AVALIAÇÃO DA IMDb
7,1/10
10 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaNew Yorker Ruby Weaver believes she has found the man of her dreams in Sam Deed, who is her best catch in some time--except that he assures her that he came from the future.New Yorker Ruby Weaver believes she has found the man of her dreams in Sam Deed, who is her best catch in some time--except that he assures her that he came from the future.New Yorker Ruby Weaver believes she has found the man of her dreams in Sam Deed, who is her best catch in some time--except that he assures her that he came from the future.
- Prêmios
- 1 vitória e 2 indicações no total
Stephen Gevedon
- Frenchman
- (as Steve Gevodan)
Avaliações em destaque
We happened across "Happy Accidents" by happy accident: there was nothing worth watching on any other channel and the description of the movie on IFC was enough for us to give it a go.
We made the right choice.
This is a sweet little romantic comedy. I had never heard of it before through the mass media; perhaps that's because nothing gets blown up in the movie, no guns are drawn, and only a few punches are thrown. Instead, Marisa Tomei and Vincent D'Onofrio mostly interact with each other (as aided and abetted by Tomei's therapist and girl-friends). (Nowadays, does that make it a "chick-flick"?)
One cautionary note: If you've seen "K-Pax", you may feel "Happy Accidents" is a bit derivative, almost like a trip back into the past, but hang in there. If you're a fan of either Tomei or D'Onofrio (probably most famous for his role as "the bug" from "Men in Black"), or even if you're just looking for a pleasant way to pass an hour and fifty minutes, catch this the next time it comes around on cable/satellite -- you won't be disappointed.
We made the right choice.
This is a sweet little romantic comedy. I had never heard of it before through the mass media; perhaps that's because nothing gets blown up in the movie, no guns are drawn, and only a few punches are thrown. Instead, Marisa Tomei and Vincent D'Onofrio mostly interact with each other (as aided and abetted by Tomei's therapist and girl-friends). (Nowadays, does that make it a "chick-flick"?)
One cautionary note: If you've seen "K-Pax", you may feel "Happy Accidents" is a bit derivative, almost like a trip back into the past, but hang in there. If you're a fan of either Tomei or D'Onofrio (probably most famous for his role as "the bug" from "Men in Black"), or even if you're just looking for a pleasant way to pass an hour and fifty minutes, catch this the next time it comes around on cable/satellite -- you won't be disappointed.
Ruby Weaver, a person who has made bad choices in the boyfriend department, thinks she's finally found a decent life partner in Sam. That is, until he claims he's a time traveler from the future. She plays along at first, but Sam's stories become increasingly weird, and Ruby questions his mental health.
This was such a cute little movie, I decided to by the DVD. The two lead characters were actually entertaining, unlike the cardboard cutouts in most romantic comedies i've seen in the last few years. Brad Anderson is a talented guy, and i'd like to see what else he's directed now.
This was such a cute little movie, I decided to by the DVD. The two lead characters were actually entertaining, unlike the cardboard cutouts in most romantic comedies i've seen in the last few years. Brad Anderson is a talented guy, and i'd like to see what else he's directed now.
I actually think this 2001 low-budget, indie film has a quirky charm that's hard to resist, and credit goes to director/writer/editor Brad Andersen's singular film-making style. It's ostensibly a contemporary love story between two misfits, but he laces the plot with science fiction elements that seem contrived at first until they start to affect the characters tangibly. The irony is that these far-fetched plot developments are what make the movie resonate emotionally. The two people at the center are Ruby Weaver, a single woman with an unfortunate track record of enabling men to meet her lowest expectations, and Sam Deed, a stranger from Dubuque who may be either mentally ill or a time traveler from the year 2470. Ruby is immediately drawn to Sam's sincerity but when he confesses to coming from the future, she inevitably feels like she is recycling old behavior by trying to save him from his delusions.
It reminds me a bit of John Carpenter's 1984 "Starman" (where an alien takes the form of a woman's dead husband) and a touch of Hal Ashby's 1979 "Being There" (where an insulated gardener tries to make sense of the world around him). However, Anderson puts his own idiosyncratic stamp on the movie by making Sam's seemingly insane assertions credible and Ruby's attraction alternately frustrating and empathetic. The acting by the two leads helps considerably here. Suffering from premature Oscar ejaculation, Marisa Tomei has slowly recovered her acting credentials, and this performance is among her best as she dexterously brings out all the hesitation and vulnerability in Ruby. As Sam, Vincent D'Onofrio tempers his trademark intensity with a genuine sweetness that makes his child-like wonder believable. Holland Taylor effectively tones down her sassy persona to play Ruby's impervious therapist, while Tovah Feldshuh grounds the film with warmth and sensibility as Ruby's mother. The ending is clever with a nice use of stop-motion photography, even if it felt slightly derivative of the legendary "Star Trek" episode where Bones is stopped from saving a peace-loving missionary (played by Joan Collins, of all people) about to be killed. This one is more infectious than you may be assuming from the set-up.
It reminds me a bit of John Carpenter's 1984 "Starman" (where an alien takes the form of a woman's dead husband) and a touch of Hal Ashby's 1979 "Being There" (where an insulated gardener tries to make sense of the world around him). However, Anderson puts his own idiosyncratic stamp on the movie by making Sam's seemingly insane assertions credible and Ruby's attraction alternately frustrating and empathetic. The acting by the two leads helps considerably here. Suffering from premature Oscar ejaculation, Marisa Tomei has slowly recovered her acting credentials, and this performance is among her best as she dexterously brings out all the hesitation and vulnerability in Ruby. As Sam, Vincent D'Onofrio tempers his trademark intensity with a genuine sweetness that makes his child-like wonder believable. Holland Taylor effectively tones down her sassy persona to play Ruby's impervious therapist, while Tovah Feldshuh grounds the film with warmth and sensibility as Ruby's mother. The ending is clever with a nice use of stop-motion photography, even if it felt slightly derivative of the legendary "Star Trek" episode where Bones is stopped from saving a peace-loving missionary (played by Joan Collins, of all people) about to be killed. This one is more infectious than you may be assuming from the set-up.
I tend to like character-driven movies and am quickly put off by movies that follow one of the familiar Hollywood stories. This movie successfully ventures into interesting and largely untested ground.
The story is about a man (Vincent D'Onofrio) who becomes romantically involved with a woman (Marisa Tomei) who has a history of co-dependence and failed relationships. He claims that he is from the future. The plot takes us on the journey of their relationship and her questioning of the truth to his claims vs. whether he is another in a string of loser guys that she seems to cling to.
The plot synopsis sounded a little odd, but it was my hope that these two talented actors could pull it off. Both Tomei and D'Onofrio turn in excellent performances. They present complex, interesting and flawed characters who engage our interest. The writing is very good and enjoyable.
My only complaint is the the story sags a little about 2/3 of the way through. A little tighter editing of about 10 minutes of essentially redundant scenes would have made the movie a more engaging.
I rate it a 8/10 and encourage those who like well-written, character-driven movies to check this one out.
The story is about a man (Vincent D'Onofrio) who becomes romantically involved with a woman (Marisa Tomei) who has a history of co-dependence and failed relationships. He claims that he is from the future. The plot takes us on the journey of their relationship and her questioning of the truth to his claims vs. whether he is another in a string of loser guys that she seems to cling to.
The plot synopsis sounded a little odd, but it was my hope that these two talented actors could pull it off. Both Tomei and D'Onofrio turn in excellent performances. They present complex, interesting and flawed characters who engage our interest. The writing is very good and enjoyable.
My only complaint is the the story sags a little about 2/3 of the way through. A little tighter editing of about 10 minutes of essentially redundant scenes would have made the movie a more engaging.
I rate it a 8/10 and encourage those who like well-written, character-driven movies to check this one out.
10retst2
The only reason I selected this movie as a rental was because Vincent D'onofrio was on the cover. I am a committed VDO fan and was not disappointed with this selection. This romantic comedy plays out beautifully on the screen and the element of time travel is handled with a refreshing spin of originality.
Both Tomei and D'onofrio provide captivating performances the range of emotions they both convey make their chemistry on screen very pleasant to watch and their characters very believable.
I also found the score to be an interesting touch that adds a light air of wonderment and mystery in just the right spots. My favorite spots were the flute solo in the beginning after Sam (D'onofrio) meets Ruby (Tomei) outside her apartment, it adds a feeling of innocence to a situation that ordinarily would not be described as such. The second is at the end when they meet at the intersection of Chrystie and Delancy after the much anticipated "moment" passes.
Please rent this movie and discover your own reasons for falling in love with it. You will soon find yourselves committed to adding it as a permanent addition to you DVD library!!
Both Tomei and D'onofrio provide captivating performances the range of emotions they both convey make their chemistry on screen very pleasant to watch and their characters very believable.
I also found the score to be an interesting touch that adds a light air of wonderment and mystery in just the right spots. My favorite spots were the flute solo in the beginning after Sam (D'onofrio) meets Ruby (Tomei) outside her apartment, it adds a feeling of innocence to a situation that ordinarily would not be described as such. The second is at the end when they meet at the intersection of Chrystie and Delancy after the much anticipated "moment" passes.
Please rent this movie and discover your own reasons for falling in love with it. You will soon find yourselves committed to adding it as a permanent addition to you DVD library!!
Você sabia?
- CuriosidadesOn the UK DVD cover released in 2007, the blurb on the back features a review quote which reads, "Wow! Outstanding! Completely blew me away". The credit given for the quote is "IMDb".
- Erros de gravaçãoMrs. Weaver says her husband quit drinking on Tuesday, 15 October 1988. In fact, that date was a Saturday.
- Trilhas sonorasDefect 4: Emeré
Written by Tom Zé and José Miguel Wisnik
Performed by Tom Zé
Courtesy of Luaka Bop/Virgin
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- How long is Happy Accidents?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 688.523
- Faturamento bruto mundial
- US$ 688.523
- Tempo de duração
- 1 h 50 min(110 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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