Após um acidente, um executivo chauvinista ganha a capacidade de ouvir o que as mulheres realmente pensam.Após um acidente, um executivo chauvinista ganha a capacidade de ouvir o que as mulheres realmente pensam.Após um acidente, um executivo chauvinista ganha a capacidade de ouvir o que as mulheres realmente pensam.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 vitórias e 9 indicações no total
Andrea Baker
- Office Intern
- (as Andrea Taylor)
Jon Frazier
- Truck Driver
- (apenas creditado)
Avaliações em destaque
It is not easy to start from a funny idea like this, write a script for 90 minutes, get some humour and end up with a perfect bake.
In fact, it's easy to go wrong somewhere along the way, last too long, make it too slapstick, or too serious, and then after 25 minutes people know they shouldn't have paid for their seat.
This film - about a man suddenly endowed with hearing women's thoughts - is a favourite rerun at Christmas, and I still watch it (ok not in full, I have a life too) instead of changing channels because it's still funny.
Mel Gibson and Helen Hunt are really good there, they just coined it and you wish there were more unpretentious (but with a tiny bit of depth and message) comedies like this around.
In fact, it's easy to go wrong somewhere along the way, last too long, make it too slapstick, or too serious, and then after 25 minutes people know they shouldn't have paid for their seat.
This film - about a man suddenly endowed with hearing women's thoughts - is a favourite rerun at Christmas, and I still watch it (ok not in full, I have a life too) instead of changing channels because it's still funny.
Mel Gibson and Helen Hunt are really good there, they just coined it and you wish there were more unpretentious (but with a tiny bit of depth and message) comedies like this around.
"What Women Want" has a unusual plot which also makes us (men) think: what do women really want? The final conclusion is that they want happiness, just like men.
Despite being a predictable movie and nothing extraordinary, at least it teaches to us (men) some valuable lessons about women. It's a good way to understand and know them better.
The first hour of this movie is great fun, very entertaining and pure comedy. During the first hour we have some moments to give us good laughs. Mel Gibson has never been this funny before. He plays a hilarious character: Nick Marshall, a typical "macho men" or a "men's man". The kind of man that other men admire and want to be like him. The kind of man who doesn't understand a thing about women (although seen as a "God's gift" to women). Nick is proud, rich, chauvinistic, single and loves to hear Frank Sinatra.
After an accident with the hairdryer, he suddenly has the power of hearing what women think and what they think of him isn't what he expected. He sees this as a curse, but after being convinced by a psychologist that he could take advantage of this gift, he uses it to manipulate Darcy McGuire.
However, in the second half, the movie fails, becoming predictable and somehow lame, losing all its comical side. Some ridiculous and silly things happen in the second half. Also, I rather the "old" Nick than the "good" Nick, because the "old" Nick was much funnier. He becomes the "good guy" in the second half, losing his sense of humor.
This movie has some nice songs, such as "I Won't Dance" (performed by Frank Sinatra), "I've Got You Under My Skin" (performed by Frank Sinatra in a duet with Bono) and "Bitch" (performed by Meredith Brooks).
Mel Gibson is great and charming as Nick Marshall, while Helen Hunt is okay and pretty in the role of Darcy McGuire.
Despite being a predictable movie and nothing extraordinary, at least it teaches to us (men) some valuable lessons about women. It's a good way to understand and know them better.
The first hour of this movie is great fun, very entertaining and pure comedy. During the first hour we have some moments to give us good laughs. Mel Gibson has never been this funny before. He plays a hilarious character: Nick Marshall, a typical "macho men" or a "men's man". The kind of man that other men admire and want to be like him. The kind of man who doesn't understand a thing about women (although seen as a "God's gift" to women). Nick is proud, rich, chauvinistic, single and loves to hear Frank Sinatra.
After an accident with the hairdryer, he suddenly has the power of hearing what women think and what they think of him isn't what he expected. He sees this as a curse, but after being convinced by a psychologist that he could take advantage of this gift, he uses it to manipulate Darcy McGuire.
However, in the second half, the movie fails, becoming predictable and somehow lame, losing all its comical side. Some ridiculous and silly things happen in the second half. Also, I rather the "old" Nick than the "good" Nick, because the "old" Nick was much funnier. He becomes the "good guy" in the second half, losing his sense of humor.
This movie has some nice songs, such as "I Won't Dance" (performed by Frank Sinatra), "I've Got You Under My Skin" (performed by Frank Sinatra in a duet with Bono) and "Bitch" (performed by Meredith Brooks).
Mel Gibson is great and charming as Nick Marshall, while Helen Hunt is okay and pretty in the role of Darcy McGuire.
This is pretty much the typical romantic comedy, but with an interesting twist; the main character has the ability to hear womens thoughts. The important thing was that for it to work, the character would be placed in a lot of interesting comical situations, where you could laugh at it, without it being too mocking of womens thoughts, or too far-out to enjoy. It succeeds pretty well, however the way the character gains and loses the ability were handled somewhat poorly. The humor is good, and there is plenty of it, throughout the entire runtime. The characters were believable, and the main character eventually grew to be likable. The plot was good, and the acting likewise. The only thing that brings the movie down, is the poor execution of the gain/loss of the ability to hear womens thoughts, and the sugar-sweet ending, that was too predictable and plain boring, as anyone who's seen one of the hundreds(possibly thousands) of romantic comedies out there. No actual new stuff brought to the table, apart from the interesting and original concept of a man being able to hear what women are thinking. OK for a romantic comedy. 7/10
A new creative director (Helen Hunt) is hired by an ad agency (run by Alan Alda) to bring it up to date by appealing to the women's market. Mel Gibson, an account executive and a real man's man, was slated for that position, and he wants to get rid of Hunt. At her first staff meeting, Hunt gives each person a package of various women's products, and each must come up with a campaign for at least one of the items.
At home, Gibson tries out the products in a tour de force of cross-dressing. Funny, if not roll on the floor hilarious, and he does it with an aplomb that makes it look so easy that you at the very least have to admire his skill. In the process, Gibson falls into a tub, followed by a live hair dryer, and receives a shock that alters his brain so that he can hear the thoughts of women. As a result, he bowls everyone over, especially Hunt, with his creative insight into the women's market. Now he's got her right where he wants her...or so he thinks. But creative insight turns out to be a two-edged sword.
I liked this one a lot more than I thought I would. It reminded me of one of those late 50's early 60's romantic comedies, at least in its earlier scenes. In fact, I liked it so much that it made me feel sorry for Woody Allen. His "Curse of the Jade Dragon" suffers by comparison. I mention it, because Allen's film also stars Helen Hunt and, interestingly, has a similar situationa woman is hired on to bring a company up to date, and she threatens to disrupt the man's career. Even mind-alteration is involved, although of a different kind.
I think the mind-reading premise is brilliant and is set in just the right context, and Hunt and Gibson played off each other very well. I've seen Mel Gibson on a couple of Jay Leno shows, and he seemed ill-at-ease and sometimes a little abrupt, as though he were either very shy, not too bright, or for some reason just didn't want to be there. But what a difference when he's on screen and playing a role that in bygone days would have been filled by Jack Lemmon or Tony Randall or Rock Hudson. Ok, maybe he's not the all-round actor that Lemmon was, but he fit that particular role perfectly. And he even does a bit of a Gene Kelly routine!
At home, Gibson tries out the products in a tour de force of cross-dressing. Funny, if not roll on the floor hilarious, and he does it with an aplomb that makes it look so easy that you at the very least have to admire his skill. In the process, Gibson falls into a tub, followed by a live hair dryer, and receives a shock that alters his brain so that he can hear the thoughts of women. As a result, he bowls everyone over, especially Hunt, with his creative insight into the women's market. Now he's got her right where he wants her...or so he thinks. But creative insight turns out to be a two-edged sword.
I liked this one a lot more than I thought I would. It reminded me of one of those late 50's early 60's romantic comedies, at least in its earlier scenes. In fact, I liked it so much that it made me feel sorry for Woody Allen. His "Curse of the Jade Dragon" suffers by comparison. I mention it, because Allen's film also stars Helen Hunt and, interestingly, has a similar situationa woman is hired on to bring a company up to date, and she threatens to disrupt the man's career. Even mind-alteration is involved, although of a different kind.
I think the mind-reading premise is brilliant and is set in just the right context, and Hunt and Gibson played off each other very well. I've seen Mel Gibson on a couple of Jay Leno shows, and he seemed ill-at-ease and sometimes a little abrupt, as though he were either very shy, not too bright, or for some reason just didn't want to be there. But what a difference when he's on screen and playing a role that in bygone days would have been filled by Jack Lemmon or Tony Randall or Rock Hudson. Ok, maybe he's not the all-round actor that Lemmon was, but he fit that particular role perfectly. And he even does a bit of a Gene Kelly routine!
A man suddenly finds himself able to read women's minds and actually know what women want from men.Now,what guy doesn't want to be in that position? This was a terrific idea for a film and it was executed to perfection.Who better than Mel Gibson to represent us in this situation? He's the one man women probably wish understood them.At any rate,Gibson really turns on the Gibson charm here and there's not a better film in which to do that.Helen Hunt makes a great leading lady and is her usual charming self.Also,from the supporting cast,it's always great to see Alan Alda,one of the most underrated actors of our time.This film starts with a very unique,funny idea,and it does not disappoint in terms of how good it can be executed.Well casted,well directed and very funny film.
Você sabia?
- CuriosidadesThe Nike representatives are real Nike ad representatives, not actresses.
- Erros de gravaçãoWhen Nick thinks he's in line for a promotion to creative director, he and his staff make numerous references to moving up to the 44th floor. Immediately prior, there is an exterior shot of their building that is no more than 15 stories.
- Citações
[looking distractedly in refrigerator]
Nick Marshall: What am I doing? She's not in the refrigerator.
- Trilhas sonorasSomething's Gotta Give
Written by Johnny Mercer
Performed by Sammy Davis Jr.
Courtesy of MCA Records
Under license from Universal Music Enterprises
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is What Women Want?Fornecido pela Alexa
- Why doesn't Nick hear his assistants Eve and Margo's inner thoughts?
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Lo que ellas quieren
- Locações de filme
- Dresden Room Restaurant - 1760 N. Vermont Avenue, Los Feliz, Los Angeles, Califórnia, EUA(Back Door Piano Lounge)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 70.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 182.811.707
- Fim de semana de estreia nos EUA e Canadá
- US$ 33.614.543
- 17 de dez. de 2000
- Faturamento bruto mundial
- US$ 374.111.707
- Tempo de duração2 horas 7 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
What was the official certification given to Do Que as Mulheres Gostam (2000) in Japan?
Responda