A vida de um dentista em dificuldades vira de cabeça para baixo quando um famoso gângster se muda para a casa ao lado, e sua esposa o convence a informar um notório chefe da máfia sobre o pa... Ler tudoA vida de um dentista em dificuldades vira de cabeça para baixo quando um famoso gângster se muda para a casa ao lado, e sua esposa o convence a informar um notório chefe da máfia sobre o paradeiro do gângster.A vida de um dentista em dificuldades vira de cabeça para baixo quando um famoso gângster se muda para a casa ao lado, e sua esposa o convence a informar um notório chefe da máfia sobre o paradeiro do gângster.
- Prêmios
- 6 indicações no total
Carmen Ferland
- Sophie's Mom
- (as Carmen Ferlan)
Serge Christiaenssens
- Mr. Boulez
- (as Serge Christianssens)
Renee Madeline Le Guerrier
- Waitress
- (as Renée Madelaine Le Guerrier)
Charles Biddle Sr.
- Bass Player
- (as Charles Biddle)
Avaliações em destaque
Perry is an unhappy dentist stuck in a dead marriage and burdened with financial problems; as if that isn't bad enough, he learns that his new neighbor is in fact an infamous contract killer with reprehensible mob ties. Against his better judgment, Perry decides to try and rat out the lowlife for his own personal gain, but soon gets in over his head. The film's humor is occasionally too silly for words, but the cast is good and full of enthusiasm—especially Peet—and the script throws out a lot of unexpected twists and turns at just the right moments. Surprising and very funny, with a perfect part for Willis who finds just the right tone for a gangster with heart. ***
Nicholas 'Oz' Oseransky (Matthew Perry) is a meek dentist in Montreal. His wife Sophie (Rosanna Arquette) is a money grubber who may be looking to cash in on his life insurance. His new assistant Jill St. Claire (Amanda Peet) tells him to divorce her. Then notorious mob hit-man Jimmy 'The Tulip' Tudeski (Bruce Willis) moves in next door. He immediately recognizes Jimmy is in danger of a contract kill from Chicago mob boss Janni Pytor Gogolak (Kevin Pollak). Sophie pushes Oz to cash in on the contract and he goes back to Chicago to appease her but not intending to contact Janni. She immediately tells Jimmy to double cross Oz. Oz is confronted by hit-man 'Frankie Figs' Figueroa (Michael Clarke Duncan) who brings him to Janni. Oz falls for femme fatale Cynthia Tudeski (Natasha Henstridge). She tells him that Janni's father Lazlo hid $10M with her before being sent to prison. It can only be accessed with three signatures from her, Janni, and Jimmy. Or else it can be accessed with their death certificates. Janni sends Frankie with Oz back to Montreal to track down and kill Jimmy. Only there are even more double crosses.
My biggest problem with this is director Jonathan Lynn. He doesn't show enough comedic skills in this. There are some good potential but it looks like a second rate movie. This should be so much funnier. It's simply not well filmed. There is also the $10M jackpot. It's way too convoluted and simply a device to give the characters a reason to do what they do. It's backwards writing. Mostly, it's awkward.
The good part is all the good actors around. Most of them are doing their best. Natasha Henstridge is a little stiff. Kevin Pollak isn't as funny as he needs to be. Matthew Perry is working hard and has good chemistry with Bruce Willis. The boys are good with Amanda Peet. Perry has less chemistry with Natasha Henstridge. There are a few laughs. I just wish it has a lot more.
My biggest problem with this is director Jonathan Lynn. He doesn't show enough comedic skills in this. There are some good potential but it looks like a second rate movie. This should be so much funnier. It's simply not well filmed. There is also the $10M jackpot. It's way too convoluted and simply a device to give the characters a reason to do what they do. It's backwards writing. Mostly, it's awkward.
The good part is all the good actors around. Most of them are doing their best. Natasha Henstridge is a little stiff. Kevin Pollak isn't as funny as he needs to be. Matthew Perry is working hard and has good chemistry with Bruce Willis. The boys are good with Amanda Peet. Perry has less chemistry with Natasha Henstridge. There are a few laughs. I just wish it has a lot more.
THE WHOLE NINE YARDS (2000) ** Matthew Perry, Bruce Willis, Natasha Henstridge, Amanda Peet, Michael Clarke Duncan, Rosanna Arquette, Kevin Pollak, Harlan Williams.
Matthew Perry is one of my favorite comedic actors in that he's kind of a throwback to the light comedy fare of Jack Lemmon and Tom Hanks: handsome, charming and an utter neurotic mess with a sharp self-deprecating wit with his nonchalant sarcastic jibing that is all play and totally harmless, with a twist of slapstick. Here all of that is on display with a finely tuned tailor made character not unlike his tv alter ego, Chandler Bing (love that name!) from `Friends'.
Oz Oseransky is a mild-mannered affable dentist whose life is in flux when his trampy French accented wife Sophie (Arquette in full blown voluptuosness) decides she wants to end their marriage. But not by the usual traditional method of divorce or anulment; instead she takes out a contract on his life Enter newly arrived next-door-neighbor Jimmy `The Tulip' Tudeski (Willis in barely restrained comic form) a hitman keeping it low since there's a contract on him by a really ticked off Russian thug (Pollak oozing Eurotrash unctuousness). But when Oz's wife approaches him he is hard-pressed to do what comes natural since Oz turns out to be the good neighbor he never had and an unlikely ally as things progress in the plotline that eventually involves Jimmy's estranged, va-va-va voom wife Cynthia (Henstridge, best known as the sexy alien in the `Species' sci-fi flicks) who wants a divorce but knows that it's more likely a hit would be necessary.
Meanwhile Oz is struck by love at first sight when he meets Mrs. Jimmy and winds up bedding her (in spite of the fact he knows who Jimmy is after some hilarious reaction shots as the story moves on with each new trickle of information on his new `friend'), which only complicates things when Jimmy announces he is going to `whack' her and Janni, the mad Russian.
Perry is a marvelous reactionary actor and plays very well off a unique ensemble including the babelicious Peet as Jill, his receptionist- turned - assassin - wannabe , who has a knack for displaying her natural assets to dissuade any potential violent threat and Duncan (recently nominated for a Best Supporting Actor as the gentle giant in `The Green Mile') has a sweet low-key turn as the hulking pal of Willis who provides some funny sight gags (including his first meeting with Perry who literally bounces off this wall of a man).
Yet no matter how game the cast is - including off the wall comic Harland Williams as another seedy character who doesn't appear to be who he claims to be - and the fast pace of the storyline, there aren't that many memorable lines of dialogue or full grasp that a lethal killer like Jimmy actually has a heart of gold for the likes of a schnook like Oz.
It would be easy to blame the less than compelling story line on screenwriter Mitchell Kapner (who gives an original spin on a plot twist and complex scenario involving dental records and a corpse) or director Jonathan Lynn (`My Cousin Vinny'), but both make the best overall. It just isn't a fresh idea (think of `The In-Laws' which set the high water mark for odd couple/fish-out-of-water hybrid with a criminal element) that seems to hook the attention of a much needed audience. But it is divertingly fun just to see Perry slamming himself silly like a pinball.
Matthew Perry is one of my favorite comedic actors in that he's kind of a throwback to the light comedy fare of Jack Lemmon and Tom Hanks: handsome, charming and an utter neurotic mess with a sharp self-deprecating wit with his nonchalant sarcastic jibing that is all play and totally harmless, with a twist of slapstick. Here all of that is on display with a finely tuned tailor made character not unlike his tv alter ego, Chandler Bing (love that name!) from `Friends'.
Oz Oseransky is a mild-mannered affable dentist whose life is in flux when his trampy French accented wife Sophie (Arquette in full blown voluptuosness) decides she wants to end their marriage. But not by the usual traditional method of divorce or anulment; instead she takes out a contract on his life Enter newly arrived next-door-neighbor Jimmy `The Tulip' Tudeski (Willis in barely restrained comic form) a hitman keeping it low since there's a contract on him by a really ticked off Russian thug (Pollak oozing Eurotrash unctuousness). But when Oz's wife approaches him he is hard-pressed to do what comes natural since Oz turns out to be the good neighbor he never had and an unlikely ally as things progress in the plotline that eventually involves Jimmy's estranged, va-va-va voom wife Cynthia (Henstridge, best known as the sexy alien in the `Species' sci-fi flicks) who wants a divorce but knows that it's more likely a hit would be necessary.
Meanwhile Oz is struck by love at first sight when he meets Mrs. Jimmy and winds up bedding her (in spite of the fact he knows who Jimmy is after some hilarious reaction shots as the story moves on with each new trickle of information on his new `friend'), which only complicates things when Jimmy announces he is going to `whack' her and Janni, the mad Russian.
Perry is a marvelous reactionary actor and plays very well off a unique ensemble including the babelicious Peet as Jill, his receptionist- turned - assassin - wannabe , who has a knack for displaying her natural assets to dissuade any potential violent threat and Duncan (recently nominated for a Best Supporting Actor as the gentle giant in `The Green Mile') has a sweet low-key turn as the hulking pal of Willis who provides some funny sight gags (including his first meeting with Perry who literally bounces off this wall of a man).
Yet no matter how game the cast is - including off the wall comic Harland Williams as another seedy character who doesn't appear to be who he claims to be - and the fast pace of the storyline, there aren't that many memorable lines of dialogue or full grasp that a lethal killer like Jimmy actually has a heart of gold for the likes of a schnook like Oz.
It would be easy to blame the less than compelling story line on screenwriter Mitchell Kapner (who gives an original spin on a plot twist and complex scenario involving dental records and a corpse) or director Jonathan Lynn (`My Cousin Vinny'), but both make the best overall. It just isn't a fresh idea (think of `The In-Laws' which set the high water mark for odd couple/fish-out-of-water hybrid with a criminal element) that seems to hook the attention of a much needed audience. But it is divertingly fun just to see Perry slamming himself silly like a pinball.
"The Whole Nine Yards" is a comedy that is what it is ... A Comedy
This is not a epic movie or a Oscar nominee, it is a pure entertaining movie. Whit Action star Bruce Willis in a different role. (You haven't seen him like this since "Blind Date" or "Death becomes her")
Matthew Perry is hilarious in this move, and the rest of the cast has their moments, and they are using them good.
"The Whole Nine Yards" is funny and entertaining like a comedy of this sort should be.
I mean that this is a good move, and I will recommend it to others. But I also say: "Either you like this movie or you don't".
This is not a epic movie or a Oscar nominee, it is a pure entertaining movie. Whit Action star Bruce Willis in a different role. (You haven't seen him like this since "Blind Date" or "Death becomes her")
Matthew Perry is hilarious in this move, and the rest of the cast has their moments, and they are using them good.
"The Whole Nine Yards" is funny and entertaining like a comedy of this sort should be.
I mean that this is a good move, and I will recommend it to others. But I also say: "Either you like this movie or you don't".
"The Whole Nine Yards" is surprisingly effective screwball comedy that reminds me of such classics as "Bringing Up Baby" though with way higher amoral body count.
At first the actors seem to be each in a parallel movie, with Matthew Perry doing physical slapstick comedy, Bruce Willis deadly serious, Rosanna Arquette just nasty, Amanda Peet being her "Jack and Jill" character (one of my TV guilty pleasures) and Natasha being like a super-model.
Then something clicks in and it just gets funny and I couldn't help laughing and laughing.
I hope Michael Clarke Duncan gets to keep those fancy suits, because it must be hard to get ones to fit him; with "Green Mile," this performance impressively shows his range.
(originally written 3/19/2000)
At first the actors seem to be each in a parallel movie, with Matthew Perry doing physical slapstick comedy, Bruce Willis deadly serious, Rosanna Arquette just nasty, Amanda Peet being her "Jack and Jill" character (one of my TV guilty pleasures) and Natasha being like a super-model.
Then something clicks in and it just gets funny and I couldn't help laughing and laughing.
I hope Michael Clarke Duncan gets to keep those fancy suits, because it must be hard to get ones to fit him; with "Green Mile," this performance impressively shows his range.
(originally written 3/19/2000)
Você sabia?
- CuriosidadesThe three kids who run between Jimmy and Oz when they are standing next to the flower cart are Bruce Willis's three daughters, Tallulah Willis, Scout Willis, and Rumer Willis.
- Erros de gravaçãoDental records cannot be faked. It isn't just a matter of matching up dental work on a couple of Panellipse films (as shown in the movie). There is also everyone's unique bone density/structure, unique root structure, individual tooth sizes and variations in shape to be considered. These are things that cannot be altered. Moreover, those are the things that they look at when identifying someone from dental records.
- Cenas durante ou pós-créditosLeanna McOemmecon is listed in the credits as the stand-in for Rosanna Arquette. It should read "Leanna McLennan.": "I worked as a stand in for Rosanna Arquette while filming in Quebec. The correct spelling of my name is Leanna McLennan. Each day, my name would be spelled differently on the call sheet--McLean, etc. Each day, I would correct it. In the end, I am listed in the credits as Leanna McOemmecon, which I find quite amusing."
- Versões alternativasOn most TV broadcasts, including TBS, Jill, although naked, has her left arm covering her breasts.
- ConexõesFeatured in Siskel & Ebert & the Movies: The Beach/Snow Day/Holy Smoke (2000)
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- How long is The Whole Nine Yards?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Un vecino peligroso
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 41.300.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 57.262.492
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.731.070
- 20 de fev. de 2000
- Faturamento bruto mundial
- US$ 106.371.651
- Tempo de duração
- 1 h 38 min(98 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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