Harlan County War

While I was excited to watch the film I was disappointed that there was no option for subtitles. I had my hearing aid adjusted as well as the audio on my TV but missed 90% of the dialogue particularly the higher pitched, nasal twangs.

From a background of West Virginia I really wanted to enjoy this film. I know the history of the miners' strikes and Appalachian hardships...while the producers were sure to add Spanish language they ignored subtitling for hearing impaired viewers. Since this site values length rather than quality I suppose I need to relate how my grandfather was born in Wheeling VA before it even became West Virginia . Thank yoiu.

This movie works well on many different levels. Holly Hunter is

brilliant as Ruby Kincaid the wife of Silas - the story shows how

her strength of heart and will comes from an inner belief and drive.

the movie also shows how tough it can be at the sharp end of

labor and management battles - the final line where guns are

drawn, both sides back away and then one man is killed before

serious and ultimately successful negotiations are made is very

stark.

The score is also very well done.

Lowest-class working people go on strike for better conditions. Outside agitator helps foment discontent. Working class wife expands personally by taking part in the struggle. To a large extent this sounds like, and is, a 2000 remake of NORMA RAE, which is graced with a fine lead by Holly Hunter, and looks quite good considering it is set in Harlan County, KY, but filmed "on location in Toronto, Canada." Stellan Skarsgard as the labor organizer, and Ted Levine as Hunter's miner husband also deliver good performances, and entire cast is fine though most roles are smallish vs Hunter. Nice musical score.

This film takes off from the documentary HARLAN COUNTY USA and has plot resemblances to NORMA RAE. The slant is unabashedly left of center and the performances and details ring true (except the dogs don't look like mountain dogs to me). Hunter is given a fairly brief, mostly-in-the-dark seminude scene that I found a little gratuitous (possibly the first time those words have ever crossed my lips). I didn't catch the credit, this viewing, for the little guy (he's about as short as Hunter) who plays her father, but he looks exactly right as a used-up coal miner and might have been cast right off the street in my neighborhood.

Picture is set in the 1970s, with Nixon references and talk of wage scales that will sound unbelievable today. Sneak previewed on Showtime the night of 5/29/2000, this is a commendable fictionalization of the story told even more dramatically in HARLAN COUNTY USA, and easily the best premium cable original film I've seen in a long time. Martin Ritt would have made it even better but he wouldn't have been ashamed of this version. And which side are *you* on, buddy?

In the tradition of "Norma Rae," this honest and commendable account of the on-going "class warfare" in Bloody Harlan County between the coal mine workers and the mine owners provides a gritty history lesson, especially for young viewers unfamiliar with this vital chapter in our labor struggles. Holly Hunter is nothing less than magnificent, as is the entire cast superbly directed by Tony Bill. The authetic music of Appallachia aids considerably to this must-see film.

This is a powerful movie with superbly crafted characters. It's beautifully shot and captures the gritty realism of Appalachia, its hardships, its humanity, its humour. Holly Hunter has created an endearing character. But so are all the other principles. No stereotypes here but honest portraits of real working class people. This is one of the best labour movies I've ever seen.