Show.
There are a few gaffs, like the fact at all the dogs at the Show are supposed to be champions before entry, but that doesn't detract from the fun. John Michael Higgins, who steals the show as the uninhibited handler, and Michael McKean are hilarious as the gay couple going out of their way to be outre. Co-writer Eugene Levy (American Pie) is perfect as the husband finding out that his wife Catherine O'Hara might be Miss Congeniality of all time. I also loved Parker Posey and Michael Hitchcock as the overwrought yuppie couple who project all their angst on their poor dog. Larry Miller turns in a great cameo as one of the countless men in O'Hara's past.
A lot of people didn't get this gem. To them I can only say Bad Dog, Bad Dog! For the rest of us, it's Sit, Stay, and Enjoy!
The film appears to be a documentary about dog shows and several contestants in particular. You follow these few chosen dogs from pre-show preparations all the way to the big night where one of them is chosen best in show at the fictitious "Mayflower Kennel Club". However, none of these people are real dog show enthusiasts but talent improvisational actors that parody many of the common types of people you meet in the dog show world. Amazingly, even though the characters are rather outlandish, there is a lot of truth to the personalities they are parodying--as decades ago I had some experience with dog shows and this is a VERY cutthroat group of people! My favorites of the dog owners were the incredibly high-pressure and tense yuppie couple who just exuded anger and volatility. I also loved the openly gay couple, as they were terribly funny and clever. However, the best performance probably wasn't from any of the couples but from Fred Willard who played the world's stupidest and least talented announcer in human history. His comments were uniformly inane and often betrayed him as an incredibly stupid person--how he got to be the announcer for such a prestigious show is anyone's guess. The other contestants featured were also quite funny--the high-priced professional poodle handler and its rich owner, the country boy and his hound as well as Winkie's "parents" who could barely scrape together enough to make it to the show.
Despite the improvised style of film making, the pieces all fit together wonderfully and told a very funny and compelling story--one that is NOT for dog owners only. Exceptional acting made this one of the best comedies of the last decade. Clever and consistently funny.
By the way, try to find this on DVD as the extras were actually worth seeing. While a bit painful to watch, I loved seeing Harlan Pepper and his beach ball collection in particular!
I kept working and forgot the time. The telly was on but I ignored it. All of a sudden I began hearing this very weird dialog. 'We like the same things - soup, snow peas, talking - and not talking.' I thought to myself 'what is this - some kind of weird porn movie?' And I continued ignoring it for a while longer until I heard the voices of Levy and Begley Jr. It was then I remembered what the girlfriend had said.
I looked the movie up at the IMDb quickly and was surprised to see who was behind it: Christopher Guest aka Nigel Tufnel, the man with the extra loud guitar amplifier. I knew then I was lucky to still be awake to witness this one.
I made two more checks at the IMDb before getting back to the movie: the number of awards and nominations and the box office. Not surprisingly this was a low budget venture, and not surprisingly either it's garnered tonnes of awards and nominations. The studio made a profit off this one, but it's pocket change in comparison to the big blockbusters. Still, it must be a kind of Woody Allen and Orion kind of thing: movies like this make the studio look good.
On to the movie: it's a riot, a bloody riot. It might not be your cuppa, but then OK - turn it off or watch something else. But there is so much in this one - it plays a bit like an Altman. Lots of hand-held too. And when you finally get to the show itself on comes Fred Willard and takes it away. He uses Jim Piddock as a foil - actually he uses almost everything as a foil. And if you think his portrayal is too much over the top, reflect on the fact it's supposedly a copy of an actual commentator at shows of this kind.
This type of movie is either extraordinarily difficult or admirably easy to make, and I suspect it's a bit of both. Some of the skits are just too much, and everywhere you turn the acting is inspired. One scene with I believe Posey in a pet shop is precious - and not only her work but the shop assistant's. Amazing stuff.
Mostly my sympathies went to Begley Jr who was the receptionist at the hotel. Meeting all these weird types and trying to remain accommodating and representative - it must be difficult if not impossible. There are some very weird characters in this one.
And you may be asking yourselves 'watch a mockumentary about a dog show and its participants?' And that's the whole point - it's hilarious; it's a riot.
I give it an 11.
Dog people, amusing enough in real life, are much more so in Christoher Guest's master mockumentary.
Dog people, and the dogs that own them, are often amusing in real life. But in the hands of master mock documentarist Christopher Guest, the amusement is marvelously magnified. (Guest practically invented the "mockumentary" with his 1984 rock band send-up, "This is Spinal Tap.")
In the days leading up to the Mayfair Kennel Club Dog Show, several sets of contestants make their way to Philadelphia to realize a dream of being "Best in Show." There's a pair of New York yuppies (Posey and Hitchcock) who are even higher strung than their willful weimaraner. A gay couple (Higgins and McKean) shows up to show off their shih tzu. A Florida husband and wife (Levy and O'Hara) make the trip with their terrier, discovering along the way that every man they meet is one of her former lovers. And finally, springing fully-grown from a country music song, lonely guy Harlan Pepper (Guest) arrives from North Carolina in a pickup truck with his droop-faced bloodhound. Once at the show, the odd assortment of owners conduct their canines toward a "best in show" showdown, where brilliantly inept color commentary is provided by Buck Laughlin (Willard).
Even though fairly well known actors play the primary roles, Guest achieves a documentary feel, mainly because much of the dialogue seems improvised. As writer-director, he deserves credit, either for writing sharp dialogue, or for directing in a way that inspires creativity in his actors.
Some of the best lines come from Posey and Hitchcock, the yuppie couple who met when their eyes locked as they sipped coffee at separate but close-by Starbucks, and whose pooch becomes paranoid whenever they get intimate in its presence. The other cast members ably deliver lines that define their quirky characters. Especially good is O'Hara as a woman with a past who is nonetheless devoted to spouse Levy, who literally has two left feet. Even the background extras, probably real-life dog handlers, are fascinating to watch, and seem to inhabit their own documentaries, waiting for their own close-ups.
The last third of the film brings the entire cast together for the "Best in Show" competition. This is where Willard, who seems to have wandered in from a slow day at the XFL, delivers his wildly comic commentary, which amazes and befuddles his more serious partner. (For a while, there was actually some Oscar buzz for Willard's performance here.) Though the film pokes fun at the dog show circuit, it also reveals a fondness for the people involved. It may not inspire you to become a dog show person, but it just may have you looking in the classifieds to see when the next real-life show is coming to your town.
Rating: 3.5 stars out of 4
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Você sabia?
- CuriosidadesParker Posey got real braces for her character to wear.
- Erros de gravaçãoAt one point during the Dog Show, supposedly taking place in Philadelphia, PA, an aerial shot of the arena reveals Mellon Arena in Pittsburgh, PA. This was stock footage "borrowed" from Morte Súbita (1995), whose plot involves a hostage situation; hence, the excessive number of police cars, which make no sense at a dog show.
- Citações
Sherri Ann Cabot: [Discussing her 80 year old husband who's 44 years her senior] Leslie and I have an amazing relationship and it's very physical, he still pushes all my buttons. People say 'oh but he's so much older than you' and you know what, I'm the one having to push him away. We have so much in common, we both love soup and snow peas, we love the outdoors, and talking and not talking. We could not talk or talk forever and still find things to not talk about.
- Cenas durante ou pós-créditosLord Haden-Guest...Sitar (Lord Haden-Guest is Christopher Guest)
- ConexõesEdited from Morte Súbita (1995)
Principais escolhas
- How long is Best in Show?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 18.715.392
- Fim de semana de estreia nos EUA e Canadá
- US$ 413.436
- 1 de out. de 2000
- Faturamento bruto mundial
- US$ 20.789.556
- Tempo de duração1 hora 30 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1