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5,8/10
1,4 mil
SUA AVALIAÇÃO
O relançamento do filme "Boy Crazy", de 40 anos atrás, é um sucesso e o foco está nas três atrizes principais: Piper, Kate e Addie.O relançamento do filme "Boy Crazy", de 40 anos atrás, é um sucesso e o foco está nas três atrizes principais: Piper, Kate e Addie.O relançamento do filme "Boy Crazy", de 40 anos atrás, é um sucesso e o foco está nas três atrizes principais: Piper, Kate e Addie.
- Direção
- Roteiristas
- Artistas
Pat Harrington Jr.
- Tony Frank
- (as Pat Harrington)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I had been looking forward to this film ever since I first heard about Carrie Fisher's script. Unfortunately, the TV movie didn't live up to my expectations. It was great to see these legendary ladies working together, but the results were not as I had hoped. I don't know if it was the script or the directing, but most of the jokes fell flat. I know that Carrie Fisher had as hard a time getting the film made as the characters had in getting their reunion special aired. Studios wouldn't put up the money because they didn't think that it would be worth it. If the film was given the right director it could have been as witty and wicked as the 1939 classic "The Women" (Joan Crawford, Norma Shearer, Rosalind Russell, Joan Fontaine, Mary Boland).
I believe that the Joan Collins role was originally intended for Lauren Bacall. When Bacall passed the role was offered to Julie Andrews, who also turned it down. I think that Tony Curtis was supposed to play the gangster lover and June Allyson was supposed to play the mother of the Joan Collins character. I can't help to wonder if all of these bail-outs had anything to do with the poor quality that was ultimately produced?
It wasn't all bad, though. There were some really funny moments. I enjoyed the camp factor of Debbie and Joan's performance in the gay club. These bigger-than-life legendary stars are practically drag queens, anyway. The gay subplot was pointless, however, without having been developed properly. Carrie Fisher did toss in some great zingers and one-liners.
I'd definitely watch this movie again some day, but I'll always be haunted by the thoughts of "what might have been"...
I believe that the Joan Collins role was originally intended for Lauren Bacall. When Bacall passed the role was offered to Julie Andrews, who also turned it down. I think that Tony Curtis was supposed to play the gangster lover and June Allyson was supposed to play the mother of the Joan Collins character. I can't help to wonder if all of these bail-outs had anything to do with the poor quality that was ultimately produced?
It wasn't all bad, though. There were some really funny moments. I enjoyed the camp factor of Debbie and Joan's performance in the gay club. These bigger-than-life legendary stars are practically drag queens, anyway. The gay subplot was pointless, however, without having been developed properly. Carrie Fisher did toss in some great zingers and one-liners.
I'd definitely watch this movie again some day, but I'll always be haunted by the thoughts of "what might have been"...
10susras
I have always been a big fan of all the ladies but not particularly of Joan Collins, I wasn't as familiar with her work and never knew she had such a great sense of humor. I LOVED this movie!!!! All the under remarks were the best knee-slapping part of the entire film! Everyone of the ladies were fantastic, poking fun at themselves and laughing and I just could not stop laughing! I wish I had taped it! I hope this is one tv movie that will be available for sale. Neither my husband nor myself wanted this movie to be over - what a great job everyone! The writers wrote great material and those old broads pulled it off grandly! Thank you for a great night of comedy!!!!! And thank you for laughing at yourselves. That wig scene that Debbie Reynolds did, the look on her face when she realized her wig was off, ohmygosh, I thought I was going to bust a gut! And Joan Collins, when she saw Debbie's wig was off....oh gosh, we had tears running down our faces we were laughing so hard! Then the cat fight with Shirley McLaine.....I just can't tell you how our sides are hurting today from laughing so. Thanks again, it was GREAT!!!!!
When you have stars of this caliber, who needs a real plot? They do terrific send ups of themselves and the result is a funny, funny film. The fact that Reynolds and Taylor got together on screen makes the experience even more memorable.
Don't go in expecting Shakespeare ... but sit back and enjoy the inside jokes and the incredible talent of four of the living legends of Hollywood.
And whatever you do, ignore the snide comments of the adolescent male critics who panned this as a "geriatric" outing. These guys can't stand the idea of having older women who aren't ashamed of their bodies -- they'd prefer them all to go hide away so the young nubile and witless wonders can fill the screen.
Don't go in expecting Shakespeare ... but sit back and enjoy the inside jokes and the incredible talent of four of the living legends of Hollywood.
And whatever you do, ignore the snide comments of the adolescent male critics who panned this as a "geriatric" outing. These guys can't stand the idea of having older women who aren't ashamed of their bodies -- they'd prefer them all to go hide away so the young nubile and witless wonders can fill the screen.
Of the four female icons in the cast of These Old Broads only one so far at least has chosen this to be her last film. It could and should be the coda for the careers of Shirley MacLaine, Debbie Reynolds, Joan Collins, and Elizabeth Taylor.
The first three play aging film stars who co-starred in a musical that has become a cult item and has just had a smash hit re-release. What better than a nice television special reuniting the three.
Only problem is that they all can't stand each other. It's going to take someone of the skills of a Mideast peace negotiator to bring them all together. The catalyst might be Jonathan Silverman who is MacLaine's estranged, adopted son. Of course it turns out to be their agent, Elizabeth Taylor who deals from a financial point of view.
MacLaine, Collins, and Reynolds must have really been great sports about this female version of The Sunshine Boys. All the roles that Reynolds daughter Carrie Fisher wrote were such dead-on satires of each one of them. The three look like they're having a great old time spoofing themselves, it's positively infectious for the audience.
Of course the real highlight is at the beginning when Reynolds goes to see Taylor about the reunion. Today's audience cannot possibly appreciate all the innuendo because they weren't around in the Fifties when the Elizabeth Taylor-Eddie Fisher-Debbie Reynolds triangle was the number one news story in the nation. President Eisenhower was having trouble getting as much ink as the most famous movie love triangle ever. And that was only until the Richard Burton-Elizabeth Taylor-Eddie Fisher triangle topped that one.
You could never have imagined over 40 years later seeing Taylor and Reynolds on the screen together. Older, wiser, and sadder, they definitely came to a meeting of the minds about Eddie Fisher.
Collins and MacLaine don't lack for good material either, all of them are just fabulous. These Old Broads is an old stargazer's dream.
The first three play aging film stars who co-starred in a musical that has become a cult item and has just had a smash hit re-release. What better than a nice television special reuniting the three.
Only problem is that they all can't stand each other. It's going to take someone of the skills of a Mideast peace negotiator to bring them all together. The catalyst might be Jonathan Silverman who is MacLaine's estranged, adopted son. Of course it turns out to be their agent, Elizabeth Taylor who deals from a financial point of view.
MacLaine, Collins, and Reynolds must have really been great sports about this female version of The Sunshine Boys. All the roles that Reynolds daughter Carrie Fisher wrote were such dead-on satires of each one of them. The three look like they're having a great old time spoofing themselves, it's positively infectious for the audience.
Of course the real highlight is at the beginning when Reynolds goes to see Taylor about the reunion. Today's audience cannot possibly appreciate all the innuendo because they weren't around in the Fifties when the Elizabeth Taylor-Eddie Fisher-Debbie Reynolds triangle was the number one news story in the nation. President Eisenhower was having trouble getting as much ink as the most famous movie love triangle ever. And that was only until the Richard Burton-Elizabeth Taylor-Eddie Fisher triangle topped that one.
You could never have imagined over 40 years later seeing Taylor and Reynolds on the screen together. Older, wiser, and sadder, they definitely came to a meeting of the minds about Eddie Fisher.
Collins and MacLaine don't lack for good material either, all of them are just fabulous. These Old Broads is an old stargazer's dream.
This movie is by far one of the funniest movies ever made! What more can you ask for from a movie? I mean the 4 best actresses and a hysterical plot! Awesome writing, loved every minute of it! For sure one of those movies you can't help but watch over and over again!
Você sabia?
- CuriosidadesDame Elizabeth Taylor remained seated for most of her performance and was wheeled onto the set in a chair. "I can't walk a long distance, so everybody sees me in a wheelchair and thinks I'm sick", she told TV Guide. "If you had broken your back three times, you couldn't stand very long (either)."
- Citações
Addie Holden: The man died literally on top of me.
Piper Grayson: Isn't it what most men want - to die in the saddle?
Addie Holden: It is not that great for the saddle.
- Versões alternativasOriginally broadcast on television and released on VHS in an improper full-screen 1.33:1 aspect ratio. Released on DVD in the correct wide-screen 1.77:1 format.
- Trilhas sonorasBoy Crazy
Written by David Shire and Richard Maltby
Performed by Shirley MacLaine, Debbie Reynolds and Joan Collins
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