Jane Eyre

No other film version of "Jane Eyre" can touch this one for fidelity to the book and excellence of performance. Michael Jayston is the perfect Mr. Rochester - he looks the part, attractive yet not too pretty, and able to convince us of his hidden good qualities under a rough and abrasive exterior. Sorcha Cusack is wonderful as Jane - exactly what Charlotte Bronte set out to create, a plain, retiring heroine whose personality blazes through and captivates us. This version gives us the ENTIRE story, from Jane's deprived childhood and years at Lowood School to her life at Thornfield with Mr. Rochester. It even treats seriously the interlude with her cousins, St. John Rivers and his sisters, something film versions of the novel usually try to minimize or alter completely. Paradoxically, this actually works and makes sense, although it is an interruption in the more interesting Jane-Rochester story. The dialogue and narration are often taken directly from the novel, with just some abbreviation. I wish this version would appear on video - it is FAR superior to any of the others made for TV or the big screen. If you see it being broadcast (it turns up on Canadian TV sometimes) don't miss it.

I have to give this production extra points for effort. It certainly wasn't the lame chick flick that BBC 2006 was. They did stick close to the novel and the adaptation does have it's charm... but it lacks power, nuance and maybe even emotional truth.

Before you invest money, I urge you to view some of the 1973 scenes, currently on you-tube. Everyone has a different idea of what good is and -- poor production values aside -- I fear some will find these performances either off point with the story, or too intellectualized by today's standards.

I'm not opposed to narration; Jane has few enough lines and Brontë's words are visceral, stunning and instructive about her heroine. But the voice overs *here,* take place during scenes with a lot of dialog. Since the actors can as easily fill in subtext, the running commentary is pointless. The only place I've seen the device used effectively is in comedies, like SCRUBS, where the split-hair-timing of the juxtaposed VO and dialog actually helps *create* the humor. However *here,* it is not used to *any* dramatic effect whatsoever.

Jayston is probably the stronger of the two and he IS endearing (especially when singing at the piano), but lacks the edge and imposing presence of the Rochester in the novel. Cusack also has her moments, but she plays nearly every scene with arched eyebrows (for reasons I cannot begin to fathom) which gives her the appearance of wearing a mask. And barely seems able to conceal a condescending smirk, which alternates with a gape-eyed stare. Neither of which pass for Jane's keen intelligence and curiosity, nor her lack of world experience. She HAS since acknowledged she didn't really have a handle on the role, though I know ardent fans will disagree. Although the 1973 and 2006 BBC adaptations are very different -- the former tried to remain faithful to the novel, while the latter couldn't get far enough away from it -- I found both suffered from a lack of character contrast and dynamic.

I would like to tip my cap to Geoffrey Whitehead, who for me turned in an extremely gratifying performance as St. John Rivers. He was understated and energetic -- as connected to the material as his character was distant from the lives he missioned to save. Rigid, frigid and shocking in his presumption of what was best for others. Ambitious and frighteningly blinded by the authority afforded him by his collar. I felt it all from Whitehead. It was without a doubt the performance that engaged me most consistently. Despite the intrusive narration.

This adaptation does include the problematic gypsy segment. However, Jayston who has some wonderful subtle moments in other scenes, rides the surface of what little of Brontë's words are used here, instead of delivering them with full intention. In any case it wouldn't have landed since in this version, Jane guesses immediately. Cusack signifies this with a jig-is-up grin, almost straight out of the gate, instead of becoming vulnerable to and absorbed by the words, (if for no other reason, than the sharp insight they carry.) And absorbing us along with her. For me the meaning of the segment was lost. This exemplifies a problem I had throughout this adaptation; the scene is there, but not the intention.

Understandably this scene has only been attempted once as written. Probably because it's tough to pull off, since the audience invariably "knows." The key is both actors have to play it straight from their respective point of views. When done with full commitment, no feigned (and invariably funny) gypsy voice will prevent the words from being heard. And if Jane becomes fully involved, after her initial resistance (which helps put us in her corner and provides a dramatic pass, into *her* shifting reality) we'll follow her. Done right the scene allows for a bizarre but fascinating mix humor and intended poignancy.

Otherwise the writers failed to cut passages in ways that make Brontë's dialog playable (and the '83 adaptation demonstrates that *much* of it is *very* playable). So part of the problem may lie there. *I do think the more dynamic '83, which presumably had the lowest budget per hour, is richer and more realized. It's equally faithful and a lot less self conscious, at least to this viewer. True they took some risks, but with few exceptions, most of them paid off.

*If you need great production values, neither version will work for you.

I first saw this mini series back in 1973 when it was broadcast on the BBC and thought it was wonderful. I immediately read the book and couldn't believe how true to the book the adaptation was. Also what I loved about it was it wasn't a glitzy Hollywood version, it completely captured the atmosphere of the book. All the cast gave brilliant performances. Sorcha Cusack was a perfect Jane but Michael Jayston's performance was just astounding. He managed to portray all the complexities of the character with a touch of dry wit, and the chemistry between Rochester and Jane is just amazing. I'm afraid the 1983 Dalton version just doesn't do anything for me. Dalton is an excellent actor but once you've read the book he doesn't really fit the part the way Michael Jayston does. It is fantastic that the powers that be have come to their senses and decided to re-release it after all these years. It is an exceptional adaptation. Don't miss it!

Have to say I liked the 1983 version until I saw this one. Wow! Where has it been hiding all these years. Michael Jayston is amazing as Rochester. His acting is superb and he is wonderfully witty in the part. Most actors who have portrayed Rochester have managed to portray some aspects of the character well, but somehow Jayston manages to get everything right. Sorcha Cusack is excellent as Jane, a really moving performance. Rochester and Jane just look right together in this adaptation, you can really believe in the characters. My only quibble with this adaptation is that it is not long enough, I could have done with a lot more of the same. My recommendation is make sure that you don't miss this 1973 version, it's a joy to watch.

I have seen many versions of Jane Eyre, and this version is at the top of my list. When I get the urge for some terrific acting and a bit of romance, I pop in the videotape and sit back to enjoy. Michael Jayston gives an incredible performance as Mr. Rochester, just amazing. Sorcha Cusack and the rest of the cast turn in equally good performances, but I felt that Jayston was the best Rochester I have ever seen! It is a lengthly production, but the length is needed to tell the story--other productions, 2 hour movies, have not been able to do nearly as good a job. But again, Michael Jayston's masterful performance is the best part of this already first-rate production!