Gangues de Nova York

It's so true what people say, that Daniel Day-Lewis doesn't act. He *becomes* the characters he portrays. It's simply astounding to see an interview with the soft-spoken, somewhat effeminate actor and then watch him as the terrifying, dominating Butcher in this, or Daniel Plainview in There Will Be Blood. Watch Gangs of New York for his performance alone and you won't be disappointed. That isn't to say the story isn't intriguing (it is) or Leo isn't good (he is) but really, Day-Lewis stole the show outright.

For about three months now, I have (on an almost daily basis) passed a movie theatre not far from my home. On the side of this movie theatre is a huge poster advertising the movie "Gangs of New York". Meanwhile, all I heard about on television was the buzz about the upcoming "Gangs of New York". So, when this highly publicized movie finally opened, I went and saw it.

I went to the theatre, I bought my ticket, I found a seat in a very crowded theatre and I sat. For three hours I sat in that dark theatre and I watched what was one of the most amazing movies I have ever had privilege to see.

It is hard to even begin to explain why this movie was amazing, but it was. The way it was shot is brilliant. The cinematography is spectacular. The story is completely enthralling.

Although the movie was just shy of three hours long, it was not at all boring to watch. The story was captivating and although I knew how it was going to end (because, after all, it is a movie based on a true-ish story), it was incredible to watch how it got that end.

Above all, the movie was beautiful to watch. I have to admit to those who have not yet seen it that "Gangs" is quite violent. However, the violence was well shot and it was fairly necessary to the story.

All of the actors put in extremely good performances. Leonardo DiCaprio really proved that he's not just a pretty face and that he does actually have a great deal of talent (which can also be seen in his other movie of the season, "Catch Me If You Can"). Cameron Diaz' performace also proves that she can do much more than the standard romantic comedy. Also, after hearing reports of Daniel Day Lewis' REALLY getting into his character, I admit that it was completely worth it. His character (William Cutting/Bill the Butcher) is so complex and although you know you hate him, you can't decide why (for there are so many reasons).

In conclusion, if you have not seen this movie yet, go. Go now. See it. This is one of the epic movies of our time. I heard that Scorcese has been conceptualizing this movie for over twenty years; I could tell. The story this movie tells is one that I had never heard and the way in which it was told makes it seem very important for us to know. The message that is conveyed, although not an entirely wholesome one, is an important one to learn and, if considered, is very relevant to our time. However, my only message to you is this: see this movie.

So narrates Amsterdam Vallon (Leonardo DiCaprio) standing by the boss Bill the Butcher's side (Daniel Day-Lewis) at the height of his hard-boiled reign over New York City in the mid-1800's. Amsterdam saw the Butcher brutally kill his father in a gang-war when he was just a little boy, and he's sworn revenge ever since. But in order to get his vengeance, he must infiltrate the Butcher's gang, and ends up becoming something of a son to him.

That "Gangs of New York" is such a good film is a mystery because it breaks the fundamental rule of good film-making: you have to care for the central character, and DiCaprio's Amsterdam is an unlikeable young man. He is surly and unkind, walking around in a bubble of hesitation and scattered thoughts of revenge. He moodily snarls at the one woman he likes (Cameron Diaz). It is inconceivable how someone as dynamic, likable and strong as the Butcher would ever take this brat in, but that's film for you.

The above is an unfortunate miss; the lead character has to be strong or else the film will weigh him down. Juxtaposing Dicaprio with Day-Lewis has got to be the worst idea that's ever popped into Scorsese's mind because it is evident within minutes of the film that they are of very different acting fibre and the former will look even WORSE when paired with one of the best working actors in the world today. But these are mere casting flaws (but still harmful), so onto the overall direction:

A friend of mine once said that Martin Scorsese is only capable of half a film before it turns into a mess and that stuck with me when I watched "Gangs of New York", because it was true. This is a relatively straightforward story of revenge but it is diluted by detours in Irish traditions – there's singing, dancing, bareknuckled fighting, drinking and debauchery--for 2 and a half hours. These detours may be well sewn-together by a patient Scorsese narrative flow (I'm thinking "Casino") told by Amsterdam, but is unnecessary to go to such lengths to get the Irish-immigrant setting and mood. We already got it, so move on and give us more substance.

However it cannot be denied that many of these detours make the film and setting – they are beautifully illustrated by lush colours that seem to bleed off screen–primary colours to suit primary, instinct-driven and hard-boiled men. The cinematography is just staggering. New York City is gritty, corrupt, bloody and bare-knuckled. I mean, I have seen Tarantino, Stone, Kramer and Cronenberg but this is by far the most violent and gory film I have ever watched. Such poignant, effective fights.

It is a shame the rest of the film is not as poignant, but desperately diluted. What saves it is Day-Lewis' magnificent presence on-screen as the brutal Butcher Bill, the occasional portrayals of gang-culture and the almost all-star ensemble cast that pop up in supporting roles throughout. A good film (just barely), but nothing more. "7" may be too generous, but hey...

7/10

In the 1840's New York is a mess of gangs all fighting over small areas of turf. The main rivalry is between the immigrant Irish and those who see themselves as Natives of their New York. A battle rages between them and the leader of the Irish (Priest Vallon) falls to the blade of Bill "The Butcher" Cutting – witnessed by Vallon's young son. Sixteen years later and things are different but no better. Cutting is now the head of the Five Corners and all the gangs answer to him. It is into this situation that an unknown man called Amsterdam returns – none other than the grown son of Priest Vallon. Seeking a fitting revenge for the death of his father, Amsterdam makes sure he catches Cutting's sole eye and gradually is taken into his trust.

Despite lukewarm reviews I decided that any Scorsese film is worth a look and gave GoNY a night of my time. In terms of plotting the film is essentially a revenge drama that sees Vallon trying to get close enough to Cutting to take him out in a fashion befitting the man. You might rightly point out that such a straightforward tale does not require 180 minutes to tell but it does when the film tries to make this much more of a sprawling affair that aims to bridge the cinematic gap between the western and the gangster films while also painting a rich tapestry of characters against a rich background of 19th Century New York. However it fails to do this on several levels and the end result is a film that feels a lot baggier than it really should have done. This is best seen in the characters because none of them really develop beyond the first impressions they give, or a better example is the failure of the film to use Jenny in the critical way that she was clearly intended to be used.

Scorsese may lose his way with the story but it is easy to forgive him because he does so well with the majestic historical sweep he gives to everything else. The sets look great, the costumes look great and the dramatic flair he gives in delivery add so much. It is a real problem that he has not taken the characters and story along for the ride but I found his silver lining to be enjoyable even if his rather OTT approach did further take away from the realism of the people and the story. His approach is matched by the cast, who are mostly enjoyable despite lacking depth. DiCaprio is more than the bland pinup I had feared he would be but he can't do much more than play the "silent revenge" card from start to finish. He is overwhelmed by Day-Lewis who has great fun in a fantastically OTT role that worked much better than I expected him to. Diaz is not that good and I felt she was miscast in an attempt to get "credibility" by working with Scorsese. The support cast is roundly good and features solid turns from Neeson, Reilly, Gleeson and many others fill out a strong cast.

Overall this is an impressive film in terms of sweep and style but not in terms of story and characters – which is a bit of a problem in a film that pretty much lasts three hours. The skill of Scorsese and the presence of so many stars make it worth a look but it is hard to get past the problems in the way that the story is not as well done as it could have been, even if the general historical sweep and spectacle makes it worth taking a look at.

Daniel Day-Lewis elevates this film from just "good" to "very good" or even "excellent." He is absolutely riveting, one of the most interesting "villains" I have ever seen on film. I am sorry Day-Lewis didn't win the Academy Award for his performance. He was just outstanding to watch. His facial expressions alone cracked me up!

Day-Lewis played "Bill 'The Butcher' Cutting" he is one nasty dude. However, there are no real "good guys" in this story. The supposed hero, played by Leonardo DiCaprio, is a revenge-seeking man with a ton of flaws himself. The rest of the characters are either thieves, gang members, corrupt politicians or corrupt policeman. Ah yes, another family-oriented film from that kindly director Martin Scorcese.

What Scorcese lacks in family values, he comes close to making up for in style. This is another fascinating visual film with great sets, costumes, color and camera-work. Other typical Scorcese touches are in here: Catholic-bashing and brutal language. (I question whether the f-word was used back in the days this film takes place.)

All in all, a tough film that could be too unpleasant to watch but for Lewis' outstanding performance and the spectacular visuals.