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Adeus Lar, Doce Lar

Título original: Adieu, plancher des vaches!
  • 1999
  • 1 h 58 min
AVALIAÇÃO DA IMDb
7,1/10
1,1 mil
SUA AVALIAÇÃO
Adeus Lar, Doce Lar (1999)
ComédiaDrama

Adicionar um enredo no seu idiomaNicolas, the eldest son of a wealthy family, works far from his home environment as a window washer and dishwasher in a bistro. He does not notice at all the baseness of his new relationship... Ler tudoNicolas, the eldest son of a wealthy family, works far from his home environment as a window washer and dishwasher in a bistro. He does not notice at all the baseness of his new relationships.Nicolas, the eldest son of a wealthy family, works far from his home environment as a window washer and dishwasher in a bistro. He does not notice at all the baseness of his new relationships.

  • Direção
    • Otar Iosseliani
  • Roteirista
    • Otar Iosseliani
  • Artistas
    • Niko Tarielashvili
    • Lily Lavina
    • Philippe Bas
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    1,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Otar Iosseliani
    • Roteirista
      • Otar Iosseliani
    • Artistas
      • Niko Tarielashvili
      • Lily Lavina
      • Philippe Bas
    • 13Avaliações de usuários
    • 22Avaliações da crítica
    • 69Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 4 vitórias e 1 indicação no total

    Fotos44

    Ver pôster
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    + 38
    Ver pôster

    Elenco principal27

    Editar
    Niko Tarielashvili
    • Son
    • (as Nico Tarielashvili)
    Lily Lavina
    • Mother
    Philippe Bas
    Philippe Bas
    • Moto driver
    Stephanie Hainque
    • Girl at bar
    Mirabelle Kirkland
    • Maid
    Amiran Amiranashvili
    • Hobo
    Joachim Salinger
    • Beggar
    Emmanuel de Chauvigny
    • Lover
    Otar Iosseliani
    Otar Iosseliani
    • Father
    Narda Blanchet
    • Old lady
    Yannick Carpentier
    • Serveur
    Vincent Darasse
    Mathieu Amalric
    Mathieu Amalric
    • A drinker at bar
    Viviane Bonelli
    Viviane Bourguinet
    Mathieu Demy
    Mathieu Demy
      Anne-Marie Eisenschitz
      Fanny Gonin
      • Direção
        • Otar Iosseliani
      • Roteirista
        • Otar Iosseliani
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários13

      7,11K
      1
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      10

      Avaliações em destaque

      7writers_reign

      All At Sea

      I saw this immediately following the same director's Falling Leaves and found it much more accessible. The twenty-odd year gap between the two films and the fact that this one was made in France as opposed to Georgia may, of course, have something to do with it. Again, the Georgian-born director (he made a point of saying he was Georgian and NOT Russian) introduced it - in fluent French yet - and described it as his most complicated film. It's a gently, meandering piece and at least half a dozen times you think, OK, that's it, a logical ending, only to have it spin out yet moor gossamer thread. There's a distant relationship with Renoir's The Rules Of The Game but only around the edges. It's about a disparate group of people whose lives intersect and sometimes, but not always, connect. Bizarre, eccentric, both could be fairly employed to describe some of the characters. Again the director chooses to spin his web around a young male, this time around the scion of a wealthy family who, for reasons best known to himself, works as a dishwasher in a restaurant - and an inept dishwasher at that; he's fired halfway through the film - and chooses friends from among the outcasts of society (again, we could, if we wanted to stretch a point, find a link with Boudu Saved From Drowning). Characters come and go on this patchwork quilt and some we find more interesting than others. None of the actors are well known but most are fairly competent and overall the film holds the attention.
      8ice-bartsch

      choose your own way of life (and forget what might be normal)

      with only little dialogue the film reveals several parallel lives and focuses on two young men, one of them son of a wealthy family the other of poor origin, who resist their social heritage and design themselves. unfortunately, the wealthy guy who prefers to work as a dishwasher and spend his life with chlochards has to learn, that he will not get the girl he fancies. she prefers to take the other other guy, who, despite of his poor upbringing, shows up in expensive clothes riding an expensive motorbike. director/ writer iosseliani himself plays the very funny part of a jolly drinker, father of the rich family, who prefers not to be part of a society, that is only interested in success. though not fast this is an intelligent and entertaining film.
      janisn

      a humanistic look on the (non)sense of life

      a subtle and poetic film about people trying to find their real place and run away from origins. two guys frequently meet not knowing that one of them is rich but prefers washing dishes in a bar, while the other is poor but rents a suite and motorbike to spend a fancy day in town. probably, one of the most beautiful moments of the film is the rich piere's (played by ioselliani himself) acquintal with a drunkard from the town. both sing long gone melodies while drinking and watching a mini train running around on a table. many have regarded the film as too slow and boring what apparently comes from ioselliani's refusal to use close-ups and crane/dolly shots. in opposite, it adds a silent observing character and avoids to give any human judgment.
      10i-grigoriev

      A feast for the humorous spirit!

      Otar Ioselliani's masterpiece about pursuing life's dreams and remaining true to your beliefs combines a wonderful sense of warmth and an exceptional sense of humor as it paces along in its very own, unconstrained fashion while inviting us for a ride into its pleasant and touching world.

      Scenes of often over-the-top situation comedy are juxtaposed with soulful explorations of the human heart, where staying honest to oneself as a person is the only way of avoiding life's inevitable cruelty.

      Both entertaining and thoughtful, it is the most enjoyable film to-date by Ioselliani.
      10maggietom

      European "My Private Idaho"

      It reminds me of Keanu Reeves in My Private Idaho, but this is a European version which is of course more "humane" and very "european". The style is like "the Stream of Consciousness", the shooting of the movie seems like the director's casual flowing of ideas, which is not very much arranged, anyway, I like anything that is off the track and extraordinary. Lastly, the gist the movie tries to unveil is that life is a circle, it repeat itself all the way. Seems like the director understand the Chinese philosophy- Taoism, which said that everything is developing is its own track, which is a circle. I think the end of the movie is very meaningful, though it's the father's turn to leave the rich home to look for his own dream, it is clear that unlike his son, his must be a successful escaping. I appreciate the regular using of the rainy weather in the movie. I just love everything about the movie.

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      Enredo

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      Você sabia?

      Editar
      • Curiosidades
        Presented in the official selection, out of competition at the 1999 Cannes Film Festival.
      • Conexões
        Edited into Spisok korabley (2008)

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      Detalhes

      Editar
      • Data de lançamento
        • 12 de novembro de 1999 (Itália)
      • Países de origem
        • França
        • Suíça
        • Itália
      • Idioma
        • Francês
      • Também conhecido como
        • Farewell, Home Sweet Home
      • Locações de filme
        • Paris, França
      • Empresas de produção
        • Pierre Grise Productions
        • Carac Films
        • Alia Film
      • Consulte mais créditos da empresa na IMDbPro

      Especificações técnicas

      Editar
      • Tempo de duração
        • 1 h 58 min(118 min)
      • Cor
        • Color
      • Proporção
        • 1.66 : 1

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