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6,5/10
892
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Adicionar um enredo no seu idiomaA Cincinnati museum director goes on trial in 1990 for exhibiting sadomasochistic photographs taken by Robert Mapplethorpe.A Cincinnati museum director goes on trial in 1990 for exhibiting sadomasochistic photographs taken by Robert Mapplethorpe.A Cincinnati museum director goes on trial in 1990 for exhibiting sadomasochistic photographs taken by Robert Mapplethorpe.
- Indicado para 2 Primetime Emmys
- 4 vitórias e 6 indicações no total
Avaliações em destaque
This film deals with the same 1st Amendment rights issues as THE PEOPLE VS. LARRY FLYNT. It presents the case of the Cincinnati art museum that displayed the photography of Robert Mapplethorpe. Intercut with the action of the film are comments from both the political right and left, including Mapplethorpe himself.
The song "Banned in the USA," a "Born in the USA" parody dealing with censorship, sums up the point -- that if some people protest against what other people want, that's fine, but if the protestors try to impose their own will through misapplication of law, that is not only censorship but also the first step towards dictatorship hiding under the guise of benevolent morality.
The cast is strong, especially James Woods as the museum director. The plot meanders back and forth in time, giving us background and consequences woven together into an intriguing story. The issues raised are important, and the dramatic presentation of these issues makes the film worthwhile.
The song "Banned in the USA," a "Born in the USA" parody dealing with censorship, sums up the point -- that if some people protest against what other people want, that's fine, but if the protestors try to impose their own will through misapplication of law, that is not only censorship but also the first step towards dictatorship hiding under the guise of benevolent morality.
The cast is strong, especially James Woods as the museum director. The plot meanders back and forth in time, giving us background and consequences woven together into an intriguing story. The issues raised are important, and the dramatic presentation of these issues makes the film worthwhile.
This is a very engaging movie that centers around an individual's right to personal taste. It does a fine job in getting the viewer thinking. It begs definitions of community standards, personal freedoms, pornography, obscenity and first ammendment protection.
I share my grandfather's take on this subject by one of his favorite sayings: '"To each, his own," said the man who kissed the cow.' There are exhibits and shows I wouldn't go to see on a bet, but I recognize there are many that would. Fortunately, we have to right to boycott or walk out if we don't like what we see.
As far as the movie itself, it's a lot like Mapplethorpe's work. He dealt with lighting, composition and mood. Granted, some of his subjects were disturbing but the total impression was masterful. This film asks and allows us to overlook the surface matter (the actual story, direction and script) and deal with the deeper aspects of the piece. I suggest you give it a view.
As always, James Woods was wonderful.
I share my grandfather's take on this subject by one of his favorite sayings: '"To each, his own," said the man who kissed the cow.' There are exhibits and shows I wouldn't go to see on a bet, but I recognize there are many that would. Fortunately, we have to right to boycott or walk out if we don't like what we see.
As far as the movie itself, it's a lot like Mapplethorpe's work. He dealt with lighting, composition and mood. Granted, some of his subjects were disturbing but the total impression was masterful. This film asks and allows us to overlook the surface matter (the actual story, direction and script) and deal with the deeper aspects of the piece. I suggest you give it a view.
As always, James Woods was wonderful.
As one very familiar with the trashing of the Bill of Rights here in Boston, I was intrigued by this movie..made in 2000 of events of 1991. The right to show Mapplethorpe's somewhat repulsive pictures (some of them) was upheld by a jury in Cincinnati. It sent me rushing out to google Dennis Barrie and discover that he is now the curator of the Rock and Roll Hall of Fame. We need ANOTHER movie made now in our current return to McCarthyism to play out the theme of freedom's denial again....disobeying the unconstitutional Patriot Act with today's Supreme Court 'will leave one in jail for years', it appears.
The use of the jurors in deliberation was excellent as we are shown the varying views that led to the acquittal of Mr. Barrie. However, I wish we could have been shown the views of the children now grown, in terms of how they viewed the persecution THEY received, which is vividly shown. As a dissident in a small town, my grandsons have received abuse and taunts for my anti-war stand and protests, so I know that our work to keep the flame of freedom bright never stops but often hurts those not directly in the battle.
From civil rights to artistic expression to war-mongering, the battle lines seem to have been drawn against the same ignorant, bigoted people for all of my 65 years. The use of the far-right Christian to tell you that the Barries divorced, that the judge and prosecutor were dumped, that Barrie lost his job a year or so later was an excellent mechanism to show us more of the truth, and to underscore the point that "freedom is not free". My still aching knees from being dumped out of a paddy wagon onto a concrete floor and dragged into a holding cell in the Harrison Ave. jail in Boston a month ago for protesting this slaughter of the Iraqis and illegal invasion of Iraq attest to the truth of that.
An excellent movie, one I nearly didn't buy because of it's 'unpleasant' title. Wonder how many movies never get the honors they deserve because of their unpleasant title or subject matter.
The use of the jurors in deliberation was excellent as we are shown the varying views that led to the acquittal of Mr. Barrie. However, I wish we could have been shown the views of the children now grown, in terms of how they viewed the persecution THEY received, which is vividly shown. As a dissident in a small town, my grandsons have received abuse and taunts for my anti-war stand and protests, so I know that our work to keep the flame of freedom bright never stops but often hurts those not directly in the battle.
From civil rights to artistic expression to war-mongering, the battle lines seem to have been drawn against the same ignorant, bigoted people for all of my 65 years. The use of the far-right Christian to tell you that the Barries divorced, that the judge and prosecutor were dumped, that Barrie lost his job a year or so later was an excellent mechanism to show us more of the truth, and to underscore the point that "freedom is not free". My still aching knees from being dumped out of a paddy wagon onto a concrete floor and dragged into a holding cell in the Harrison Ave. jail in Boston a month ago for protesting this slaughter of the Iraqis and illegal invasion of Iraq attest to the truth of that.
An excellent movie, one I nearly didn't buy because of it's 'unpleasant' title. Wonder how many movies never get the honors they deserve because of their unpleasant title or subject matter.
In 1990, in Cincinnati (USA), a director of an Art Museum, Dennis Barrie (the outstanding James Wood, one of the best American actors) decides to expose the pictures of Robert Mapplethorpe. This is the trigger to be prosecuted, go on a civil trial and destroy his private life. The presentation of this movie, showing the position of both sides, questioning what is pornography through the discussion of the jury, is in my opinion very neutral and positive, leaving a chance for the viewer reflecting in a very controversial theme. Another great point in this film is the comments of personalities and intellectuals, such as Salmon Rushdie, or Susan Sarandon. Inclusive, Robert Mapplethorpe had shot photos of the son of this great actress. However, it is funny the label of USA being `The Land of Freedom and Opportunity' showing the power of conservative persons in the end of the Twentieth Century, no matter they were the majority or minority part of the society. In the end of the movie, there is a statement about the real intention of the trial that is scary. USA had had its apartheid until the 60´s fortunately resolved in the present days. I believe it is one of the few countries where there is no Communist Party, maybe due to the serious restrictions in the past (McCarthyism, for example, has been showed in many movies, including `Citizen Cohn', where James Wood is the main character). If a person wants or needs to visit America, has to submit an application for an expensive VISA, on the contrary of most of the countries, but, anyway these are their internal society rules and are to be very respected. Especially in the present days, with threatens everywhere. What I was not aware and is completely new for me was about such a case of restriction to Arts. Arts are universal and belong to the citizens of planet Earth and should not be censored. I do not know the real intention of Dennis Barrie in exposing the photographs of Mapplethorpe after a previous prohibition in another American town, but anyway the exhibition was placed in a private and paid close place, with restriction to teenagers and children. Therefore, you would go there only if you liked it somehow. I myself am not fan of this type of theme, but I have visited some museums in Amsterdam and Hamburg, with expensive tickets, just for curiosity. The viewer will not be disappointed with this film. My vote is nine.
A look at the 1990 trial of Cincinnati Contemporary Arts Center director Dennis Barrie, who was accused of promoting pornography, 'Dirty Pictures' turns into An Interesting Watch! Also, The Always-Amazing James Woods delivers a yet another Excellent Performance!
'Dirty Pictures' Synopsis: A Cincinnati museum director goes on trial in 1990 for exhibiting sadomasochistic photographs taken by Robert Mapplethorpe.
'Dirty Pictures' may be not be flawless, but it sure is engaging & grasping. It talks about exploitation, freedom, sadomasochism & power. Ilene Chaiken's Screenplay is engaging & thought provoking. Frank Pierson's Direction is effective. Cinematography, Editing & Art Design, are fine.
Performance-Wise: As mentioned, Woods gives a yet another Excellent Performance! As Dennis Barrie, The Two-Time Academy-Award-Nominated Veteran Actor delivers a performance, that's so accurate & detailed, its hard to point out any flaws whatsoever! Diana Scarwid is competent. Craig T. Nelson does a fair job. Others fill the bill.
On the whole, 'Dirty Pictures' is worth a watch.
'Dirty Pictures' Synopsis: A Cincinnati museum director goes on trial in 1990 for exhibiting sadomasochistic photographs taken by Robert Mapplethorpe.
'Dirty Pictures' may be not be flawless, but it sure is engaging & grasping. It talks about exploitation, freedom, sadomasochism & power. Ilene Chaiken's Screenplay is engaging & thought provoking. Frank Pierson's Direction is effective. Cinematography, Editing & Art Design, are fine.
Performance-Wise: As mentioned, Woods gives a yet another Excellent Performance! As Dennis Barrie, The Two-Time Academy-Award-Nominated Veteran Actor delivers a performance, that's so accurate & detailed, its hard to point out any flaws whatsoever! Diana Scarwid is competent. Craig T. Nelson does a fair job. Others fill the bill.
On the whole, 'Dirty Pictures' is worth a watch.
Você sabia?
- CuriosidadesFirst Showtime production to win a Golden Globe.
- Trilhas sonorasBanned in the USA
Performed by 2 Live Crew
New Lyrics by Luther Campbell, Mr. Mixx, Fresh Kid Ice and Brother Marquis
Written by Bruce Springsteen (ASCAP) Used by permission
The 2 Live Crew appears courtesy of Lil' Joe Records Inc.
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Dirty Pictures
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 44 min(104 min)
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- Proporção
- 1.85 : 1
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