AVALIAÇÃO DA IMDb
8,2/10
4,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe second HBO stand-up special by Chris Rock.The second HBO stand-up special by Chris Rock.The second HBO stand-up special by Chris Rock.
- Direção
- Roteirista
- Artistas
- Ganhou 2 Primetime Emmys
- 3 vitórias e 2 indicações no total
Jim Breuer
- White Fan
- (narração)
Mario Joyner
- Black Fan #1
- (narração)
Tracy Morgan
- Black Fan #3
- (narração)
Nelson George
- Self
- (não creditado)
Monteria Ivey
- Announcer
- (narração)
- (não creditado)
Avaliações em destaque
Chris Rock's Bring the Pain may be the funniest stand-up comedy I have ever had the pleasure of experiencing. The barbs are excrutiatingly accurate, raunchy, and hilarious, and are (no kidding) extraordinarily thought-provoking.
Just so you know where my commentary is coming from, I am a 40 year old, white, middle-class male from Houston, Texas. I have seen Rock's talk show on HBO, and haven't really cared for it. I thought he was reasonably entertaining on Saturday Night Live, but nothing spectacular. When it comes to stand-up comedy, I'm a big fan of circa 1978 Steve Martin stand-up (Wild and Crazy Guy) and I love Seinfeld's 'I'm Telling You for the Last Time'.
Do yourself a favor, rent/buy 'Bring the Pain' and prepare yourself for some mind-blowing, prejudice-shattering, side-splitting hilarity.
Just so you know where my commentary is coming from, I am a 40 year old, white, middle-class male from Houston, Texas. I have seen Rock's talk show on HBO, and haven't really cared for it. I thought he was reasonably entertaining on Saturday Night Live, but nothing spectacular. When it comes to stand-up comedy, I'm a big fan of circa 1978 Steve Martin stand-up (Wild and Crazy Guy) and I love Seinfeld's 'I'm Telling You for the Last Time'.
Do yourself a favor, rent/buy 'Bring the Pain' and prepare yourself for some mind-blowing, prejudice-shattering, side-splitting hilarity.
I don't know if Rock will be mentioned in the same breath with Pryor, Cosby, or even Murphy. Where Pryor was all about 'it's a black thing', looking from the inside out, and Cosby is about doing away with the artificial divisions of *color* and focusing on the rightness of *personal conduct*, Rock has found his own niche of effortless race humor, although he is perhaps most closely aligned with early Eddie.
By today's standards, even the tossed salad euphemism is tame. But the key is Rock does have talent at building comic architecture; there's a foundation for all the jokes, the first level follows the shape of the foundation, and so on up. And visually, he knows how lead the crowd by stalking from side to side when changing stances.
Pryor only had one note when acting for a movie, Cosby never really made great film headway, but Murphy blazed the film trail for any comics who dared to follow. Not sure if Rock has what it takes to make a real dent there.
Coincidentally, we watched this for the first time when mayor Nagin made his 'Chocolate City' comments that drew so much fire. Note Rock's skill with this notion, in contrast to a bumbling fool like the mayor of New Orleans.
By today's standards, even the tossed salad euphemism is tame. But the key is Rock does have talent at building comic architecture; there's a foundation for all the jokes, the first level follows the shape of the foundation, and so on up. And visually, he knows how lead the crowd by stalking from side to side when changing stances.
Pryor only had one note when acting for a movie, Cosby never really made great film headway, but Murphy blazed the film trail for any comics who dared to follow. Not sure if Rock has what it takes to make a real dent there.
Coincidentally, we watched this for the first time when mayor Nagin made his 'Chocolate City' comments that drew so much fire. Note Rock's skill with this notion, in contrast to a bumbling fool like the mayor of New Orleans.
I only saw Chris Rock: Bring the Pain recently, having previously owned the album of the same performance. Although the HBO special shares many routines in common with the album, there is also material not on the recording waiting to be discovered.
Rock's routine is hilarious, with even the most topical bits still funny after fifteen years. Sketches about Marion Barry and the Million Man March continue to draw laughs, long after their expiration dates. Other, politically incorrect lines about race relations in the United States hold up long after the race debates of the nineties. This is in large part due to Chris Rock's energy and skilled delivery of the material.
The last twenty minutes or so of the special drag out somewhat. Rock switches from cutting racial commentary to more standard material dealing with relationships. This material is nowhere near as humorous, and comes as a letdown. Still, the special is well worth watching, and will definitely make you laugh.
Rock's routine is hilarious, with even the most topical bits still funny after fifteen years. Sketches about Marion Barry and the Million Man March continue to draw laughs, long after their expiration dates. Other, politically incorrect lines about race relations in the United States hold up long after the race debates of the nineties. This is in large part due to Chris Rock's energy and skilled delivery of the material.
The last twenty minutes or so of the special drag out somewhat. Rock switches from cutting racial commentary to more standard material dealing with relationships. This material is nowhere near as humorous, and comes as a letdown. Still, the special is well worth watching, and will definitely make you laugh.
While he is more popular for his recent concerts like "Never Scared" and "Bigger and Blacker" to his HBO T.V. Show as well as his early work on "Saturday Night Live," this is a must-own for any fan of the brilliant and daring Chris Rock.
This was his first "big" concert for the Home Box Office and it did deserve the Emmeys it got because it is very well written and will cause laughter to ensue every minute!
Rock wisely mixes his vulgar words along with his political views and general beliefs, thus, allowing each act to have a message behind it as well as the punchline getting executed 'no problem.'
While he is incredibly similar to his idol's Richard Pryor, George Carlin and Eddie Murphy, Chris relies less on "shock value" and doesn't repeat himself as often as other comedians do.
Recommended for people 16 and up ( contains strong language and brief sexual humor ).
This was his first "big" concert for the Home Box Office and it did deserve the Emmeys it got because it is very well written and will cause laughter to ensue every minute!
Rock wisely mixes his vulgar words along with his political views and general beliefs, thus, allowing each act to have a message behind it as well as the punchline getting executed 'no problem.'
While he is incredibly similar to his idol's Richard Pryor, George Carlin and Eddie Murphy, Chris relies less on "shock value" and doesn't repeat himself as often as other comedians do.
Recommended for people 16 and up ( contains strong language and brief sexual humor ).
I wasn't a Chris Rock fan until I saw this show. I'd catch just a few moments of the show while channel surfing, and didn't think much of it. One night, out of boredom I watched a few minutes of his material and was floored. I couldn't believe how funny he was. On further airings I caught the complete show, and discovered his humour also contained cutting social insights which added to the humor.
Você sabia?
- CuriosidadesAndrew Dice Clay helped Rock prepare for the special. He helped Rock to take particular care in his stage presence and his wardrobe. Clay receives a special thanks in the closing credits.
- Citações
Chris Rock: We don't need the Death Penalty, we have the tossed salad man! If I had to choose between the Electric Chair and the tossed salad man I'd be going "Where do you plug this thing in? Shouldn't I be wet?"
- Cenas durante ou pós-créditosSpecial Thanks - Little Penny
- Versões alternativasIn April 8th, 1997, audio from Bring the Pain was remade into Chris Rock's album: Roll With The New, featuring original skits including Dave Chappelle reprising his role from the Nutty Professor in two skits.
- ConexõesEdited into Heroes of Black Comedy (2002)
- Trilhas sonorasTouch Me, Tease Me
Composed by Mary J. Blige, Kenny "K-Smoove" Kornegay, Foxy Brown, Schoolly D,
Case, Daryl Young
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Крис Рок: Дерзайте
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração58 minutos
- Cor
- Proporção
- 1.33 : 1
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