Propaganda

It is a very touching movie that shows how good friends, families are forcefully separated by bureaucracy. As someone mentioned in another comment, it is a bit unrealistic that a pregnant girl especially in a middle eastern country is tolerated by family and friends, but this movie is really worth watching.

I liked this movie in general. It is funny and it mocked of bureaucracy in particular. Anyhow some things were not really realistic. I can't imagine that in a such rural society in west Asia a pregnant girl before marriage would have been so tolerated as in this movie! It shows also some interesting aspects like the arid nature of this region and the nature of its people. I spent a nice time in this movie. I encourage that more movies from that relatively unknown region of the world (middle east- west Asia) should be made

I have seen Sinan Cetin's "Propaganda" three times. As a Turkish-American, it is very hard to see films like these at times and a number, like Yesim Ustaolgu's "Gunese Yolculuk/Journey to the Sun" and Zeki Demirkubuz's "Itiraf/The Confession," have alluded me. But, "Propganda" is gentle, yet politically sharp fable. Kemal Sunal, a great Turkish comic actor, moves away from the slpastick that made him an idol and gives a very touching performance here. Metin Akpinar, who was part of a famous duo with Zeki Alasya, is also quite good here. The film deals with Turkish-Kurdish problems which a number of dramas like Yilmaz Guney's "Suru/The Herd" (1978) have dealt with in much more direct fashions. But, unlike Guney's films, "Propaganda" is an all too rare positive film about Turkey. The film admits there are problems in Turkey, but it shows that the spirit of the Turkish people can overcome such obstacles. I do admire Guney, Ali Ozgenturk, Serif Goren, and Zeki Okten. They are great Turkish/Kurdish filmmakers who have made some of the best films in Turkish history. But, it is good to see a Turkish film which has hope and resolve in it. I think this is an underrated film, and is worhty of more deserving praise that it seems to have received.

Sinan Cetin, on the evidence of this film, seems to be a follower of the Norman Jewison tradition of romantic comedy; I thought of The Russians are coming, The Russians are coming, The Fiddler on the Roof, Moonstruck... Cetin knows how to milk a situation for pathos, and to get good performances from his actors.

Kemal Sunal as Mehdi gives a wonderfully funny and touching performance as the civil servant who can't see where his rigid and unimaginative application of the rules is taking him and the village. When his wife declares that the border runs through their bed from now on, all he can do is sigh fatalistically. Metin Akpinar is splendid as Rahim, the doctor and life-long friend to Mehdi--he reminded me of Topol at times.

The blend of Romeo and Juliet, Kafka and Hollywood formula comedy will not work for all viewers, but I was greatly entertained.

This is a great film in its own right. I have seen quite a few Turkish films, and this is certainly one of the best. The dialogue is witty, the story-line touching and the historicity of the film touches an area many of us never think of - the development of borders through the middle east.

You can feel for Medhi as he struggles with the dichotomy he faces, the competing pressures make for both difficult choices and black humour. Though there are laugh out loud moments too.

Turkish cinema can be difficult for many Westerns, but this film is not one of these.

A great film - I promise you will enjoy it.