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The film talks about the FBI agent Malcolm Turner (Martin Lawrence) , he's assigned to catch a ruthless bank robber and a recent prison escapee (Terrence Howard) . He suspect will be coming down to visit his ex-fiancee Sherry (Nia Long) and her child . The cop along with his colleague John (Paul Giamatti) set up a stakeout across from the home , and Turner posing as a woman , in order to investigate a case , who's known as a southern sweet ¨big momma¨, she is a severely overweight but bright old woman . This time he goes undercover , attempting to solve a case , and he becomes invoved with an unhappy mother , and his son . Disquising as a foul-mouthed Big Momma he must find the murderer before he finds them , along the way he has a lot of problems. It ain't over 'til the fat lady sings! This FBI agent is going undercover... and he's concealing more than a weapon.He's Deep Undercover. On June 2nd he's deep undercover.

This diverting movie expands from an original idea about woman's disguising , but Lawrence and the writers manage to pull it off rather impressively . The jokes are plentiful and is pretty entertaining , the plot doesn't allow for many quiet moments which Lawrence needs to balance out the slapdash . There are sporadic laughters , though too often humour is mined by scatological and toilet lines , but in this movie some gags are agreeable enough . It's a farce with the great master of disguise Lawrence when he takes a make up by make-up artist Greg Cannon and is transformed into fat grandma . The story is fun and interesting and the characters are genuine and sympathetic . Film is a Martin Lawrence recital , using a few tricks of disguise , carrying out complete transformations , as he makes acrobatics , stooges , tongue-twister and pull faces and grimaces . The picture is a vehicle Lawrence , he's a real show man and authentic farceur by impersonating the cantankerous Southern granny . Lawrence like his partner Eddie Murphy has plenty of experience with women costumes and various roles . He is well accompanied by a good cast mostly African-Americans , such as : Cedric the Entertainer , Octavia Spencer , Phyllis Applegate , Anthony Anderson , Philip Tan , Edwin Hodge , Aldis Hodge , among others . The film gets a nice cinematography by Michael O'Shea , and atmospheric score by Richard Gibbs . The motion picture was allrightly directed by Raja Gosnell ("Never Been Kissed", "Home Alone 3", "Scooby-Doo""Yours, Mine & Ours" , "Beverly Hills Chihuahua", ¨Smurfs¨ , ¨Smurfs¨) but he had nothing to do with the sequels , but the film cemented his reputation as a commercially successful director . If you like Lawrence's crazy acting , you'll enjoy this one.

The film ¨Big Momma's House¨ (2000) was an unexpected box office hit , earning about 174 million at the worldwide box office, and received two sequels of its own . Being followed by ¨Big Momma's House II¨ 2006 by John Whitesell , with Emily Procter , Mark Moses , Zachary Levi , Kat Dennings , Chloë Grace Moretz , Marisol Nichols and again a Martin Lawrence providing a recital in a sequel more amusing than previous film . And a third part in which Momma's got back-up , titled ¨Big mommas : Like fater like son¨ 2011 by John Whitesell with Martin Lawrence, Brandon T. Jackson, Jessica Lucas.

Why did I rent this movie? I don't really appreciate Martin Lawrence, not his old TV show nor his stand-up routine. But I did rent it nonetheless, fearing that I'd wasted my $2.99 after returning home.

My fears were ungrounded. This movie is actually funny, hysterically so in a few scenes. Not to mislead the reader, I have to state that this movie is nothing great; it's actually just a trifle. Just suspend all belief as Lawrence portrays an FBI agent who dons a fat-suit in order to impersonate the 350-pound aunt of the lovely young suspect Lawrence and his partner are tailing. Of course, no one, not even the aunt's suitor, can tell the difference. If you can get by this absurd premise, "Big Momma's House" contains some really rib-tickling slapstick. When Lawrence, while impersonating Big Mama, is required to mid-wife a birth...that scene alone is worth the $2.99.

Looking at how this movie looked in advertising, part of me wanted to avoid it. However, years later I gave it the benefit of the doubt, and while it is an uneven film it is nowhere near as bad as it could have been. The story is briskly paced, but rather predictable and thin in places and some scenes do feel a little rushed. There are some funny lines and gags, but also ones that rely on gross-out humour and come across as uninspired. The characters can have a tendency to be irritating and also to be stereotyped. However, the movie does look good with striking locations and the filming is more than decent, and there is an energetic soundtrack. In the dialogue and gags that work, they are actually quite funny. The direction is better than average, as are the performances. Martin Lawrence seems to be really enjoying himself, and it was nice to see Paul Giamatti in support. In conclusion, not great but not bad either. 6/10 Bethany Cox

When you have a movie with a title like "Big Momma's House", you shouldn't expect high art. I certainly wasn't, but sometimes that's okay - sometimes you just want an excuse to laugh.

Still, I have to admit that I was somewhat disappointed with what they did here. The fault lies with the screenplay. For starters, it is not exactly original. While I wouldn't call this movie a blatant rip-off of "Stakeout", in several regards it's too close to that earlier movie for its own good. Speaking of familiar, another problem I had was that too many of the gags involving Lawrence as the cross-dressing FBI agent I had more or less seen in other movies before. Plus, the movie devotes far too much time to this than fleshing out the story - if what's here could be considered a story.

On the positive side, the movie is filled with energy, both in front of and behind the camera. There's enough energy that some viewers not wanting to think while watching a movie might find the enterprise enjoyable enough. If that sounds like you, you'll probably find this movie adequate. If you want more nutrition in your cinematic diet, look elsewhere.

Martin Lawrence is often trusty in the world of comedy. Maybe I'm just overcoming his awful "Blue Streak," but I felt this comedy--though saggy at times--was quite funny. The premise is undoubtedly implausible. How's a whole neighborhood going to believe that this undercover cop with a latex body that looks somewhat like Big Momma is actually Big Momma? There's a lot of disbelief to suspend. But the gags often worked and I can say I laughed about 75 percent of the time. Some are predictable, like when Big Momma takes a karate class and starts beating the teacher--played by Anthony Anderson--to a pulp, but they still work due to the way they're handled. And Lawrence turns in yet another fine comic performance, with a script that could've used a rewrite but was nowhere near as bad as the crackerjack script he had to work with in "Blue Streak." The talented comic helps keep the movie togehter, with a little assistance from the supporting cast. Paul Giamatti, who was great as Pig Vomit in the acclaimed "Private Parts," is funny as Lawrence's partner. We also have "Me Myself and Irene's" Anthony Anderson and Cedric the Entertainer.

The plot is chaotic, sometimes predictable, and becomes more and more implausible by the minute but the comedy works and because of that we're able to excuse the script's shortcomings. "Big Momma" doesn't deliver the biggest laughs, but it's good, fun entertainment on a lonely weekday afternoon.

My score: 7 (out of 10)