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I just finished the QC of Rated X for the up coming DVD. I was pleasantly surprised by this film. The acting was impressive, and the story of the Mitchell Brothers kept my interest. The greatest praise I could give this film; after viewing it I wanted to learn more about the facts behind the Brothers story. This movie is worth a look, unless the subject matter would offend.

This film is Based on a True Story about the rise and fall of the porn filmmakers:The Mitchell Brothers (Played by Charlie Sheen & Emilio Estevez). The Mitchell Brothers made a famous porn film titled "Behind the Green Door". Once they become successful, they have to go through the American government, the mob, the woman's in their lives and even each other to create a San Francisco Porn Dynasty but the drugs and their intense relationship puts them apart.

Directed by Emilio Estevez (Men at Work, The War at Home, Wisdom) made a terrific if wildly uneven drama that, it was never release in theaters. Instend it got debuted in showtime entertainment network.

DVD has an bright Pan & Scan (1.33:1) transfer and an fine-Dolby Surround 2.0 Sound. DVD has an surprisingly amusing commentary tack by real-life brothers:Sheen and Estevez.

The french Canadian DVD has an sharp non-anamorphic Widescreen (1.78:1) transfer and an good-Dolby Stereo 2.0 Sound. This DVD is only in french with no subtitles.

This is an unfocused but extremely well made film. Watch for film director:Peter Bogdanovich appears in a cameo as a film school professor. A must see for the performances by Sheen & Estevez. (****/*****).

I caught this movie on a movie channel not knowing what it was, never even heard about it or the Mitchell brothers. And to tell you the truth I didn't expect very much of it. I have always considered Charlie Sheen to be a quite bad actor and can you name one single movie Emilio Estevez has made since young guns? But to my pleasant surprise the movie turned out to be pretty good. Ok it was a bit slow sometimes, but overall it's a quite interesting story about 2 brothers rise and fall. To bad that both of them lost it and messed everything up, but hey, you can't change a story that is based on a true story, right? I give this movie 3 points out of 5 possible. These brothers life caught my attention I will definitely read the book now.

Emilio Estavez directed this, but one wonders why. It doesn't take a genius to realize that a movie about two porn movie directors is not going to win any Academy Awards. What was Emilio thinking? You can play it as tragedy. You certainly can't make heroes of these guys. I guess what he was thinking was this was a part of America from the sixties to the nineties in the twentieth century--this was the reality and let's tell the truth. but somebody else might say, why bother? Most critics and viewers would call this a prize turkey, but...but is there some redeeming social value? Charlie Sheen and Estavez star as the brothers Mitchell, two entrepreneurial guys who stumble from the free love scene of the sixties in San Francisco to the cash cow of the first widely distributed porn movies, including the infamous "Behind the Green Door." Maybe there is a kind of free speech angle here, with the porno boys fighting the good fight against censorship and Big Brother. On the other hand, there is a didactic tale here about how success corrupts and how sex, drugs and rock and roll--forget the rock and roll; this is almost pure sex and drugs--how sex and drugs may lead you to make a movie called "Sodom and Gomorrah" which may suggest that you ought to be starring it in.

Charlie Sheen is very good and so is Estavez. His direction is also not bad. The movie moves right along and the degeneration of the brothers is well expressed. Megan Ward had a chance in a supporting role here, but she failed miserably, possibly because how could she feel any connection with a role that made her the quasi-tolerant, quasi-suffering wife of a man who makes his living pandering to lust (and indulging his own) while smoking, drinking and snorting anything he can get his hands on? Not pretty. However, I wouldn't be surprised if someday in the distant future, long after I am gone, that in some social science class at say Cal Berkeley this movie is played as augmenting an anthropological study of a certain segment of our population in the later part of the 20th century. The students can see this as a film documenting the moral corruption of a nation following Vietnam and the Nixon administration, perhaps even anticipating the moral corruption we see today.

But I would advise you to skip this unless you are a big Emilio Estavez fan, in which case this is a must see, or if you are a Charlie Sheen fan, and then it is worth seeing because this is one of his better performances, and you've got to see these guys in their bald domes and their side burns and authentic seventies attire. To be honest, I've seen people win Academy Awards who weren't half as good as Sheen was. Naturally this won nothing.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

Going into the theatre, I had mixed expectations. This is, after all, a movie about the porn industry. It could be very graphic, shallow, poorly lit. It most certainly would have a nauseating soundtrack. The tickets were free and it was the premiere event, so the food would be good-- and I went. I was thoroughly amazed to see a very creatively produced film, whose formal perks were as interesting as its content. I was entertained by and sympathetic toward the characters, who were multi-dimensional and intense. Mostly, I was impressed by the film's visual aesthetics-- I'm not referring to the sex scenes here, though there was ample representation of that action-- I'm talking about the piecing together of a beautifully shot film. But besides that, the soundtrack was refreshingly hip and the actors gave excellent performances. This is a Showtime feature that has exceeded its medium's limitations,producing a movie that is given more justice in the theatres than where it will deign to be exhibited- on TV.