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IMDbPro

Il partigiano Johnny

  • 2000
  • 2 h 15 min
AVALIAÇÃO DA IMDb
6,3/10
334
SUA AVALIAÇÃO
Il partigiano Johnny (2000)
DramaGuerra

Adicionar um enredo no seu idiomaAfter 8 September 1943, Northern Italy is occupied by the Germans. The Italian army collapses and the soldiers escape to the mountains to set up a resistance. Many civilians do the same, and... Ler tudoAfter 8 September 1943, Northern Italy is occupied by the Germans. The Italian army collapses and the soldiers escape to the mountains to set up a resistance. Many civilians do the same, and Johnny, an English literature student, is among them. Johnny avoids joining the red parti... Ler tudoAfter 8 September 1943, Northern Italy is occupied by the Germans. The Italian army collapses and the soldiers escape to the mountains to set up a resistance. Many civilians do the same, and Johnny, an English literature student, is among them. Johnny avoids joining the red partisans (Communists) and tries to be part of the azure bands (former regular soldiers). In bo... Ler tudo

  • Direção
    • Guido Chiesa
  • Roteiristas
    • Guido Chiesa
    • Beppe Fenoglio
    • Antonio Leotti
  • Artistas
    • Stefano Dionisi
    • Gabriele Montanari
    • Toni Bertorelli
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    334
    SUA AVALIAÇÃO
    • Direção
      • Guido Chiesa
    • Roteiristas
      • Guido Chiesa
      • Beppe Fenoglio
      • Antonio Leotti
    • Artistas
      • Stefano Dionisi
      • Gabriele Montanari
      • Toni Bertorelli
    • 7Avaliações de usuários
    • 1Avaliação da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 2 indicações no total

    Fotos33

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    Elenco principal62

    Editar
    Stefano Dionisi
    Stefano Dionisi
    • Johnny
    Gabriele Montanari
    • Rivella
    Toni Bertorelli
    • Padre di Johnny
    Lina Bernardi
    Lina Bernardi
    • Madre di Johnny
    Fabrizio Gifuni
    Fabrizio Gifuni
    • Ettore
    Stefano Scherini
    Stefano Scherini
    • Vico
    Maximilian Nisi
    • Alessandro
    Flavio Bonacci
    Flavio Bonacci
    • Chiodi
    Antonio Petrocelli
    • Cocito
    Andrea Di Casa
    • Giovane Capo Sommossa
    Pietro Perotti
    • Capo Sommossa
    Renzo Lori
    • Don Mario
    Francesco Procopio
    • Primo Partigiano Meridionale
    Giovanni Esposito
    Giovanni Esposito
    • Secondo Partigiano Meridionale
    Marco Piras
    • Tito
    Fulvio Milani
    Fulvio Milani
    • Geo
    Antonio Leotti
    • Mario
    Alberto Gimignani
    Alberto Gimignani
    • Biondo
    • Direção
      • Guido Chiesa
    • Roteiristas
      • Guido Chiesa
      • Beppe Fenoglio
      • Antonio Leotti
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários7

    6,3334
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    Avaliações em destaque

    9angus-logan

    This is an intense , realistic film about the partisans in 1943-44

    Based on the famous novel , this is an intense and very realistic depiction of the Italian partisans and their guerrilla war against Italian Fascist and German Nazi troops in the Langhe hills ( the countryside of rolling hills quite near to Turin ) during the one crucial year of 1943-44. It is a very dry eyed rendering of guerrilla war and its casualties and the many bloody skirmishes rather than battles of which such a guerrilla war consists . There was a political ideology to many partisans but , overall ,these aspects are handled much more subtly than Ken Loach did in Land and Freedom (which I consider to be an inferior film to this one).

    There are a lot of characters and nicknames and following who is who is not always easy but then is such a war not very like that in its desperation and periods of both boredom and frenetic , sudden activity ? The reviewer who said that this is not an " action " film is correct in that it is not a glossy , sanitised Hollywood confection but is wrong in the sense that it is full of the rattle of gun fire and life- and -death action . This is a fine ( albeit more than two hours in duration) little movie.
    3buiger

    Boring...

    Far too long, this movie goes nowhere and basically says nothing for over two hours... The only positive aspect of this film is a very faithful recreation of the atmosphere of the 40's, the costumes where excellent, the make-up, set decoration, etc. where all very good. Unfortunately, that is all that is good in this movie, everything else is far below average, almost senseless. The endless wanderings of Johnny through the Langhe region make no sense, there is no plan, no purpose in what he and his companions are doing. If this is what the Italian partisans where really like during the war, I pity all of those who died for no reason... I doubt this was the case though.

    What I believe probably happened here is that the director tried to make a faithful adaptation for the screen of a novel which is almost impossible to film. I haven't read the book, but I can imagine it must be similar in the way it is constructed to a novel by Marcel Proust. By this I mean a lot of introspective thinking, endless depictions of a state of mind, almost no narrative or plot whatsoever... Well, this is fine in a well written book, but is almost impossible to successfully transpose onto film. This novel should probably have best been left on the bookshelf where it belongs.
    10LaDecima

    A perfect Italian war movie

    Johnny the Partisan, or Il Partigiano Johnny, is a very good Italian WWII film about a young man who joins the partisans in the civil war in northern Italy that was occupied by the Germans.

    Johnny engages in tragic and bloody battles where he looses some friends and meet new ones, he is thrown into a journey which sometimes doesn't even make sense to himself anymore.

    Il Partigiano Johnny is one of the most well-made war movies, the atmosphere, environments, places, is perfect and realistic. The acting is great, the music: great. Most of the soundtrack consists of classical music. This is way better than any Spielberg-Hollywood-war-movie. This is a must-see and it's very sad to see it hasn't been released on more spread DVD's in other countries!
    7Viator Veritatis

    Commendable, but not without flaws

    Quite an interesting, intellectual film. It beautifully captures the landscapes of the Langhe hills, as well as the faces, clothing and attitudes of their inhabitants, and the general atmosphere of partisan warfare.

    However, the director remains almost imprisoned in his attempt to transpose Fenoglio's book into a film. He tends to portray too many isolated parts of the book with strict accuracy and so misses the substance. Some crucial themes are just hinted at and almost impossible to catch for a viewer who didn't read the book: the partisans' disorganization, the feuds between communist and moderate bands, the reluctance of the latter to engage in any serious fight, Johnny's critical relationship towards his comrades that moves him to switch allegiance from one group to another. Furthermore, the fighting scenes are decontextualized beyond the point; for example, the partisans' desperate effort to melt through the lines of the major Fascist encirclement does not express the drama conveyed by Fenoglio's intense description, and is almost reduced to a fighting scene like any other.

    The film tends to concentrate on one message: the boredom and meaninglessness of war, and especially of partisan warfare, dominated by long periods of inactivity suddenly broken by abrupt, mostly unexpected shootouts against an often invisible enemy. In a different cultural context this might be a powerful message, but in present cinematography it seems to me too conventional and politically correct to deserve any special praise. Where is a war film that doesn't strive to convey some kind of pacifist undercurrent? In the same way, Johnny's silent, introverted idealism embodies a contrasting point to the general atmosphere of monotony and purposelessness. It risks to turn the film into still another idealization of Antifascist resistance and the protagonist into the stereotype of the tormented hero, full of misgivings and yet willing to overcome his doubts and problems to advance the cause of good and see that justice is finally done. If you want to build a Proustian mood please do not warp it subtly in its opposite by appending some redeeming ideological mumbo jumbo to it.

    A remarkable film to watch for the patient viewer, but do yourself a favor and watch it cum grano salis.
    8nihao

    The bright side of boredom

    Boredom. In a sense this film, based very faithfully on Fenoglio's book, is a philosophical study on life as a sequence of periods of boredom, shattered by sudden action. And WAR seems to depict this condition perfectly. Viewers seeking traditional war-movie gimmicks, beware. This film embarks on another, far more realistic, depiction of 'action'. It reminds us that true ethics in war (in this case the Partisan's Anti-Fascist cause), come with severe sacrifice. Hunger, fear, cold, and... boredom. The movie centers on 'Johnny'...partisan codename for our intellectual protagonist... and on the fellow fighters who come in and out of his personal sphere during the German occupation of northern Italy. Here, 'the enemy' is not only foreign, but (most bitterly) local; Italian. Much dialogue and voice-over is dedicated to Johnny's musings, doubts and convictions about the whole affair. It is an intellectual's movie.But that doesn't make it an élitist film. It stays by the side of the common man, straight to the end. And it doesn't shun sudden outbreaks of action. As a spectator I was constantly made to 'feel' the biting cold of the 'langhe' region where,(all the more realistically), the true events portrayed actually took place. Death appears in a burst of sudden gunfire amidst the bracken, and just as promptly all is calm and bucolic again. Chiesa's direction is dry, maybe a trifle stiff in interiors... but on the whole he is able to maintain the balance between literature and film which "Il Partigiano..." requires. All acting is very effective. On seeing Steven Soderbergh's approach to filming the two CHE GUEVARA films a couple of years back I was instantly convinced that THIS movie was viewed by Del Toro or Soderbergh first, and used as a guideline for how 'guerrilla' movies (as a pose to fully-fledged 'army movies') should be shot. It is no small achievement that this film has paved the way for a truly realistic approach to the 'existential' tangle of war, putting aside the flamboyant, adrenalistic, gung-ho style of the various 'Platoons' or 'Apocalypse Nows'. If you can find it...see it. And pore through it as you would a good book.

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    • Trilhas sonoras
      Bambina Innamorata
      Written by Giovanni D'Anzi (as D'Anzi) and Alfredo Bracchi (as Bracchi)

      Performed by Achille Togliani

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    • Is there english subtitles available for this on DVD?

    Detalhes

    Editar
    • Data de lançamento
      • 17 de novembro de 2000 (Itália)
    • País de origem
      • Itália
    • Idioma
      • Italiano
    • Também conhecido como
      • Johnny the Partisan
    • Locações de filme
      • Acqui Terme, Alessandria, Piedmont, Itália
    • Empresas de produção
      • Fandango
      • MediaTrade
      • Tele+
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      2 horas 15 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital

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