Vatel, um Banquete para o Rei

Vatel was not a bad movie, in fact it was worth viewing. If it were not a true story you could argue it was too calm and had too little excitement for the people who seek diversion entertainment. However, since it is a true story, about a royal cook and what he had to go through just to do his art it becomes very interesting. Another good theme was the disfunctionality of the royals and how the servants interacted with these powerful people (Vatel tried not to as much as possible). I particularly liked the part where Vatel said "no thank you" so philosophically to a nobleman's perverted request that Vatel won him over as a friend through respect. If you like brinkmanship and maneuvering, this movie has it, be it subtle.

This film is about a servant of noble values having to prepare an extravagant feast for the King's visit.

Vatel understandably focuses on one single character, Francois Vatel. To me, everything else in the film seems to be subplots or minor characters. Much time is spent on portraying Vatel as a hardworking, bright and noble person. He even knows his subordinates' life history by heart! Vatel's noble virtues contrasts with the corrupted mortals of high social status. The film's dark theme is sometimes overshadowed by the merry atmosphere of the feast. The extravagant sets and amazing costumes are very dazzling. The film is worth the watch just to see the feast scene!

Can't wait to show it to all my Friends again and again. You will be impressed by the beauty of the scenes and discover the public show technics used under French King, Louis the 14th. It is amazing to see how much they could do at that time and how they were doing it. Apparently they could also do ice statues as a dinner presentation. Whaow!! what a show!

"Vatel" is a French period film with Depardieu as the title character, a master steward under the crown of King Louis XIV whose job it is to put on feasts and spectacles for the pleasures of royalty. Typical of director Joffe, the film peers deep into the character of Vatel, around whom swirl politicking and wickedness, with such depth and dimension as to make the plot of secondary importance. Replete with sumptuous sets, elegant costuming, and epicurean delights, the film fills the eye and whets the palate as few films can while it paints a portrait of a sensitive and honorable man who makes the supreme sacrifice for dignity.

A superb watch for those into period films painted with delicate brush strokes and subtle nuances.

This film tells the story of François Vatel, a master of ceremonies at the service of Prince Louis II of Condé, one of the most important aristocrats of the French court but that was bankrupt and away of the good graces of King Louis XIV. The approaching of a war with the Netherlands makes Condé, anxious to led the king's armies, decides to invite the king for a weekend at his Castle of Chantilly, hoping to be able to recover the royal sympathy. Then Vatel is in charge of organizing a three-day party like never seen before for king's amusement. Based on historical events, the film is directed by Roland Joffé, has argument by Jeanne Labrune (in original French version) and features Gérard Depardieu (Vatel), Uma Thurman (in the role of Anne of Montausier, one of the king's lovers) and Tim Roth (as the Marquis de Lauzun, the king's confidant).

Joffé managed to make the audience relive the events. The environments, the locations for filming, the costumes, the music, everything was thought out and analyzed carefully to reproduce the atmosphere of the time, so we must congratulate this effort for historical accuracy, which even received a nomination for the Oscar for Best Art Direction. The actors met well with their roles. The script also works in interesting ways, including some situations where we glimpse the contrast (and even shock) of the two worlds of seventeenth-century France: the richness and unparalleled luxury of the court and the absolute misery of the common people. Also positive note for the soundtrack of Enio Morricone, although not one of his best-known or most interesting compositions.