A Cela

Catharine Deane (Jennifer Lopez) is a psychologist who uses an experimental treatment that literally goes into the dreams of her patients. Captured serial killer Carl Rudolph Stargher (Vincent D'Onofrio) is in a coma and FBI Agent Novak (Vince Vaughn) convinces Deane to go into his mind to find his last victim before she's killed in an automatic water chamber.

Director Tarsem Singh uses the well worn serial killer movie to add an amazing visual depiction of the dreamworld. The serial killing is dark and creepy like 'Se7en'. It's been done before, but the dreamscape visuals are a completely different story. It is stunningly beautiful and disturbing, an artistic view on dreamscapes. The style is unlike anything I've seen before. For that, I must give it full marks.

The last film that provided a vivid and disturbing look at what insanity is probably like was In Dreams. In that movie, you didn't see insanity, you were THERE. Now The Cell comes along with an updated and much more disturbing portrayal of the inside of the mind of a psychotic killer. The opening scene takes you into the seemingly innocent mind of a comatose little boy, and the things that Catherine Deane (Jennifer Lopez) sees are first fascinating and then terrifying. The things that she later sees in the mind of Vincent Stargher (Vincent D'Onofrio) are amazingly imaginative and fascinating, most of this stuff has never been seen in film before.

The story of The Cell is not exactly something that is really groundbreaking. In fact, it is basically the same as the story in The Silence of the Lambs. You have a killer in custody and these people have to enter his mind to find a female victim who is currently in danger of losing her life. The only real difference between the foundation of the plots is that in The Silence of the Lambs, you have to enter the mind of a killer to find a different killer as well as his current victim, while in The Cell, you have to enter the mind of a killer to find his own victim. However, despite the unfortunately weak story, The Cell completely revolutionizes the genre of the psychological thriller. None that have ever been made even come close to it.

Also, the film had good direction and was extremely well acted. Vince Vaughn delivers another of his characteristically excellent performances (he was even good as Norman Bates in the pathetic 1998 re-make of Psycho), and even Jennifer Lopez puts forth the second good effort of her career (the other being the great Out of Sight). Nothing can be said of the cinematography in The Cell to give it sufficient credit, it was imaginative and fascinatingly done and is unparalleled by anything ever seen in cinematic history. The Cell is an incredibly well-made film, and it deserves to be recognized.

This movie is definitely a case of style over substance but the style is good and certainly more than unique on its own to make "The Cell" a memorable and above average movie.

"The Cell" is beautifully looking with impressive sets, costumes and make-up. Yes, it's real eye candy to watch all. The movie has some perfectly 'dreamy' sequences that are certainly odd but also very beautiful and imaginative to look at. This movie is a perfect mix of an art-house type of movie and a typical Hollywood-thriller, that is accessible to both fans of the genre.

The story itself is pretty far fetched and doesn't always make sense. Because of that the movie isn't always pleasant and likable to watch but like I mentioned before, the style compensates for this. The style makes you keep watching till the end and provides the best moments of the movie.

Vincent D'Onofrio is unforgettable as the serial-killer with a twisted mind. Vincent D'Onofrio is really underused as an actor and this movie shows his talent once more. I'm not particularly happy about the casting of Jennifer Lopez. I know that she can act in some of her movies but she really wasn't suitable to play the main character in this movie. Her character wasn't strong enough and she was overshadowed by Vincent D'Onofrio and Vince Vaughn. Still I felt that Vince Vaughn was also miscast in this movie. He didn't fit the role well enough and no, I'm not saying that because I'm used of seeing him only in comedies now days. The rest of the supporting cast is good and still give the movie a certain degree of credibility.

The musical score by Howard Shore was also surprising good and was sort of "Se7en" like at times. It suited the movie well and gave some of the scene's some extra mood and atmosphere.

It's a far from perfect movie and the concept is far fetched and not always handled in the right way. Still "The Cell" is a perfectly watchable movie and perhaps even a bit of a must see, due to its style, originality and creativity.

7/10

http://bobafett1138.blogspot.com/

I've said before that some films are like `nothing you have ever seen before'. Well, The Cell takes that saying and burns it down, blows it up and drowns it. This movie is something you could and can be only imagined. And if you then told someone about it they'd have you locked up for a very long time. It could be categorized as a Sci-fi thriller and then as a serial killer film. Like Seven and Silence of the Lambs this is not the ordinary serial killer film. It stands on it's own as a new kind of thriller.

Jennifer Lopez stars as Catherine Deane, the best psychotherapist in the business. She works for a company who has developed the latest technology in therapy. She has the ability to go inside the mind of anyone and find out the reasoning to his or her distress. Enter Peter Novak (Vince Vaughn), a FBI agent tracking down a very sick serial killer Carl Stargher (Vincent D'Onofrio), who drowns his victims then dresses them up like dolls. On a FBI raid of his home Stargher goes into a coma and the whereabouts of his next victim are unknown. So Deane takes the job of going into his mind to find out where the victim is being held. And that's when this film gets intense, seriously intense.

The director Tarsem Singh, known for the award winning R.E.M. video `Losing my Religion', blows away everything you could have imagined. The dream sequences are beautifully shot with many camera tricks, creepy color distribution, graphic images, and a tense score. They are extremely trippy and surreal. They actually have a dream feel because anything goes and there are no rules. Lopez performance is as good as she looks. She nails the psychotherapist dead on and does a great job in showing the different aspects of her character. Vince is Vince, very cool, very low key, and very real. D'Onofrio will scare you. His Carl Stargher would make even Hannibal Lecter scream for mommy. This guy is more disturbed than ever imagined. He has to be seen to believe it.

Tarsem, with this film, has become one of my favorite directors and I will go see any film with his name on it. The Cell can only be described as a Sci-fi serial killer thriller that's visually disturbing, creepy, and one of the wildest films ever. It runs along the line with Seven for a good serial killer film and Event Horizon for a graphically sick and twisted film. This is best summer movie and the best film I've seen all year.

Style over substance. But what a style it is. "The Cell" is the internal version of most serial killer movies. Unfortunately, the story hardly supports the visuals.

Psychotherapist Catherine Deane (J-Lo) goes into her patients' dreams via artificial means to discover and help them over come their phobias and obsessions. A new patient whose fallen into a coma, is brought to her attention by the FBI. He's a serial killer who drowns his female victims then poses their bodies in grotesque scenarios like mannequins. Deane must enter the killer's mind and navigate through his sick fantasies in order to find and save his latest victim.

Director Tarsem Singh has incredible visions and set pieces for this production. Each dream sequence is like a nightmare-ish painting in motion, from the landscapes to the costumes.

But the plot suffers from lack of history of its characters. Stargher is the only person with a thorough background and he's the last person you want to care about. Without him, you basically have a movie that moves in the present tense only, which is a shame since the movie is so visually stunning and genuinely scary. Lopez is wasted but she's not that amazing an actress anyway, though she's as gorgeous as ever. And Vince Vaughn? I don't even know why he was chosen. This is not his forte and he overacts to boot. He tried too hard to become his character and it showed. Stick to comedy, Vince! Even so, this movie is so visually frightening, I still watch this movie with the lights on and can never fall asleep right away afterward.