Um agente do FBI convence um assistente social a entrar na mente de um serial killer para descobrir onde ele escondeu sua mais recente vítima de seqüestro.Um agente do FBI convence um assistente social a entrar na mente de um serial killer para descobrir onde ele escondeu sua mais recente vítima de seqüestro.Um agente do FBI convence um assistente social a entrar na mente de um serial killer para descobrir onde ele escondeu sua mais recente vítima de seqüestro.
- Indicado a 1 Oscar
- 9 vitórias e 29 indicações no total
John Cothran
- Agent Stockwell
- (as John Cothran Jr.)
Avaliações em destaque
We've seen this type of story before, but not like this! Wow, bloody, wow, the film's visuals are unusual and incredible! Almost every scene is masterfully done. To add to the visual experience, the photography and cinematography are equally impressive. The editing is also fantastic. The costumes and make-up are also absolutely stunning.
This is the story of a sick madman - abused as a child - who abducts women and transforms them into dolls. There are a few very disturbing images, so be warned. The dream world is very realistically created to look and feel like a dream. This is one incredible movie! You can't help but marvel at this cinematic achievement!
This is the story of a sick madman - abused as a child - who abducts women and transforms them into dolls. There are a few very disturbing images, so be warned. The dream world is very realistically created to look and feel like a dream. This is one incredible movie! You can't help but marvel at this cinematic achievement!
10oroszi
Probably the most underrated serial killer movie of all, past and to come, times.
Never seen anything like that. Not only the visual, by the way astonishing, but also the concept. If you are a serious movie lover, specially this genra, it is a must to see.
The last film that provided a vivid and disturbing look at what insanity is probably like was In Dreams. In that movie, you didn't see insanity, you were THERE. Now The Cell comes along with an updated and much more disturbing portrayal of the inside of the mind of a psychotic killer. The opening scene takes you into the seemingly innocent mind of a comatose little boy, and the things that Catherine Deane (Jennifer Lopez) sees are first fascinating and then terrifying. The things that she later sees in the mind of Vincent Stargher (Vincent D'Onofrio) are amazingly imaginative and fascinating, most of this stuff has never been seen in film before.
The story of The Cell is not exactly something that is really groundbreaking. In fact, it is basically the same as the story in The Silence of the Lambs. You have a killer in custody and these people have to enter his mind to find a female victim who is currently in danger of losing her life. The only real difference between the foundation of the plots is that in The Silence of the Lambs, you have to enter the mind of a killer to find a different killer as well as his current victim, while in The Cell, you have to enter the mind of a killer to find his own victim. However, despite the unfortunately weak story, The Cell completely revolutionizes the genre of the psychological thriller. None that have ever been made even come close to it.
Also, the film had good direction and was extremely well acted. Vince Vaughn delivers another of his characteristically excellent performances (he was even good as Norman Bates in the pathetic 1998 re-make of Psycho), and even Jennifer Lopez puts forth the second good effort of her career (the other being the great Out of Sight). Nothing can be said of the cinematography in The Cell to give it sufficient credit, it was imaginative and fascinatingly done and is unparalleled by anything ever seen in cinematic history. The Cell is an incredibly well-made film, and it deserves to be recognized.
The story of The Cell is not exactly something that is really groundbreaking. In fact, it is basically the same as the story in The Silence of the Lambs. You have a killer in custody and these people have to enter his mind to find a female victim who is currently in danger of losing her life. The only real difference between the foundation of the plots is that in The Silence of the Lambs, you have to enter the mind of a killer to find a different killer as well as his current victim, while in The Cell, you have to enter the mind of a killer to find his own victim. However, despite the unfortunately weak story, The Cell completely revolutionizes the genre of the psychological thriller. None that have ever been made even come close to it.
Also, the film had good direction and was extremely well acted. Vince Vaughn delivers another of his characteristically excellent performances (he was even good as Norman Bates in the pathetic 1998 re-make of Psycho), and even Jennifer Lopez puts forth the second good effort of her career (the other being the great Out of Sight). Nothing can be said of the cinematography in The Cell to give it sufficient credit, it was imaginative and fascinatingly done and is unparalleled by anything ever seen in cinematic history. The Cell is an incredibly well-made film, and it deserves to be recognized.
Forget about the plot of this movie. Forget about the fact that it is wonderfully acted by Vince Vaughn and Vincend D'Onofrio. Forget about the fact that it is one of the few movies starring Jennifer Lopez that I can stomach. Although the story may be impossible to believe and much of the dialogue seems contrived, the one and only important thing to remember when contemplating watching this movie is that it contains some of the most amazing and disturbing imagery ever put on film. It is as if Salvador Dali decided to make a crime drama. A must see for anyone seriously interested in cinematography and the use of the film cell as a canvas on which to display true works of visual art. I would have to give this movie a 9/10 for it's amazing visual display.
This movie is definitely a case of style over substance but the style is good and certainly more than unique on its own to make "The Cell" a memorable and above average movie.
"The Cell" is beautifully looking with impressive sets, costumes and make-up. Yes, it's real eye candy to watch all. The movie has some perfectly 'dreamy' sequences that are certainly odd but also very beautiful and imaginative to look at. This movie is a perfect mix of an art-house type of movie and a typical Hollywood-thriller, that is accessible to both fans of the genre.
The story itself is pretty far fetched and doesn't always make sense. Because of that the movie isn't always pleasant and likable to watch but like I mentioned before, the style compensates for this. The style makes you keep watching till the end and provides the best moments of the movie.
Vincent D'Onofrio is unforgettable as the serial-killer with a twisted mind. Vincent D'Onofrio is really underused as an actor and this movie shows his talent once more. I'm not particularly happy about the casting of Jennifer Lopez. I know that she can act in some of her movies but she really wasn't suitable to play the main character in this movie. Her character wasn't strong enough and she was overshadowed by Vincent D'Onofrio and Vince Vaughn. Still I felt that Vince Vaughn was also miscast in this movie. He didn't fit the role well enough and no, I'm not saying that because I'm used of seeing him only in comedies now days. The rest of the supporting cast is good and still give the movie a certain degree of credibility.
The musical score by Howard Shore was also surprising good and was sort of "Se7en" like at times. It suited the movie well and gave some of the scene's some extra mood and atmosphere.
It's a far from perfect movie and the concept is far fetched and not always handled in the right way. Still "The Cell" is a perfectly watchable movie and perhaps even a bit of a must see, due to its style, originality and creativity.
7/10
http://bobafett1138.blogspot.com/
"The Cell" is beautifully looking with impressive sets, costumes and make-up. Yes, it's real eye candy to watch all. The movie has some perfectly 'dreamy' sequences that are certainly odd but also very beautiful and imaginative to look at. This movie is a perfect mix of an art-house type of movie and a typical Hollywood-thriller, that is accessible to both fans of the genre.
The story itself is pretty far fetched and doesn't always make sense. Because of that the movie isn't always pleasant and likable to watch but like I mentioned before, the style compensates for this. The style makes you keep watching till the end and provides the best moments of the movie.
Vincent D'Onofrio is unforgettable as the serial-killer with a twisted mind. Vincent D'Onofrio is really underused as an actor and this movie shows his talent once more. I'm not particularly happy about the casting of Jennifer Lopez. I know that she can act in some of her movies but she really wasn't suitable to play the main character in this movie. Her character wasn't strong enough and she was overshadowed by Vincent D'Onofrio and Vince Vaughn. Still I felt that Vince Vaughn was also miscast in this movie. He didn't fit the role well enough and no, I'm not saying that because I'm used of seeing him only in comedies now days. The rest of the supporting cast is good and still give the movie a certain degree of credibility.
The musical score by Howard Shore was also surprising good and was sort of "Se7en" like at times. It suited the movie well and gave some of the scene's some extra mood and atmosphere.
It's a far from perfect movie and the concept is far fetched and not always handled in the right way. Still "The Cell" is a perfectly watchable movie and perhaps even a bit of a must see, due to its style, originality and creativity.
7/10
http://bobafett1138.blogspot.com/
Você sabia?
- CuriosidadesVincent D'Onofrio later admitted that his wife refused to sleep in the same bed with him for two weeks after seeing his performance in the movie.
- Erros de gravaçãoAny goofs occurring in the "subconscious" world which the characters enter, do not have to be consistent or conform to realistic physics, as the subconscious is arbitrary, and can create whatever rules it wants.
- Citações
Miriam: Did we go sailing?
Catherine Deane: Almost! Mocky-Lock showed up.
Miriam: [saying a nursery rhyme] Mocky-Lock is the boogeyman, Mocky-Lock wants me where I am!
Catherine Deane: Mocky-Lock is a pain in the ass.
- Versões alternativasOne scene, where Vincent D'Onofrio hangs on his piercings, masturbating over the dead body of a woman, was not included in the US theatrical or DVD release, but can be seen in the European one. However, the US Blu-ray happens to contain the director's cut of the film, despite not being labelled as such on the packaging and the R-rating listed on the back. The runtime is listed as 109 (the length of the director's cut) which marks the first time the film has been released uncut in the US.
- ConexõesEdited into The Cell: Deleted Scenes (2000)
- Trilhas sonorasO Sciore Cchiu Felice
Written by Raiz (as G. Della Volpe), Stefano Facchielli (as S. Facchielli), Giovanni Mantice (as G. Mantice), Pier Paolo Polcari and Gennaro Tesone (as G. Tesone)
Performed by Almamegretta (as Alma Me Gretta)
Courtesy of BMG Ricordi S.p.A.
By Arrangement with The RCA Records Label of BMG Entertainment
Principais escolhas
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Detalhes
Bilheteria
- Orçamento
- US$ 33.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 61.334.059
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.515.050
- 20 de ago. de 2000
- Faturamento bruto mundial
- US$ 104.155.843
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
- Mixagem de som
- Proporção
- 2.39:1
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