Enredo

Richard Hudson, an inveterate woman-chaser and gifted used car salesman, possesses a pimp's understanding of the ways in which women (and men) are most vulnerable - and justifies his seductions with a highly perverse logic.

Set in 1950s Los Angeles, Richard Hudson (Warburton) is a shrewd car dealer who moves from San Francisco and sets up a used-car dealership. Tiring of this job, he turns the lot over to an assistant and starts writing his first movie, The Man Who Got Away. It turns out to be an uncommercial picture chronicling the story of a truck driver who goes berserk, runs over a little girl and dies fending off a platoon of police officers. In making his film, Richard enlists the help of his father-in-law, Leo (Paul Malevich), a washed-up former film director whose notable possession is a Rouault painting of a clown. Through Leo, Richard pitches his idea to the Man (Ernie Vincent), the chief executive of Mammoth Pictures who green-lights the project. Conflict inevitably arises when Richard's obsession for making the movie his way clashes with the Man. Other kooky characters include Richard's mother (Lynette Bennett), a former ballerina who lures her hirsute lug of a son into a comic pas de deux ; Richard's sexually curious stepsister, Becky (Marilyn Rising), who seduces him, and his secretary, Laura (Emily Newman), whom he impregnates with a boorish indifference.—Anonymous

Richard Hudson, an inveterate woman-chaser and gifted used car salesman, possesses a pimp's understanding of the ways in which women (and men) are most vulnerable - and justifies his seductions with a highly perverse logic. By day, he works his crooked car lot with much success. By night, he returns home to a family of misfits: an adoring, ageless mother; her washed-up husband, an ex-film director who is twenty years her junior; and a curious teenage stepsister ripe for corruption. One day Richard is seized by a feeling of terror and revulsion: he realizes he's wasting his life in the meaningless pursuit of money. His only hope, he decides, is to abandon the used-car game and try his hand at something creative - an ambitious and risk-laden project that will "tie up in a single package his reason for existing." The fact that he has no experience in the arts means little to Richard. "Experts" are enlisted, and like a ringleader engineering a crime, he moves forward with a volatile and unyielding energy. Richard completes his cherished project. But forces beyond his control swiftly reject and destroy it. As a result, the enraged and humiliated used-car salesman goes on a bender for the ages drinking his way through the underbelly of Los Angeles and exacting a monstrous revenge on all who have crossed him.—Anonymous