AVALIAÇÃO DA IMDb
7,0/10
7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaWhen a Newsweek photojournalist disappears in war-torn Yugoslavia, his wife travels to Europe to find him.When a Newsweek photojournalist disappears in war-torn Yugoslavia, his wife travels to Europe to find him.When a Newsweek photojournalist disappears in war-torn Yugoslavia, his wife travels to Europe to find him.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 1 indicação no total
Scott Anton
- Cesar Lloyd
- (as Scott Michael Anton)
Avaliações em destaque
As someone who had lived through this war [I live in Osijek, town frequently mentioned in the movie, only 30 kilometers from Vukovar] and have seen the atrocities first hand, I'll start by commenting the realistic value. To my surprise, the Harrison flowers turned out to be very accurate in portraying what it was like. The details, such as locations, army uniforms and equipment, names, places, scenes and the geographic and historic facts, are pretty much all spot-on true. There are few barely noticeable mistakes, but it'd be nitpicking on my behalf even mentioning them. So, to anyone interested in seeing what the end 20th centuries warfare really looks like, I highly recommend it. It's miles ahead of Holywoods cheezy Rambo-style war movies and by it's ruthless realism it really is a visual kick in the gut.
As for the plot - the love story that serves as a guideline seems pretty much unnecessary and hard to believe. It has occurred to me that it'd be far more believable if Andie MacDowel was the photojournalist lost in the war-zone and her husband goes to get her out, not the other way around. So, those looking for a warm love tale, this will hardly be the best choice. Those interested in seeing the insanity of the easter-Europe 1991. war conflict, the cruelty and danger of modern photojournalism - I can hardly think of anything better than this.
As for the plot - the love story that serves as a guideline seems pretty much unnecessary and hard to believe. It has occurred to me that it'd be far more believable if Andie MacDowel was the photojournalist lost in the war-zone and her husband goes to get her out, not the other way around. So, those looking for a warm love tale, this will hardly be the best choice. Those interested in seeing the insanity of the easter-Europe 1991. war conflict, the cruelty and danger of modern photojournalism - I can hardly think of anything better than this.
I just saw "Welcome to Sarajevo", a film that got a lot of press and positive remarks when it came out. I only suspect that much of the press was based on the fact that it came out only a couple of years after the end of that terrible war in Bosnia.
Just as in "Welcome" this film also depicts the life of journalists, trying to understand and convey the happenings in a country once believed to be almost western. (Which, I suspect, is the reason that it had such an impact on the western psyche.) As everbody else has pointed out this is where the best characters are found, especially Adrian Brodys character.
Several others have already pointed out that the main story revolving around a lost love and an heroic wife trying to save her husband is really awkward. But since you need somekind of story, that might just as well be it. I saw this film a second time just recently and actually managed to ignore the plot and focuse on the description of the madness that was eastern Croatia in the early 1990´s.
This film has an incredible feeling, the settings, the photography and the score makes it come really close to being in an actual war. I cant really praise this enough. Compared to "Welcome" this film hits you in the guts as it shows the brutality of urban warfare and the senseless killings that occur in all wars.
Other films about Bosnia that are recommended if you like this one, "No mans land", "Pretty Village, Pretty fire" and "Savior". And why not give "Welcome" a chance too.
Just as in "Welcome" this film also depicts the life of journalists, trying to understand and convey the happenings in a country once believed to be almost western. (Which, I suspect, is the reason that it had such an impact on the western psyche.) As everbody else has pointed out this is where the best characters are found, especially Adrian Brodys character.
Several others have already pointed out that the main story revolving around a lost love and an heroic wife trying to save her husband is really awkward. But since you need somekind of story, that might just as well be it. I saw this film a second time just recently and actually managed to ignore the plot and focuse on the description of the madness that was eastern Croatia in the early 1990´s.
This film has an incredible feeling, the settings, the photography and the score makes it come really close to being in an actual war. I cant really praise this enough. Compared to "Welcome" this film hits you in the guts as it shows the brutality of urban warfare and the senseless killings that occur in all wars.
Other films about Bosnia that are recommended if you like this one, "No mans land", "Pretty Village, Pretty fire" and "Savior". And why not give "Welcome" a chance too.
There are very, very few films that had dared to tackle the controversial subject of wars in the former Yugoslavia and get it right. This is one of them, and done extremely well. Now, if your knowledge on the subject is limited, you may have a hard time following the politics of it. However, you shouldn't let that prevent you from viewing it; because in its core, it's actually a very basic and touching human story. It is surprisingly accurate, moving, harrowing, suspenseful and (dare I say) very entertaining. It's a work of fiction but actually based on some real and well documented incidents (the infamous, bloody invasion of Vukovar, Croatia, and the crimes committed by the Serbs against Croatian people during this time). The acting is excellent all around (Brody, Gleeson and Strathairn especially), but the real star of this film is the lovely Andie MacDowell. The actress (Four Weddings and a Funeral) who has, by some, on occasion been heavily criticized for her 'limited' acting abilities, in this film more than proves her worth. In a very difficult, dramatic role, Ms. MacDowell gives an Oscar-caliber performance that is both heartbreaking and very brave. You should check it out, even if you know nothing about this period of tragic Croatian history. See it for its remarkable story, tight editing, sweeping cinematography and superb performances by Andie MacDowell and Adrien Brody
Outstanding war drama. Grim, realistic - and what a fantastic cast. I have no idea why this film isn't more widely known - it certainly deserves to be - or actually, I do have an idea why it tanked. The cheesy title plus the fact that Andie MacDowell - the (then) "rom-com queen" - is in it, and that the film received next to no marketing are very likely reasons why nobody went to see this. But YOU should. It's worth it. 8 stars out of 10.
In case you're interested in more underrated masterpieces, here's some of my favorites:
imdb.com/list/ls070242495
In case you're interested in more underrated masterpieces, here's some of my favorites:
imdb.com/list/ls070242495
Harrison's Flowers is a journey into a journalist's personal hell. While some may feel that the premise of the story is rather lame and confabulated, it serves a purpose. To show the human side of the photo journalists who bring the horrors of the world to those of us who, as they noted in the movie, are just worried about getting a parking ticket.
Too often when we non-journalists see photos of war zones we are horrified and, at the same time, we are dumbfounded as to how someone could be so inhuman and unfeeling as to photograph such graphic examples of man's inhumanity to man. Harrison's Flowers is excellent at showing us that just as a reader we can't stop looking at the horror even though we are revolted, the journalist cannot stop photographing and documenting it even though the human side of them is revolted as well.
As for Andie MacDowell's so-called wooden performance, one must remember that in this film she is seeing her husband's and his colleagues' world through their eyes for the first time. How quickly would any of us be able to break out of our shock-like trance and be totally outraged or emotional if this were the first time we were seeing it? Even the veteran photo journalist portrayed by Brendan Gleeson was paralyzed with shock more than once in the film. Andie MacDowell's character came from such an insulated world that seemingly emotionless shock was the perfect way to portray Sarah, who simply cannot fathom what she sees unfolding around her.
Harrison's Flowers is an excellent portrayal of the Serbo-Croatian hell that descended upon that part of Europe and irreparably tore apart the life of anyone in its path.
Too often when we non-journalists see photos of war zones we are horrified and, at the same time, we are dumbfounded as to how someone could be so inhuman and unfeeling as to photograph such graphic examples of man's inhumanity to man. Harrison's Flowers is excellent at showing us that just as a reader we can't stop looking at the horror even though we are revolted, the journalist cannot stop photographing and documenting it even though the human side of them is revolted as well.
As for Andie MacDowell's so-called wooden performance, one must remember that in this film she is seeing her husband's and his colleagues' world through their eyes for the first time. How quickly would any of us be able to break out of our shock-like trance and be totally outraged or emotional if this were the first time we were seeing it? Even the veteran photo journalist portrayed by Brendan Gleeson was paralyzed with shock more than once in the film. Andie MacDowell's character came from such an insulated world that seemingly emotionless shock was the perfect way to portray Sarah, who simply cannot fathom what she sees unfolding around her.
Harrison's Flowers is an excellent portrayal of the Serbo-Croatian hell that descended upon that part of Europe and irreparably tore apart the life of anyone in its path.
Você sabia?
- CuriosidadesCroatian city of Vukovar was defended by around 1,800 lightly armed soldiers of the Croatian National Guard (ZNG) and civilian volunteers, against as many as 36,000 JNA (Yugoslav People's Army) soldiers and Serb paramilitaries equipped with heavy artillery.
- Erros de gravaçãoDuring the battle, when they are hiding in the dead woman's house, the Serbian/Yugoslav tanks carry the Croatian national flag with a red star.
- Citações
Yeager Pollack: There are only two different types of people in this world. Those who have seen the war, and those who haven't.
- Versões alternativasFor the United States version, the film's length was reduced by about 5 minutes; it also features a new score by Cliff Eidelman. All interview footage was cut. As well as a few short shots. The biggest cut is the one which announces the death of Cathy, the French journalist. The ending has a different voice-over. The only addition for the American version is when Sarah first says in the cafe "He's not dead".
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Harrison's Flowers
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 8.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.871.025
- Fim de semana de estreia nos EUA e Canadá
- US$ 867.635
- 17 de mar. de 2002
- Faturamento bruto mundial
- US$ 3.033.646
- Tempo de duração
- 2 h 10 min(130 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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