A Conspiração

This is one of the worst movies ever made. I don't know how a movie that is so unrealistic can have so many good actors sign up for it. The vice presidential confirmation hearing is unwatchable. The surprise ending ridiculous and implausible. The opening scene, where Joan Allen is having sex with her husband of 7 years just before she gets the call to be VP is as unbelievable as a male senator having sex with his wife just before he gets nominated. By the way, when was the last time there was an early 40ish person nominated for VP. Yet we are led to believe this VP nomination can still bear children.

This movie begins with the premise that the democrats are right and the republicans wrong. What a load of bunk. Joan Allen plays a H. Clintonesque character who's morality is being addressed. There is a morality play. But the movie moves slowly and is condescending. And in Hollywoods own mysterious ways they pick Christian slater to play a moralistic congressman. Luckily, the distinguished gentleman with Eddie Murphy was on afterwards and was able to clean my movie viewing palate.

This may not be the greatest White House movie thriller ever - as its makers claim - but it is probably the most politically explicit. Gone are the days of Advise and Consent, when the opposing parties were simply referred to as the "majority" and "minority", and the movie aimed at non-partisan neutrality . Here, the administration is Democrat, and the film proudly wears its liberal heart on its sleeve. And the movie is all the better for this clarity and honesty.

Jeff Bridges is well cast as Jackson Evans, a President every bit as charismatic and opportunistic as Bill Clinton. Indeed, the whole movie can be seen as a take on the Monica Lewinsky saga, highlighting the manipulation and hypocrisy displayed on all sides at that time. (One mistake in the script is a direct reference to the Clinton impeachment vote; it is dangerous for parodies or satires to refer to the true stories on which they are based - it leads to a dislocation in the audience's point of view, and in this case to the awkward question - if this is a post-Clinton Democrat President, and he's coming to the end of his second term, in just what year is the action supposed to be taking place?!)

Given the White House shenanigans in recent years, it is surprising that some IMDb commenters should question the plausibility of the plot, which I feel stretches our credulity no further than most Hollywood thrillers. Joan Allen as vice-Presidential nominee Laine Hanson, and Gary Oldman as Shelly Runyon, her would-be character assassin, have strong parts and make the most of them - though personally I think it is Bridges' movie - but there is perhaps a little too much of Christian Slater in a curious role as Reginald Webster, a young, liberal, but seemingly anti-feminist, Democrat Congressman. The director, Rod Lurie, seems unable to make up his mind whether Webster should be portrayed as an overly-naive idealist, or an ambitious cynic with his eye on the main chance.

Overall, this is a fast-moving, enjoyable film, making the points that petty personal indiscretions should have little influence when it comes to power politics, and that it's about time the USA had a woman as President or at least a heart beat away.

Writer/director Rod Lurie's `The Contender' marks a significant advance in both technique and storytelling ability for this fledgling filmmaker over his sole previous cinematic effort, `Deterrence.' This former L.A. film critic-turned-filmmaker has created a crackerjack political thriller attuned to the temper of its times. In this era in which one politician after another has fallen victim to the cutthroat `politics of personal destruction' as practiced in the media, in the committee hearing room and in the backrooms of campaign headquarters around the nation, `The Contender' emerges as a timely, astute and politically savvy drama.

Like most contemporary films that deal with political issues, `The Contender' demonstrates an obvious left leaning bias. As usual, it is the Democrats who are portrayed as the righteous speakers of truth and the Republicans who are shown as the scheming, unctuous and conniving dispensers of hatred and rumormongering. Jeff Bridges stars as President Jackson Evans, a well-meaning, seemingly moral man who, upon the sudden death of his vice president, nominates a woman, Senator Laine Hanson, to be his replacement. Gary Oldman plays the Republican chairman who will stop at nothing in his efforts to torpedo the nomination, even if that means exposing her rather torrid sexual past for all the world to see (although, in many ways, his obsession with ruining the chances of a candidate he feels to be less qualified in favor of one who is more beloved as a national figure makes little practical sense because wouldn't he, as a member of the rival party, be MORE inclined to support someone he thought would bring trouble to the present administration?)

If you can see past the partisan propaganda, you will find `The Contender' to be one of the most riveting films of the past several years. In many ways, it reminds one of those Biblical spectaculars that moviemakers like Cecil B. DeMille used to churn out in the 1950's, the ones that would allow us to wallow in the depiction of all sorts of `sinful' activities, yet when the divine judgments began to fall on the perpetrators, permit us to feel morally superior to it all at the same time. In a similar way, `The Contender,' may come out foursquare against the obsession we seem to have concerning the sex lives of our elected officials – but it sure has a fun time devoting two solid hours to the topic. And its fun is ours.

One of the reasons that `The Contender' succeeds so well is because Laine Hanson, as portrayed by the brilliant Joan Allen, is an endlessly fascinating and enigmatic character. We never know quite what to make of her and it is this sense of moral imbalance that draws us in to her plight. Had she been made an innocent victim or a goody-two-shoes, she would quickly lose our interest. As the President, seemingly more concerned with ordering up spectacular dishes from the White House kitchen than with the pressing concerns of affairs of state, Jeff Bridges cuts just as believable and compelling a figure.

As with virtually all films of a political nature, the characters' actions are occasionally inexplicable within the context of practical politics. For example, President Evans rejects one of his top candidates for the VP position for ludicrous reasons. When Governor Jack Hathaway attempts but fails to rescue a woman from her vehicle that has crashed to the bottom of a river, Evans tells Hathaway that he believes the Republicans will try to bring up parallels to Chappaquiddick in an attempt to sink his nomination. Not only is that a patently absurd possibility, but Evans seems blithely unconcerned about the much worse drubbing he and his eventual nominee end up undergoing. Which leads us to the next implausibility – Evans' sticking by Hanson far past the point where any real president would have asked for the candidate to withdraw her name. Oh well, `The Contender' may not always ring true in its plotting, but it definitely gets the job done as a piece of titillating pulp drama.

My only serious complaint with the film comes in its closing stretches. Perhaps it is too much, in these days of mandatory happy endings and feel-good emotionalism, to expect the type of clear-eyed cynical conclusions we were treated to in movies like `The Candidate' or `The Best Man,' but the upbeat, fairy tale resolution here is unworthy of all the good stuff that has gone before it. By climbing onto a soapbox and deigning to lecture to us all, Lurie cops out on both Hanson and the audience - striving for the type of phony inspirationalism that went out with `Mr. Smith Goes to Washington' way back in the 1930's. Such an obvious sop to the box office leaves us with a bit of a sour aftertaste after all is said and done. (Also, Lurie needs to shed himself of the gimmick he seems to have latched onto in both his films thus far – that of the melodramatic `surprise' turnabout ending. It didn't work in `Deterrence' and it doesn't work here).

Yet, despite its sundry flaws, `The Contender' emerges as one of the most compelling and fast-moving two hours you are likely to see in a long time. You may feel like taking a shower when it's all over (maybe that explains the need Lurie may have had in providing a `moral bath' in the last 15 minutes or so), but you will at least have had a great time getting dirty.

Excellent political thriller-drama with a great cast which certainly delivered. The story isn't very original, but that doesn't bother. Jeff Bridges was very good and funny as the president of the United States. He was always very relaxed and human during his role. The attitude, the way of thinking, the nonchalance... it made his performance quite amazing. Jeff Bridges is one of my favourite actors. He capable of playing every role. Be honest, who would have thought "the dude" would make an excellent president as well?

Furthermore I loved Joan Allen's and Gary Oldman's performance as well. Both were excellent. As well as Christian Slater playing the young idealist. "The Contender" certainly deserves this rating and I'm convinced it even deserves a higher rating, something like 7.3.

"The Contender" is political thriller-drama which is certainly worth watching. Although this movie doesn't want to make a certain (moral) statement, I loved the following quote by Joan Allen's character: "Principles only mean something when you stick to them when its inconvenient."

9/10

This is a really good film, much better than the 6.9 it has here. However, if you watch it on Amazon Video, DO NOT watch the trailer. Incredibly the idiots who set this up make the actual key scene, the whole twist upon which the movie stands, the trailer.

The WHOLE SCENE.

Absolute idiots.