A Conspiração

Unless you sleep through your days or live with your head buried in the sand, you know that, without a doubt, politics is a dirty business. But do we need to be reminded of that fact? The answer to that is, inarguably, yes; just as we must be reminded of the Holocaust lest we forget and allow history to repeat itself, we have to at least keep somewhat abreast of anything which so significantly affects our lives. And unfortunately (some would say), politics is one of those things, and whether we approach it actively or view it all with passive ambiguity, the fact remains that what happens in government affects us all in one way or another on a daily basis. `The Contender,' written and directed by Rod Lurie, is a serious and sensitive examination of the political machinations employed to effect power and control within a democracy. In Lurie's scenario, the position of Vice President of The United States has been open for three weeks and must be filled. President Jackson Evans (Jeff Bridges) makes his choice: Senator Laine Hanson (Joan Allen), who would be the first woman in history to hold the position. First, however, she must be confirmed. And at this point, the real story begins to unfold as the beast rears it's head: Enter partisanism, personal agendas, media manipulation and, somewhere near the bottom of the list, Truth. To illustrate this dirtiest of all businesses, Lurie references a specific episode from the not-too-distant past, and draws a number of parallels to more recent political events, all of which are used purposefully and effect the desired results. It becomes not so much a case of good against evil so much as simply a question of what is right and what is wrong, who draws the line and who decides when and where that line should be crossed. To his credit, Lurie objectively presents both sides of the story without delving so deep as to mire the proceedings down with any unnecessary baggage merely to introduce any subjective leanings or to manipulate the audience one way or another. It's like a political campaign; viewers are left to decide for themselves and cast their vote as they may. The theme of the story itself is not virgin territory, but the way it's handled and delivered, including some exceptionally strong performances (there should be some Oscar nominations here), makes it unique. Joan Allen adds another exemplary performance to her resume, further demonstrating her great prowess as an actress. She imbues Laine Hanson with a strength and character that makes her entirely believable and credible. And Gary Oldman (in what is an uncharacteristic role for him) is absolutely dynamic as the ultra-conservative Shelly Runyon, who proves to be a most formidable opponent to Hanson and Evans. Bridges also comports himself well, creating a strong, insightful character in President Evans, exhibiting the very private, human qualities behind the public figure. The excellent supporting cast includes Christian Slater (Reginald Webster), Sam Elliott (Kermit), William Petersen (Hathaway), Philip Baker Hall (Oscar), Mike Binder (Lewis), Robin Thomas (William Hanson) and Saul Rubinek (Jerry). Lurie allows only a single lapse into melodrama (patriotic music begins to swell about half-way through Hanson's final speech), but the closing speech by President Evans is impeccably delivered with force and strength, and his words are exhilarating; how satisfying it is to hear things said that must and should be said, if only in the movies. Using the political arena to address subjects that concern all of us– morality, ethics, principles, truth and honesty– `The Contender' is riveting drama that invokes the conscience of a nation by examining the moral fiber and motives of those who would aspire to greatness. It's gripping entertainment with a message about Truth, Decency and the necessity of bipartisanism in politics; it's a statement well made, and one that should be taken to heart by all. I rate this one 9/10.

First off,the acting is first rate. So good that the rest of the cast almost performs at the Gary Oldman level. That's high praise,indeed.

With that out of the way,it seems like the real purpose of this movie was to take a cheap shot at Republicans in general,and conservatives in particular. The Dims are saints,and the Republicans are evil.

This message couldn't be clearer than when Joan Allen gave her little speech about "I'm for a woman's choice,I'm for the government taking the guns out every house in the country",etc,etc,etc.,and the speech she made about leaving the Republican Party because it had shifted away from the values that formed this country. That had nothing to do with movie making,and everything to do with political propaganda. Stalin couldn't have came up with a more left-wing rant.

After all,how can you take a movie seriously when it shows a vice- presidential candidate giving a speech to a committee that states she wants to see every gun in the country confiscated by the government? We are supposed to believe the voters would take a direct assault on the Bill of Rights so casually they would elect someone who said that?

It's a damn shame the director and writers of this movie decided it was more important to make a propaganda film than a movie for entertainment.

Not that the Republicans aren't guilty of sleaze. They most certainly are. They are mere amateurs compared to the Dims,though. As the writing,editing,and directing in this movie proves.

Greetings again from the darkness. Director Rod Lurie is living my fantasy. After a career as a movie critic, he is now directing some of Hollywood's best (and under-utilized) actors and actresses. This little thriller is fun to watch thanks mostly to the skills of those on the screen. All of these actors should work more ... SHARE your talent. Jeff Bridges is a very pompous, yet charming, smooth talking president. I assume the list to play the president was short, thanks to a couple of script lines about Clinton. Joan Allen is excellent as the cool senator with the lurid past (?) who is nominated for the VP slot. Gary Oldman, who continues to reinvent the role of CREEP, steals every scene he is in. Of course, this happens in all of his movies! It is always nice to see Sam Elliott and William Petersen on screen. And I guess Christian Slater is trying to salvage a career after the disastrous "Very Bad Things". He has lost some smugness and tempered his Jack Nicholson dialect. My only disappointment with the movie was in the script. Although I love the subject matter and the issues raised, I kept waiting for the shoe to drop on Gary Oldman's charater's deep, dark secret. Jeff Bridges stifling his political career seem quite the letdown. Would have really enjoyed a few more plot twists to really test the audience and cast. My tidbit for this one comes from the career of Sam Elliott. Next time you are watching "Butch Cassidy and the Sundance Kid", check out a young Sam Elliott in the early card playing scene. Also, William Petersen's power-hungry wife in "The Contender" is played by Kristen Shaw, a carry-over from Rod Lurie's film, "Deterrence".

Excellent political thriller-drama with a great cast which certainly delivered. The story isn't very original, but that doesn't bother. Jeff Bridges was very good and funny as the president of the United States. He was always very relaxed and human during his role. The attitude, the way of thinking, the nonchalance... it made his performance quite amazing. Jeff Bridges is one of my favourite actors. He capable of playing every role. Be honest, who would have thought "the dude" would make an excellent president as well?

Furthermore I loved Joan Allen's and Gary Oldman's performance as well. Both were excellent. As well as Christian Slater playing the young idealist. "The Contender" certainly deserves this rating and I'm convinced it even deserves a higher rating, something like 7.3.

"The Contender" is political thriller-drama which is certainly worth watching. Although this movie doesn't want to make a certain (moral) statement, I loved the following quote by Joan Allen's character: "Principles only mean something when you stick to them when its inconvenient."

9/10

Did you ever notice how the losers; the baddies and the incompetents always have thinning hair or are outright baldies in the movies?

Talk about typecasting: Jeff Bridges as the Prez. Full head of hair, high energy, masculine, physically fit and pretty funny, too. Pretty cool, even for a Democrat. Golly, gee whiz, are there supposed to be any similarities drawn between him and Clinton?(I think he stole this movie, BTW).

Gary Oldman as Shelly Runyon, Thinning hair (to be charitable), four-eyed geeky tubercular physique, and quivering jaw, with mean little spitting cobra-like malevolence that only Gary can portray. Oh yes, he plays the EVIL Republican.

Joan Allen...uh, who? What a wussy. Was this the best they could do for a representative of Yearning American Womanhood straining at the Chains of Inequality? For most of the movie, she does nothing to move beyond precisely those reasons that are put forth as Bridge's motivation for nominating her in the first place-namely that he wants a Woman named to the V.P. slot as a part of his "legacy". Not once does he or his chief aide (well played by Sam Eliott) discuss her politics nor is she shown to be any sort of a leader. Mostly, she is so self-effacing; so in awe of all these Big Strong Men, that she makes one ill (snif!). Only towards the end, do you get an idea that maybe she is substantive and that she actually has an opinion on something. They might as well have been picking a S,F and D housefrau out of the phonebook.

Bridges and Eliott seem to regard political investigations as something shameful and dirty and only reluctantly, when they had no other choice, do they finally, reluctantly, (sighing all the way) take advantage of information provided by a plucky (and cute) (OW! take that! sexist pig!) FBI agent. But only in the interest of the American People, you understand...

One last: the ambitious little weasel turncoat representative played by Christian Slater. Does he ever show any emotion besides barely held in eagerness? He seems forever on the verge of anticipating some impending event, like the water bucket above the half-open door trick.

The music was way too loud and way too epic. Way too obvious that this was meant to be a Big Event.