Sociedade Secreta

This is one of those pretty entertaining-yet-not memorable stories. It's about a "secret society" in an Ivy League school and a subsequent cover-up of a murder. There is a neat little twist about a half hour before the end of the film.

The college kids in here are no-name actors but all credible not offensive or annoying. The film is nicely photographed. Apparently, the film was successful enough to spawn a sequel, so that infers this has enough going for it to check it out if you haven't watched it.

It's okay, but don't expect anything super. However, I have a good friend who thinks this movie is super, and he's usually very critical.

Though it poses a good moral dilemma, `Skulls' is presented in such an implausible way as to render it crippled at birth. Luke McNamara is a small town boy of modest means attending an Ivy League institution that is never really named but is obviously Yale. He is hoping to be called for membership into the Skulls, a secret society of great status and power. Members of this society have the doors of power, wealth and influence thrown wide to them. This is a dream come true for Luke, who spends much of his time fretting over the hundreds of thousands in student loans he is incurring. When he discovers that one of the members has committed a felony, he is torn between his desire for wealth, his loyalty to a friend, and his conscience.

Writer John Pogue (`U.S. Marshals') has conjured up a good moralistic tale, but it is so full of ridiculous premises that it becomes laughable. This is supposed to be a secret society where other than the members themselves, no one knows who the members are. Yet, Pogue and director Rob Cohen present it in such a way that they may as well be advertising their identities on TV. The building where the secret meetings take place is prominently marked with a Skull, and only members have keys to the building. So, Duh, anyone seen entering the building must be a Skull. New members get brand new $50,000 automobiles and $100,000 in cash, as if no one will notice this sudden burst of good fortune. The new members are branded on their wrist and we are supposed to believe that they will never be seen by anyone without their wristwatch on. The list of inconceivability goes on ad nauseam.

The acting is generally quite good. Joshua Jackson (`Cruel Intentions', `Urban Legend') is excellent as Luke. He plays the part with just the right combination of idealistic zeal and moral grounding. He gets great support from Paul Walker (`She's All That', `Varsity Blues') as Caleb Mandrake, the spoiled rich kid trying to step out of his father's shadow. Craig T. Nelson gives a wonderfully nefarious performance as the chairman of the Skulls and Caleb's father.

Maybe secret societies exist, and maybe they don't. The fact that no one is sure indicates that if they are more than mere myths, they are a lot more secret than depicted here. I rated this film a 6/10. It is an interesting idea that loses credibility in the telling.

OK the plot is old hat (a secret society that rules the government and covers up a murder or two) but the movie is entertaining. The plot is relatively intelligent and fast-moving; the cast is uniformally good--even Joshua Jackson!; there's no graphic gore (or nudity); and the action scenes are well-done and exciting. Not a great film by any means, but a fun, action-filled, entertaining two hours. Just don't think about it too much afterwards.

I just saw The Skulls and I loved it! The characters were very believable in my opinion. After reading most of these reviews, I think a lot of people are overanalyzing so they never really got to sit back and enjoy the movie for what it was.

Joshua Jackson did a good job as Luke McNamara. He could have done it a little better, but all in all, his acting was very well done.

Leslie Bibb did a neat job as well. She was an awesome female character and looked nice on screen with Joshua.

Paul Walker did an amazing job of adding that complex aura to Caleb Mandrake. I think he was the best part of this movie. He has always done a really wonderful job of expressing emotions through those beautiful eyes and he did it again in The Skulls.

I'd give it a 9/10

Mix schlocky but hilarious Hollywood hack dialogue with equally schlocky but hilarious Hollywood hack plotting, and you get a potent 1-2 sucker punch to your intellect...I call it...THE SKULLS. A delightfully silly movie, it moves briskly through semi-serious conflicts and silly conspiracies, and all with the the intelligence of your average CBS movie of the week. But it has a sense of momentum that you can't escape, and soon your on a ride that combines equal parts laughs and smiles, nothing too grim, but a (for what it is) fanatical devotion to its own plot devices. The maguffin of the Skulls society is their rule book, a device that comes to charming use late in the movie. William Peterson's senator reminds Joshua Jackson repeatedly that every conflict, every ordeal, can be solved within the rule book...and indeed within the world of the Skulls, this book does hold all the answers. Dropping hints here and there as to how it'll all end, the movie has a charming level of mystery, no more sinister or thrilling than The Da Vinci Code, but thankfully much less serious in its handling.

One of my favorite scenes is one of the stupidest. The chosen boys are given a grand reception with the many distinguished alumni on a remote island that at times resembles Alcatraz and Hogwarts School for Wizards. The boys are given expensive diving watches (an obvious product placement) and then dressed in tuxedos where they shake hands and shift uncomfortably in their cumberbunds...until the director inexplicably cranks out Creed onto the soundtrack ("Can You Take Me Higher" no less!) and then this huge door opens and out walk whatever waif models were hot in 2000. And they strut out as if on a runway, no sense of acting in any of their faces, and it's pure schlock...and I love it!

Rob Cohen went on to XXX and then tanked with Stealth, but this shows what people in Hollywood saw in the guy. The film is fun, never too heavy, and perfectly suited for a fall evening with your none-too-intellectual school friends OR consumed in 12 minute intervals on TNT. It's plotted swiftly and compellingly enough to justify its running time...another honor not bestowed on The Da Vinci Code. Basically, it's perfectly mindless, harmless fun, with a better than average cast who seem to revel in the camp of it all. Enjoy when you got nothing better to do.