- Prêmios
- 4 vitórias e 8 indicações no total
Resumo
Reviewers say 'Coyote Ugly' targets teens with themes of ambition and self-discovery. Violet, an aspiring songwriter, moves to New York and works at Coyote Ugly bar. The predictable plot and clichés receive mixed reviews. Piper Perabo and John Goodman's performances are divisive. The soundtrack is praised, while bar scenes are seen as either entertaining or gratuitous. Overall, it's a light-hearted, feel-good film for its audience.
Avaliações em destaque
Coyote Ugly is one of those films that you can't really enjoy as a fine piece of cinema. It has a used, weak plot, and a lot of the dialogue is kind of corny. But I don't think anybody who goes to see this film really has high expectations for it, anyway. Coyote Ugly failed as a movie, but succeeded where it counts, ahem ahem. That makes this film a little better than average. I enjoyed Coyote Ugly, and think anybody else would, too.
Coyote Ugly is a 2000 comedy-drama that follows a shy aspiring songwriter who starts to come out of her shell after getting a job at a woman-run New York bar.
This is one of those movies that is actually a lot better than it sounds on paper. It tells a decent story about how you should at least try, rather than just believe that you can't do something.
Piper Perabo stars as Violet Sanford, a girl from New Jersey who dreams of becoming a professional songwriter, but lets her stage fright get in the way of trying to get her name out there. Violet moves to New York where she stumbles upon a job at a bar where the women call the shots which helps Violet earn a living, but also helps her step out of her comfort zone.
It's not the best movie, but I've always enjoyed it. The cast is good, the characters are likable and if you're into popish country music then you'll probably like the soundtrack. If you've never seen this before, it's worth a watch.
This is one of those movies that is actually a lot better than it sounds on paper. It tells a decent story about how you should at least try, rather than just believe that you can't do something.
Piper Perabo stars as Violet Sanford, a girl from New Jersey who dreams of becoming a professional songwriter, but lets her stage fright get in the way of trying to get her name out there. Violet moves to New York where she stumbles upon a job at a bar where the women call the shots which helps Violet earn a living, but also helps her step out of her comfort zone.
It's not the best movie, but I've always enjoyed it. The cast is good, the characters are likable and if you're into popish country music then you'll probably like the soundtrack. If you've never seen this before, it's worth a watch.
Not much to say about this one. The film is mostly about watching sexy girls dance on a table. Not much of a storyline, just enough to say the movie has a plot. The singing in the film is nice to listen to, but the movie is basically eye candy, the acting is shallow and sometimes cringe worthy. The plot and lines are predictable and cliché. If you're looking to watch a B movie with hot girls basically pole dancing on a table then this is the film for you.
After 20 years, I'd have to say...it doesn't hold up that well. BUT, that's not to say, it brings a tug of nostalgia for that era of Jerry Bruckheimer slick music video retreads of "Flashdance"
A lot of it is due to Diane Warren's corny soundtrack music. And those of us who were in college by now, have a slight shiver when we hear her anthems. Which nearly toppled another Jerry Bruckheimer gem "Con Air" with "How Do I Live Without You" Oof.
The present day woman would consider that dis-empowering to be so attached to a man (or perhaps this could be used towards other women). Speaking of which, the topic at hand is "Coyote Ugly." Presumably, an article led to this story (written by Gina Wendkos). I recall a friend had moved to New York City and discovered a bar called Hogs and Heifers, which shared very similar rambunctious behavior (nailing bras to the wall). And dancing on bars and so forth. In Jerry Bruckheimer world...it's PG-13. So none of the topless stuff is displayed (unless you get the unrated DVD/Blu-Ray which shows Piper Perabo's funbags).
Though this movie is about making it in the big city, it is somewhat laughable at the truncated timeline. Within a few weeks Violet Sanford (Perabo) becomes the hottest songwriter in the country with a number 1 hit that is sung by Leanne Rhimes. And though these girls are suppose to be world and tough, the painfully model casting of...Tyra Banks, Bridget Moynahan, Izabella Miko and Maria Bello set this in a truly fantastical mystical world I'd reserve for...um...say Hollywood. If that was the intention than kudos to director David McNally. To me, it seems less genuine. Jennifer Beals would seem like a dog up agains these girls. Any way, great to see John Goodman pop up as Violet's New Jersey dad (though still seems like he can't shake that Dan Conner-ness) and Bud Cort's very small cameo. Clearly this movie was made to rake in the jiggle factor. So, cheers to them for recognizing what it exists for. Also special note to cinematographer Amir Mokri. Great lighting. I feel this may get a re-release in the future. That will stand up well.
The present day woman would consider that dis-empowering to be so attached to a man (or perhaps this could be used towards other women). Speaking of which, the topic at hand is "Coyote Ugly." Presumably, an article led to this story (written by Gina Wendkos). I recall a friend had moved to New York City and discovered a bar called Hogs and Heifers, which shared very similar rambunctious behavior (nailing bras to the wall). And dancing on bars and so forth. In Jerry Bruckheimer world...it's PG-13. So none of the topless stuff is displayed (unless you get the unrated DVD/Blu-Ray which shows Piper Perabo's funbags).
Though this movie is about making it in the big city, it is somewhat laughable at the truncated timeline. Within a few weeks Violet Sanford (Perabo) becomes the hottest songwriter in the country with a number 1 hit that is sung by Leanne Rhimes. And though these girls are suppose to be world and tough, the painfully model casting of...Tyra Banks, Bridget Moynahan, Izabella Miko and Maria Bello set this in a truly fantastical mystical world I'd reserve for...um...say Hollywood. If that was the intention than kudos to director David McNally. To me, it seems less genuine. Jennifer Beals would seem like a dog up agains these girls. Any way, great to see John Goodman pop up as Violet's New Jersey dad (though still seems like he can't shake that Dan Conner-ness) and Bud Cort's very small cameo. Clearly this movie was made to rake in the jiggle factor. So, cheers to them for recognizing what it exists for. Also special note to cinematographer Amir Mokri. Great lighting. I feel this may get a re-release in the future. That will stand up well.
Based on the true story about the crazy female run bar in New York City, Coyote Ugly becomes surprisingly believable despite the usual Hollywood bits. The story follows Violet Sanford (Piper Perabo) as she moves from small town New Jersey to the city to become a songwriter. Through her misfortunes she meets boyfriend Kevin O'Donnell (Adam Garcia) and the Coyotes and learns from each of them to overcome the stage fright that threatens to ruin her dreams.
Many moments are sappy or overly dramatic but the majority is enthralling as all the characters are solidly built. The girls all have their own character but aren't so strictly chained to it that they become merely symbols instead of people. While the females may be on the screen the most, the two supporting males Kevin and William Sanford (John Goodman) provide the most heartwarming scenes. Goodman's performance provides subtle humor while his character struggles through the conflict of his daughter leaving and his desire to see her succeed. For an actor who has put in so many great performances, this one still manages to be one of his best.
Coyote Ugly offers something enjoyable to everyone. Guys obviously will enjoy the attractive girls and the provocative dancing while girls can enjoy the strong female characters, each of which won't take crap from any of the men that surround them. Parents can enjoy the side story of the conflict between Violet and her father. Another feature to enjoy is the fabulous music with four songs performed by LeAnn Rimes with some smaller groups as well.
Coyote Ugly crosses the unusual boundary of being both an exciting, fast-paced movie that gets the adrenaline flowing and a sensitive story with strong characters and brilliant acting to get the mind working. The result is a thoroughly rewarding movie experience.
Many moments are sappy or overly dramatic but the majority is enthralling as all the characters are solidly built. The girls all have their own character but aren't so strictly chained to it that they become merely symbols instead of people. While the females may be on the screen the most, the two supporting males Kevin and William Sanford (John Goodman) provide the most heartwarming scenes. Goodman's performance provides subtle humor while his character struggles through the conflict of his daughter leaving and his desire to see her succeed. For an actor who has put in so many great performances, this one still manages to be one of his best.
Coyote Ugly offers something enjoyable to everyone. Guys obviously will enjoy the attractive girls and the provocative dancing while girls can enjoy the strong female characters, each of which won't take crap from any of the men that surround them. Parents can enjoy the side story of the conflict between Violet and her father. Another feature to enjoy is the fabulous music with four songs performed by LeAnn Rimes with some smaller groups as well.
Coyote Ugly crosses the unusual boundary of being both an exciting, fast-paced movie that gets the adrenaline flowing and a sensitive story with strong characters and brilliant acting to get the mind working. The result is a thoroughly rewarding movie experience.
Você sabia?
- CuriosidadesLeAnn Rimes did all of the singing for Piper Perabo.
- Erros de gravaçãoPiedmont is in South Dakota not North Dakota.
- Citações
Lil: I'm married to that bar. Hell, I'd, uh, I'd sleep there, if I had the guts to walk around barefoot. But that's me, you know. I'm the original coyote. Just a small town gal trying to make it in the big bad city.
Violet: Small town gal?
Lil: Piedmont, North Dakota. You ever tell anyone that, I'll kill ya.
- Versões alternativasUnrated extended cut restores scenes (ca. 6 minutes) that were deemed "unsuitable" for the American market and threatened the desired PG-13 rating. Added back was additional/extended footage in virtually every dance scene, a shopping scene with Cammie and Violet and a sex scene with Violet and Kevin.
- Trilhas sonorasFly (Without Supercat)
Written by Charles Stan Frazier (as Charles Frazier), Matthew Murphy Karges (as Matthew Karges), Mark McGrath, Rodney Sheppard and McG (as Joseph "McG" Nichol)
Performed by Sugar Ray
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
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Detalhes
Bilheteria
- Orçamento
- US$ 45.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 60.786.269
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.319.282
- 6 de ago. de 2000
- Faturamento bruto mundial
- US$ 113.916.474
- Tempo de duração1 hora 40 minutos
- Mixagem de som
- Proporção
- 2.39 : 1
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