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IMDbPro

Nós Permanecemos Unidos

Título original: Hum Saath-Saath Hain
  • 1999
  • Not Rated
  • 2 h 57 min
AVALIAÇÃO DA IMDb
6,3/10
11 mil
SUA AVALIAÇÃO
Karisma Kapoor, Salman Khan, Tabu, Sonali Bendre, Mohnish Behl, and Saif Ali Khan in Nós Permanecemos Unidos (1999)
Assistir a Hum Saath Saath Hain Movie Trailer
Reproduzir trailer2:15
1 vídeo
26 fotos
DramaMusical

Ramkishen e Mamta têm três filhos homens: Vivek, Prem e Vinod. Mamta é mais fria com Vivek, seu enteado, pensando no bem de seus dois filhos de sangue. Vivek aceita a decisão da madrasta com... Ler tudoRamkishen e Mamta têm três filhos homens: Vivek, Prem e Vinod. Mamta é mais fria com Vivek, seu enteado, pensando no bem de seus dois filhos de sangue. Vivek aceita a decisão da madrasta com obediência.Ramkishen e Mamta têm três filhos homens: Vivek, Prem e Vinod. Mamta é mais fria com Vivek, seu enteado, pensando no bem de seus dois filhos de sangue. Vivek aceita a decisão da madrasta com obediência.

  • Direção
    • Sooraj R. Barjatya
  • Roteirista
    • Sooraj R. Barjatya
  • Artistas
    • Mohnish Behl
    • Salman Khan
    • Saif Ali Khan
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    11 mil
    SUA AVALIAÇÃO
    • Direção
      • Sooraj R. Barjatya
    • Roteirista
      • Sooraj R. Barjatya
    • Artistas
      • Mohnish Behl
      • Salman Khan
      • Saif Ali Khan
    • 48Avaliações de usuários
    • 2Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 6 indicações no total

    Vídeos1

    Hum Saath Saath Hain Movie Trailer
    Trailer 2:15
    Hum Saath Saath Hain Movie Trailer

    Fotos25

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    Elenco principal44

    Editar
    Mohnish Behl
    Mohnish Behl
    • Vivek Chaturvedi
    Salman Khan
    Salman Khan
    • Prem Chaturvedi
    Saif Ali Khan
    Saif Ali Khan
    • Vinod Chaturvedi
    Tabu
    Tabu
    • Sadhana Sharma Chaturvedi
    Sonali Bendre
    Sonali Bendre
    • Dr. Preeti Shukla
    Karisma Kapoor
    Karisma Kapoor
    • Sapna Bajpai
    Neelam Kothari
    Neelam Kothari
    • Sangeeta Chaturvedi Pandey
    • (as Neelam)
    Mahesh Thakur
    Mahesh Thakur
    • Anand Pandey
    Alok Nath
    Alok Nath
    • Ramkishan Chaturvedi
    • (as Aloknath)
    Reema Lagoo
    Reema Lagoo
    • Mamta Awasthi Chaturvedi
    • (as Rima)
    Ajit Vachani
    Ajit Vachani
    • Vakil
    • (as Ajit Vachhani)
    Sadashiv Amrapurkar
    Sadashiv Amrapurkar
    • Dharamraj
    Himani Shivpuri
    Himani Shivpuri
    • Vakil's wife
    Rajeev Verma
    Rajeev Verma
    • Mr. Adarsh
    • (as Rajiv Verma)
    Satish Shah
    Satish Shah
    • Pritam
    Dilip Dhawan
    Dilip Dhawan
    • Anurag
    Shakti Kapoor
    Shakti Kapoor
    • Anwar
    Dinesh Hingoo
    Dinesh Hingoo
    • Raghuvir
    • Direção
      • Sooraj R. Barjatya
    • Roteirista
      • Sooraj R. Barjatya
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários48

    6,310.5K
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    Avaliações em destaque

    9dhirenbuch

    Childhood Memories!

    I am born in 2002, still this is my fav movie No new age Bollywood movie of this genre can meet the excellence of this Movie
    BOLLYWOODBway2006

    Wise not to "stand united"!

    Even though I am Indo-Caribbean and do like watching films just to connect with motherland,I do feel that we shouldn't judge a book by it's cover.We will make films like K3G and Lagaan bigger hits overseas than good films like Chandni Bar.I waited two years to get this because I wasn't interested and because it grossed $2 million in USA and films that gross over $300,000 get pirated the fastest.

    Mr Sooraj sure knows how to make the perfect formula.Put six attractive stars (and hide one) all over on trailors and posters and cd's and then only have Karishma Kapoor and Neelam (the hidden one) steal the show from the females Tabu and Sonali Bendre,which is disappointing because all four are talented,but Tabu only gets 12 lines and Sonali,probably 15.Then for our males...Salman Khan's name is first and he only gets 10 lines where Saif Ali Khan and Mohnish Behl steal the spotlight anyways.Even the supporting artiste get more lines and even the children get more scope,all Salman,Tabu and Sonali get to do is stand in the background and blush.

    Well, only two good tracks are 'Mere Hiwda Mein' and 'Maiya Yashoda'.It has a really good repeat value because I have seen it three times and if you like it,then you must not like films with high meaning like Lajja,Chandni Bar,Dil Se or Astivta,and Tabu won best actress awards for Chandni Bar and Astivta.Glad she was the first actress to do crossover into art films because she is not going to waste herself any longer in silly commercial masala!

    6/10
    Manuja

    A Movie with a Message.

    I like this film because it was a true family drama, and a dying genre, even in Hindi movies. The family relationships are well portrayed and often very touching even though they can run to the "too sugar sweet" area sometimes. But this is a very miner concern, because the bulk of the film has a great vibe and a great flow. The story advances with all the songs, instead of detracting from it.

    I think what a lot of people have forgotten to focus on is the social message conveyed in this movie. This movie explores the dangers of letting people poison your mind, and how family relationships can be badly effected by one person's wrong decision. The Mother in the story is made to feel insecure after the incident where the daughter's brother in law steals the family business from under them. This incident propels her to look at her own family in a different light, and to heed the machinations of 3 very frivolous women, and a man who wants to see his daughter lead the good life at all costs. The fact that they show us how well the family gets on before this incident shows us that regardless of how well you get on, such things can still happen to tear you apart. But the touching thing about this story is how the brother's and sister's rally together to protect each other, and how the firm love and respect between them swings things back into place. I loved this film. ALL the actor's contributed to the film. The characters they play are different, thus adding to the story in their own ways. I also disagree with another comment on this page that if you like this film you would not like films like "Astitva" and "Chandani Bar". I beg to differ. I liked those films very much. You don't have to be stuck in one genre, and it's better to be able to appreciate many genre's insteas of just one.
    8guardians2006

    Big Hit 1999

    Rajshri continued to produced wonderful and memorable flicks like Tapasya (1976 Dir. Anil Ganguly), Chit Chor (1976 Dir. Basu Chatterjee), Ankhiyon Ke Jharokhon Se (1978 Dir. Hiren Nag), Sunayana (1979 Dir. Hiren Nag), Humkadam(1980 Dir. Anil Ganguly), Naiyya (1980 Dir. Prashant Nanda), Saaransh(1984 Dir. Mahesh Bhatt) & Abodh (1984 Dir. Hiren Nag).

    Most of these films presently now have more weaknesses then strengths. But at the time of their release, and when I viewed them during the 1980's, these films were very different in style and tone from the rest of conventional Hindi cinema. It is these films that help inspire forthcoming filmmakers, and innovate the bland Hindi cinema which is predictable and not satisfying.

    While most of their production remains quite unknown to many audiences, since their films was mostly consistent of new cast and production crew (making them really experimental at times), their last three production has become the most popular films ever in the history of Indian cinema. The films Maine Pyar Kiya (1989), Hum Aapke Hain Koun (1994) & Hum Saath - Saath Hain (1999) had broken box-office records around the world. All three movies was directed by Rajshri in-house director Sooraj B. Barjatya.

    The films each have a social message which looks at each stage of life....youth/love, love/marriage & family values. While I loved his first two movies, his present one was very disappointing as it falls behind by being too overly melodramatic, which at times become rather ambiguous to the whole setting and nature of the film.

    The first half hour feels like a theater production when all the characters enter the stage with their own mannerisms and characteristics. While this part has been handled well, I fail to understand why the need for so many characters. I was totally lost when all the secondary characters just entered the house (without a doorbell?) and made themselves feel too much at home. This creates an unease in the overall flow of the film. Maybe its just me, but I do feel that too much escapism was wrong at the start as it becomes too demanding on our part to make believe.

    Rather then break Hindi film conventions, which all Rajshri films have done in nearly all of their releases, Hum Saath - Saath Hain continues the trend set by Hum Aapke Hain Koun of an upper class family having functions, outings, businesses, and a big house. This in my view has been looked upon once too often, and seems rather tiring and predictable. This contrasted with what the director did for his first directorial debut Maine Pyar Kiya which, in 1989, resorted Hindi cinema back to the romantic genre for the 1990's. This helped the romantic genre become a profitable and popular format after one decade of violence and patriotism films.

    Planning of shots, art direction and performances are well executed. This shows how the director is very structured in what he wants to be visually shown on screen. But while the visuals are pleasing the overall plot, which is reminiscent of a modern day Ramayan, seems to be rather outdated. It is nice to see togetherness in a family but his concept was way over premising. It kept most of Ramayan philosophy into the plot rather then to fuse/innovate it with modern day influx of westernization which has taken over India with the advent of satellite television and of commercialism of products. Thus the film is not as up to date with today's audience.

    Another weakness detected in the film is the poor song score, which is also not in touch with audiences expectations. While the lyrics are very touching and heart warming (especially in the song 'Yeh To Such Hain' which is a dedication to parents), the music doesn't merit the soundtrack to be listened to on its own. Its decent enough while viewing the film, as both are suited as it twins well. However it lacks the soulful melodies heard in present films like Taal (1999). I presume due to the death of one of the music director it has impacted on the working technique once presented in the duo Raam - Lakshman. The background score is however very appropriate as it helps to interact with what the characters feel on screen.

    Where there is a negative lies a positive and this film has many. Like I mentioned before all the pr-production work done really shows the creativity the director has for his characters. There are many characters in this film, and for the director to ensure what will each be made of mentally and physically shows very well on screen. He personifies them through their personality, para-language, body language and even hobbies. The excellent art direction by Bijon Das Gupta captured by the wide cinema scope frame of Rajan Kinagi shows all of this creation quite well, and adds marvel viewing.

    Also the performance from all the cast, despite the weak plot, is very well handed due to the detail structure of the surround planning by the director. Karisma Kapoor, Aloknath, Tabu, Neelam and Saif Ali Khan displays wonderful moments of character acting, that surpasses most blockbuster stars currently in Indian cinema. Also Salman Khan performance is quite impressive despite having less screen time then most of the major characters. Here his shy charter is played to a tee and certainly contrast with his loud and crass characters in his past films like Pyaar Kiya To Darna Kiya (1998) and Hello Brother (1999).

    Despite being harshly criticize by many film critics, and by some audiences, the film became the highest grossing Indian film of the year 1999. The film might be a favorite with family audiences, but for individuals who crave for something new won't find this film satisfying.
    8CAMKG

    Almost Together

    Sooraj Barjatya's Hum Saath Saath Hain is his follow-up to the immensely successful Hum Aapke Hain Kaun. Barjatya has pretty much all the same ingredients here as well. The ensemble cast are all perfectly selected for their roles and have done a good job. Most outstanding of all in the film would be Mohnish Behl. Barjatya has once again written a very meticulous script with great timing by all the artists in bringing out Barjatya's vision from the paper to the screen. The one area where HSSH lacks in is the music. Though not a bad score by any means, it needed a bit more melody and pleasantness to enhance the moods of the film better. Also, the energy that HAHK had somehow seems to be missing. But to be fair to the film, Barjatya has once again presented a very sincere and heartfelt effort. Job well done. 8/10.

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      During the filming of this movie, Salman Khan, Saif Ali Khan, Neelam, Tabu and Sonali Bendre went hunting on a distant forest of Rajasthan and got involved in the infamous black buck poaching case.
    • Erros de gravação
      In the song Sunoji Dulhan Satish Shah is shown tickling Salman from first row but later when Salman runs he is shown sitting in third row.
    • Cenas durante ou pós-créditos
      In the beginning, the six main characters (Saif Ali Khan, Karisma Kapoor, Salman Khan, Sonali Bendre, Tabu, and Mohnish Behl) are seen in suits and elaborate dresses lip-syncing to the title song while dancing as their three respective couples.
    • Conexões
      Featured in Golmaal 3 (2010)
    • Trilhas sonoras
      ABCDEF - I Love You
      Written by Shashank Banerji

      Composed by Vijay Patil (as Raamlakshman)

      Performed by Hariharan, Hema Sardesai, Shankar Mahadevan, Udit Narayan and Saif Ali Khan

      Courtesy of Saregama HMV

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    • How long is Hum Saath-Saath Hain?
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    Detalhes

    Editar
    • Data de lançamento
      • 5 de novembro de 1999 (Índia)
    • País de origem
      • Índia
    • Central de atendimento oficial
      • Watch Hum Saath Saath Hain movie on ZEE5
    • Idioma
      • Hindi
    • Também conhecido como
      • Hum Saath-Saath Hain
    • Locações de filme
      • Jodhpur, Rajasthan, Índia(location)
    • Empresa de produção
      • Rajshri Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 2.005.094
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 651.575
      • 7 de nov. de 1999
    • Faturamento bruto mundial
      • US$ 2.005.094
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 57 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • Dolby
      • DTS
    • Proporção
      • 2.35 : 1

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