Em 2027, num mundo caótico onde as mulheres se tornaram estéreis sem uma razão conhecida, um antigo ativista concorda em ajudar a transportar uma mulher milagrosamente grávida para um santuá... Ler tudoEm 2027, num mundo caótico onde as mulheres se tornaram estéreis sem uma razão conhecida, um antigo ativista concorda em ajudar a transportar uma mulher milagrosamente grávida para um santuário à beira-mar.Em 2027, num mundo caótico onde as mulheres se tornaram estéreis sem uma razão conhecida, um antigo ativista concorda em ajudar a transportar uma mulher milagrosamente grávida para um santuário à beira-mar.
- Direção
- Roteiristas
- Artistas
- Indicado a 3 Oscars
- 49 vitórias e 89 indicações no total
- Baby Diego
- (as Juan Yacuzzi)
- Café Customer
- (as Atlanta White)
- Ian
- (as Paul Sharma)
Avaliações em destaque
Last month, a decade later almost to the day, I suddenly felt the urge to revisit the film (because it was mentioned in an article about "long takes"), and upon re-watching it, it just blew my mind. This film is so, so, good!
It not only manages in many aspects to be the most prophetic - and most shockingly realistic - sci-fi film I have ever seen: it achieves that feat with a level of style and through such an abundance of fantastic creative choices and innovative camera techniques that I was simply left in awe.
I was forced to conclude that this film was a visionary piece of art (and how that fact had eluded me the first time around I couldn't - and still can't - explain). It's a cinéphile's dream come true; it's a masterpiece in the true sense of the word.
'Children of Men' is a gut-wrenching look at an all too possible future, but it also works as a heart-stopping, adrenaline-rush-inducing piece of entertainment featuring some of the most breathtaking camera work you'll ever see.
The performances are flawless. The artwork, the production design, the music; I could go on and on: this is one of those few real masterworks where everything just comes together right. And I believe the final 30 minutes of the film rank among the finest achievements in the history of Cinema. Period.
10 Stars out of 10.
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/
Favorite TV-Shows reviewed: imdb.com/list/ls075552387/
The action is impeccably done. The battle scenes are mind numbingly realistic. I still can't believe it was made in 05/06. Characters are so real. The atmosphere the attention to detail in scenes are incredible. Things happening in the background out of focus etc is just another layer of a real world that's been created. A huge epic movie with a hero who doesn't ever shoot a gun.
I will give it a week or so and watch it again. The director should've one an academy award.
The main character in this story is Theo (Clive Owen), a bureaucrat whose wife, Julian (Julianne Moore) left him long ago following the death of their son in the pandemic. She has taken up with a domestic terrorist organization and he hasn't seen her for many years. Out of the blue, she approaches him asking for his help sneaking someone out of the country. Who this is and why...you can learn this when you see the film. Just understand...what happens are some things you just won't expect!
Before I talk about whether or not I liked the movie, it's VERY important to talk about how depressing the story is. Considering the recent COVID outbreak, the panic and chaos in the story seem even more terrifying. If you are depressed or scared about COVID, this is probably a film you best see another time or not at all. Again, I am NOT saying it's a bad film...it's just one that might be tough now for some viewers. With all the death, suicide and the like, this is NOT an upbeat film despite there being some hope as the film progresses.
The story is depressing and interesting at the same time. The standout in this film, however, is the cinematography and the long composite shots. And, even if the story is off-putting to many, you can't deny it took a lot of skill to make the movie. Worth seeing and a one-of-a-kind story from start to finish, it's hard to rate this one as the film clearly is not for everyone. If you want to be entertained or left happy, this sure ain't a film for you! I certainly DON'T want to see more films like it! But if you can take the overall tone of the movie and want something original, then it's clearly a film to watch.
It's the same kind of film than V for vendetta (both taking place in a futuristic fascist British society) different from the usual mainstrean studio teenager pleaser crap
GO see it! help intelligent cinema
Você sabia?
- CuriosidadesIn the movie, the infertility crisis is the result of all women being infertile. In the original novel by P.D. James, it's the result of all men producing no sperm.
- Erros de gravaçãoWhen Theo and Jasper smoke Strawberry Cough, the sleeping cat changes its position between every cut without ever waking up.
- Citações
Jasper: Everything is a mythical, cosmic battle between faith and chance.
[offers Miriam a joint]
Miriam: Maybe I shouldn't.
Jasper: You already did. Take another one. Now cough. What do you taste?
Miriam: Strawberries!
Jasper: Strawberries? That's what it's called: Strawberry Cough!
Kee: Wicked!
Jasper: So. You've got faith over here, right? And chance over there.
Miriam: Like yin and yang.
Jasper: Sort of.
Miriam: Or Shiva and Shakti.
Jasper: Lennon and McCartney!
Kee: [looking at pictures] Look, Julian and Theo.
Jasper: Yeah, there you go! Julian and Theo met among a million protestors in a rally by chance. But they were there because of what they believed in in the first place, their faith. They wanted to change the world. And their faith kept them together. But by chance, Dylan was born.
Kee: [picks up another photo] This is him?
Jasper: Yeah, that's him. He'd have been about your age. Magical child. Beautiful. Their faith put in praxis.
Miriam: "Praxis"? What happened?
Jasper: Chance. He was their sweet little dream. He had little hands, little legs, little feet. Little lungs. And in 2008, along came the flu pandemic. And then, by chance, he was gone. You see, Theo's faith lost out to chance. So, why bother if life's going to make its own choices?
Kee: Baby's got Theo's eyes.
Jasper: Yeah.
Miriam: Oh, boy. That's terrible. But, you know, everything happens for a reason.
Jasper: That, I don't know. But Theo and Julian would always bring Dylan. He loved it here.
- Cenas durante ou pós-créditosAt the very end, one can read "Shanti, Shanti, Shanti" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shanti" means "peace" in Sanskrit.
- Trilhas sonorasFragments of a Prayer
Music by John Tavener
Recorded at Abbey Road Studios
Mezzo soprano: Sarah Connolly
Conducted by John Tavener
Orchestra contractor Isobel Griffiths
Recorded and Produced by Simon Rhodes
Assisted by Richard Lancaster and Ian Stickland
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Niños del hombre
- Locações de filme
- Montevideo, Uruguai(on location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 76.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 35.552.383
- Fim de semana de estreia nos EUA e Canadá
- US$ 501.003
- 31 de dez. de 2006
- Faturamento bruto mundial
- US$ 70.598.774
- Tempo de duração1 hora 49 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1