Wonderland

Hmm..... I still don´t know why they stopped Wonderland. I mean, isn´t the series about the fact, that we are all mentally ill in some way or another, that the line to mentally illness is very thin? Sure, it´s not a boring series, there are still jokes in it, but I don´t think they are meant to hurt mentally ill persons. Wonderland is really the best series I EVER saw on TV. I saw the first 8 episodes and I hope they begin to think about there decision to kick it off television. Well, that´s just my thougts I had after the last episode.

When people would ask what I wanted to do for a living I used to have to explain what forensic psychology was and that it did not involve gathering hair at a crime scene. Now I can just tell them to watch this truly amazing show. After just two episodes I already find myself wondering if this could be the best show I've ever seen. Both episodes left me emotionally drained and wishing for much, much more.

With the departure of the superb Homicide series last year, I did not expect to see another show that would be as dense with detail and as intelligently written again, never mind anytime soon. Well, it has aired only one episode so far, but Wonderland is a remarkable piece of work. The pace is faster than Homicide and the storylines are perhaps even edgier (given the setting is an urban psychiatric hospital, this was, I suppose, inevitable). It is great to see the remarkably talented Michelle Forbes working again. Ted Levine and Martin Donovan (remember Hal Hartly's Trust?) are two of the other fine actors who make up this talented ensemble cast. Like Homicide, the characters are multi-faceted, vulnerable and living on the edge in very stressful lives. The opening episode shows a central character who is pushed to an emotional breaking point by events that result in a reaction not unlike one of his patients. It is as if someone had seen Samuel Fuller's Shock Corridor and decided to make a Homicide style series out of it. If the first episode is an accurate indication, this series will be a keeper.

Flawless writing, wonderful acting, realistic dialogue, and lots of danger - real, imagined, implied. The patients on this locked psychiatric unit are extremely ill, clearly likely to harm themselves or others because of their mental sickness. They have the psychological equivalent of cancer, and they're not gonna get better by the end of the show, folks. Many of them will die unless they get a lot of care.

Speaking of which, the caregivers are human as well, meaning they suffer from the same maladies, albeit in smaller, more manageable (most of the time) doses. However, the writing is so good that the story never relies upon cliche: no "whacky but lovable" patients, and no "crazy shrinks". Everyone is portrayed as real humans with the same problems that you and I have to cope with. And just like in real life, sometimes you do your best but things get worse, not better.

The first episode was as good as anything I've ever seen on TV, and better than most commercial films. Watch it and be awed...

Imagine my disappointment earlier: I sat down to watch Wonderland via the VCR, and rather than Wonderland, I had taped some slickly-produced canned news program.

Yes my fellow reviewers worries about Wonderland have, unfortunately come true. E! online reports that ABC has pulled the show, faced with a drop in the ratings, and an apparent campaign against the show by a group who felt that Wonderland unfairly stigmatized people afflicted with mental disorder.

Was this show too gory? There were some scenes depicting violence and its aftermath, e.g., The shooting of bystanders in Time's Square by an actively-psychotic man; later, a struggle that ends when a pregnant psychiatrist is stabbed with a hypodermic needle which may have impacted the unborn's cognitive functioning.

Any gore was incidental to the storyline which was intense and compelling throughout. Writing and directing were superb. The viewer is horrified by the atrocity of a killer, yet cannot help but identify with Dr. Banger's (Ted Levine of The Silence of the Lambs) guarded empathy for this man who is likely to be committed for many years to a secure psychiatric hospital.

The staff and the patients were subject to the same stressors in life, to varying degrees. Anger, impotence, fear, self-loathing --all are possible responses to stress. When slapped by the news that his unborn child would most probably be grossly impaired, Dr. Neil Harrison (Martin Donovan), the consummate professional, nearly strangled the perpetrator. He later thought he saw his wife exposing her abdomen to this same man.

This was the show at its most powerful. Dr. Bangor refers to this as the "dark side" of the human psyche. We all walk a line of "normalcy." At stressful times that path is narrow and razor-sharp. At such times it is our ability to adapt and to transcend that keeps us from falling off.

Sure the shooting in Time's Square was disturbing, but slasher flicks on TNT or TBS toss gore by the bucket load, rendering this violent act all but tasteful. Viewers are made to identify with the travails of "normal," even trained people who are nonetheless subject to the same experience as their patients. This casts "sanity" in a particularly fragile light.

This very exploration of fragility is what crystallizes Wonderland's greatness. It also may be alienating to a demographic that wants to be entertained rather than made anxious.

Then again maybe Wonderland's ratings would have been better had some numb programming executive (speaking of cognitive impairment) not have placed a program of this magnitude in a time slot opposite ER.