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IMDbPro

Verão Feliz

Título original: Kikujirô no natsu
  • 1999
  • PG-13
  • 2 h 2 min
AVALIAÇÃO DA IMDb
7,7/10
23 mil
SUA AVALIAÇÃO
Takeshi Kitano and Yusuke Sekiguchi in Verão Feliz (1999)
Home Video Trailer from Sony Pictures Home Entertainment
Reproduzir trailer1:39
1 vídeo
99+ fotos
ComédiaDrama

Um rapaz, jovem e ingênuo sai sozinho na estrada para encontrar sua mãe rebelde. Logo ele encontra um improvável protetor, um homem rabugento, e os dois têm uma série de aventuras inesperada... Ler tudoUm rapaz, jovem e ingênuo sai sozinho na estrada para encontrar sua mãe rebelde. Logo ele encontra um improvável protetor, um homem rabugento, e os dois têm uma série de aventuras inesperadas ao longo do caminho.Um rapaz, jovem e ingênuo sai sozinho na estrada para encontrar sua mãe rebelde. Logo ele encontra um improvável protetor, um homem rabugento, e os dois têm uma série de aventuras inesperadas ao longo do caminho.

  • Direção
    • Takeshi Kitano
  • Roteirista
    • Takeshi Kitano
  • Artistas
    • Takeshi Kitano
    • Yusuke Sekiguchi
    • Kayoko Kishimoto
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,7/10
    23 mil
    SUA AVALIAÇÃO
    • Direção
      • Takeshi Kitano
    • Roteirista
      • Takeshi Kitano
    • Artistas
      • Takeshi Kitano
      • Yusuke Sekiguchi
      • Kayoko Kishimoto
    • 111Avaliações de usuários
    • 94Avaliações da crítica
    • 44Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 4 vitórias e 4 indicações no total

    Vídeos1

    Kikujiro
    Trailer 1:39
    Kikujiro

    Fotos767

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    Elenco principal31

    Editar
    Takeshi Kitano
    Takeshi Kitano
    • Kikujiro
    • (as Beat Takeshi)
    Yusuke Sekiguchi
    • Masao
    Kayoko Kishimoto
    Kayoko Kishimoto
    • Kikujiro's Wife
    The Great Gidayû
    • Biker
    • (as Gurêto Gidayû)
    Rakkyo Ide
    Rakkyo Ide
    • Biker's Friend
    Akaji Maro
    Akaji Maro
    • Crazy Man
    Yûko Daike
    Yûko Daike
    • Masao's Mother
    Fumie Hosokawa
    • Juggler Girl
    Nezumi Imamura
    • An-chan
    Beat Kiyoshi
    • Man at Bus Stop
    • (as Bîto Kiyoshi)
    Daigaku Sekine
    • Yakuza Boss
    Yôji Tanaka
    • Yakuza Henchman
    • (as Yoji Tanaka)
    Makoto Inamiya
    • Yakuza Henchman
    Hisahiko Murasawa
    • Yakuza Henchman
    Tarou Suwata
    • Stall-keeper
    Hidehisa Ebata
    • Stall-keeper
    Kanako Kojima
    • Hostess
    Kyoko Nagata
    • Hostess
    • Direção
      • Takeshi Kitano
    • Roteirista
      • Takeshi Kitano
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários111

    7,723.1K
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    Avaliações em destaque

    10nizsu

    It is not a film . . .

    I have heard a lot of people said that this film was not recognized as much as his other films. What a shame! When I saw the tittle of the film, I was surprised. The tittle is Kitano's father name.

    In Kitano's biography, it is said that "Kitano's father was an alcoholic and would spend most of the money he earned on alcohol, and when he had been drinking, he would become violent and beat up both his wife and his kids. Eventually, Kikujiro left his family".

    I know Kitano Takeshi made this film because he has been tired of violence/gangsters/life&death in his previous film, but what made him writing a story about his father-a man who abandoned his family when Kitano was young. If you read Kitano Takeshi's biography, you should see his childhood memory in Masao. Kikujiro ( in the film) is a corrupted person. But also in the film, Masao eventually respects and loves to play with that childish man who keeps smoking and shouting at people. Does Kitano himself desire a father too much, so he is willing to accept his father's bad habits as long as his father is still at his side.

    It is not really a film I'd say, I feel like I am seeing the characters in real life. From the start, Masao has drawn Kikujiro in his diary. The ending is also the beginning. Kitano didn't make a happy ending nor a sad ending. Our 3 hours is just to see the beginning of a father-and-son relationship which would grows by the time. Remember, Masao just knew Kikujiro's name in the end of the film, and Kikujiro said: "Let's do it again some time". The cycle of life in "Kikujiro" go on forever. The feeling is too real. I have forgot that I were watching a movie. There is no simple words that can describe this movie completely, u have to watch it by yourself
    9dog_fc

    A wonderful, delightful movie

    From its hauntingly beautiful soundtrack by Joe Hisaishi to the wonderful characters who inhabit Takeshi Kitano's magical Japan - everything in this movie comes together to make this one of modern cinema's truly underrated masterpiece.

    The story involves a petty thug, Kikujiro, who is coerced into accompanying a young boy, Masao, on his cross country journey to find his birth mother. Along the way they meet a whole host of characters. Some friendly, some mysterious, some quirky, some abrasive, but all of them refreshingly human.

    A lesser writer or director would have settled for a quick dose of weirdness from the main characters' fellow wanderers, but Takeshi Kitano milks them for all of the depth and endearment that the too few minutes we are graced with their presence allows.

    If you enjoyed the whimsical, go-nowhere feel of Lost in Translation, you will LOVE this movie. In my opinion Beat Takeshi's efforts blow Sophia Coppola's out of the water.

    Nine out of ten.
    10simon_booth

    Demonstrates that Kitano is still a master without the violence

    By 1999 Takeshi Kitano had quite rightly gained a lot of international recognition for his brilliantly constructed Yakuza/Cop stories, but was apparently dis-satisfied that everybody tended to focus on the violence in them. So he decided to make a movie without any violence to remind people that he was a much more rounded talent than that. "Are you sure about this?", the world asked. "Yes", he replied... and made Kikujiro.

    Kikujiro is difficult to adequately describe, but the fact that it was allegedly inspired by the Wizard of Oz is a good starting point. The basic premise is a road trip, where Kitano is the unlikely chaperone for a little boy who wants to go and find his mother. After gambling away all the money his wife gives him to take the kid, they have to improvise their transport across the country. Along the way they meet a small but colourful cast of characters, and get to know each other a little bit too.

    I'd hesitated about picking this up for ages, and eventually went for a rental rather than a purchase. Kitano minus violence just didn't seem right! But that was definitely an injustice I was doing him, and Kikujiro is a good demonstration that his talents really are much broader. In fact, after watching it there is no doubt that he is one of the greatest director/actor/writer and editor working in the world today. A brilliantly painted story, full of subtly and quirkiness. Awesome cinematography and an incredible soundtrack... truly world class in every respect. Well, to be fair the child actor was a bit stiff, but it seems mean to hold that against the movie.

    Definitely recommended if you haven't already seen it!
    8reelreviewsandrecommendations

    A Bittersweet Symphony

    It is summertime, and Masao is a lonely boy living with his grandmother in Tokyo. One day, he finds an address supposedly belonging to his long-lost mother, and decides to try and find her. His grandmother's friend insists that her husband, Kikujiro, accompany Masao, and the two set out together; despite not knowing each other well. On their long journey, Kikujiro and Masao engage in many adventures, meeting colourful characters along the way and forging a bond stronger than that between parent and child. Whether or not their friendship withstands the test of time- and if they find Masao's mother- remains to be seen in the dramatic powerhouse that is Takeshi Kitano's 'Kikujiro.'

    Kitano's eighth feature film, 'Kikujiro' is a delightfully funny and poignant road movie sure to warm the cockles of any viewers' heart. A simple story about friendship and connection, the trip Masao and Kikujiro undertake contains subtle power and emotional depth, whilst also being frequently hilarious. The characters are all well-drawn and the escapades they engage in both wildly entertaining and affecting. The relationship that develops between Masao and Kikujiro is realistic and heart-warming, and the film's exploration of those considered 'outsiders' is one most intelligent and subdued. Much like Kitano's previous 'A Scene At The Sea,' the film's power is of the low-key and naturalistic variety; and 'Kikujiro' will surely linger in the mind long after the credits have rolled.

    'Kikujiro' reunites Kitano with cinematographer Katsumi Yanagishima, for their sixth out of sixteen collaborations. Yanagishima's muted work is undeniably powerful and beguiling, lending the film and its' story additional beauty and depth. His is not pretentious or needlessly hectic cinematography, it is steady and sure work that produces sagacious, artful and distinct results. That Kitano has utilised Yanagishima's immeasurable talents for every one of his movies bar 'Violent Cop' and 'Hana-Bi' proves just how effectively the two men work together; and the visuals borne of their partnership for 'Kikujiro' are unforgettable.

    The same can be said of another frequent collaborator of Kitano's, composer Joe Hisaishi: his score for 'Kikujiro' is catchy and evocative. The fifth film of Kitano's Hisaishi has worked on, his melodies are haunting and delicate. The theme, 'Summer,' is particularly beautiful, and like an earwig worms it's way into one's subconscious, establishing itself as a tune one will find it most difficult to forget. Hisaishi frequently plays the 'Kikujiro' soundtrack while touring, and the enduring popularity of the music shows just how moving and ineffaceable it is.

    'Kikujiro' also boasts highly detailed costume design from Fumio Iwasaki that lends additional dimension to characters, as well as echoing past works from Kitano's cinematic canon (most notably through the short sleeved Hawaiian shirts featured so prominently in 'Sonatine'). Also of note is Ryôji Kasumi and Michio Miyauchi's work in the makeup department and Tatsuo Ozeki's rich set decoration; which adds further believability to the proceedings.

    'Kikujiro' stars Kitano in the titular role and Yusuke Sekiguchi as Masao, making his big screen debut. Sekiguchi is a fine actor who remains understated throughout, crafting in Masao a character both believable and compelling. It could be argued that he has the least to do in the cast- certainly he has relatively little dialogue or any large displays of emotion- and that many other young boys could have played the role as effectively. However, that is to do a serious discredit to the subtlety of his acting. Though he only has one other film role to date, Sekiguchi has left an indelible imprint on cinema through his brilliant performance as Masao.

    Kitano is terrific as Kikujiro, making him a slightly unhinged comedic force of nature, as well as a profoundly complex man. His relationship with Masao forces him to examine his own life, which he finds wanting; and Kitano's performance is powerfully understated and wildly entertaining. It is assumed that Kikujiro is a facsimile of Kitano's own father, and the fondness and exuberance with which he approaches the role betrays a great respect, admiration and love for the man. Kitano's Kikujiro may be one of his finest performances from his storied career; and is certainly his warmest and most heartfelt.

    The supporting cast is populated with talented actors like Kayoko Kishimoto and Akaji Maro, both of whom steal their too few scenes as Kikujiro's wife and a seedy fellow Masao encounters in a park, respectively. All the secondary performers do admirable work, with Nezumi Imamura, Gurêto Gidayû and Rakkyo Ide impressing and entertaining the most as a travelling writer and two bikers Masao and Kikujiro befriend along the way. From the smallest role to the titular one; everyone in the film is perfectly cast.

    'Kikujiro' is a powerful, funny and genuinely moving film from Takeshi Kitano that impresses on every level. Strongly acted, well-written and featuring stunning cinematography from Katsumi Yanagishima; the movie is entertaining and memorable both. With an atmospheric Joe Hisaishi score and detailed costume and set design; there is little to fault with the film. In short, 'Kikujiro' is a bittersweet symphony of unaffected profundity and voluminous emotional depth that hits all the right notes.
    10vincent.vega-2

    Funny, subtle storytelling

    Kikujiro is a movie with beautiful calmness that's a great diversity from the fast cut movies today. Takeshi Kitano proofs once and for all, that he's a master filmmaker that will forever be remembered. And even though he dislikes the fame that goes along with his more successful movies (Zatoichi), it's a shame he doesn't get more recognition for his films.

    Kikujiro no natsu tells the story of a kid who decides to visit his mother that he never met. Through odd circumstances kikujiro (Kitano), though absolutely unqualified, is forced to lead the kid. But as we see only moments later the boy would be better off alone, as kikujiro's fondness of gambling and (very amusing) way to treat people makes the journey a funny and quite touching odyssee.

    What stands out in this movie is the simple comedy. It shows Kitano started off as a comedian, and his dialogue and acting made me almost spill my milk more than a few times. This is certainly one of his best. A great film for a quiet, rainy sunday afternoon.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Takeshi Kitano made this gentler film as an antidote to his usual violent gangster movies.
    • Citações

      Masao: By the way, Mister, what is your name?

      Kikujiro: It's Kikujiro, dammit.

    • Cenas durante ou pós-créditos
      There's one more scene after the credits.
    • Conexões
      Featured in Jam session - Kikujiro no natsu koshiki kaizokuban (1999)
    • Trilhas sonoras
      Summer
      Written by Joe Hisaishi

    Principais escolhas

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    Perguntas frequentes18

    • How long is Kikujiro?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 5 de junho de 1999 (Japão)
    • País de origem
      • Japão
    • Centrais de atendimento oficiais
      • La Rabbia (France)
      • official
    • Idioma
      • Japonês
    • Também conhecido como
      • Kikujiro
    • Locações de filme
      • Sensoji Temple, Asakusa, Taito, Tóquio, Japão(Masao and his friend walk across the temple grounds)
    • Empresas de produção
      • Bandai Visual Company
      • Nippon Herald Films
      • Office Kitano
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 200.920
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 28.079
      • 28 de mai. de 2000
    • Faturamento bruto mundial
      • US$ 281.527
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 2 min(122 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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