South

A truly amazing film, and at least one good thing to come as a result of British self-importance. Film was still in its early years; leave it to the Brits to capitalize on it to record their abortive undertaking at the south pole. Still it is an admirable effort, and the photography is often startling, especially since the Milestone release. Thanks to the previous commentor for the bibliography, as I too had to wonder what became of the sled dogs, who seemed at least as dedicated as their human counterparts.

Using some originally shot footage from the expedition that started just as Europe went to war in 1914, this tells a fascinating story of human endeavour in the face of just about everything hostile that nature has in it's armoury. We see elements of their preparation, their voyage and of the treacherousness of their new environment as their ship struggles to make headway through the ever thickening ice - before ultimately ending up as glorified kindling! Unfortunately, though not unsurprisingly, there are no images as the majority of the crew are left on Elephant Island whilst Sir Ernest Shackleton and his small crew embark on an 800 mile journey to "neighbouring" South Georgia in an open boat to try and summon help from the whaling station there. The photography is great - we see many creatures from the Antarctic for the first time; have some fun with the penguins and the seals - and the weather, the adverse weather conditions just have you reaching for a duvet at each turn. This is a great story of endurance that demonstrates just what could be done with grit and determination, and without the aid of modern technology - and if you can see it on a bigger screen, then the whole scale of their adventure through this perilous terrain makes this quite a compelling watch.

This is a slice of history. The documentation of the expedition that didn't work out and turned into a adventurous flight for survival. Unfortunately, and of course naturally, the real story, the trek to Elephant Isle and then to South Georgia, the pinnacle of the whole event, was not on film. But again, this is were film becomes a 'time-machine'.

Anyone familiar with the incredible true story of Shackelton and his entire crews survival against seemingly impossible odds when their ship Endurance became trapped in Antartic ice will appreciate this documentary.

The quality of the pictures is outstanding for the time. Frank Hurley the expedition's offical photographer did an amazing job.

The first 2/3rds of the film is most interesting. As conditions worsened its clear that Hurley could not take so many photographs (he was confined to a pocket camera in the later stages).

The later part decends into a nature documentary of South Georgia. I would have preferred to see more pictures of the whaling station where Shackelton and two companions made contact with civilization after more than 2 years of struggle.

A fitting memorial to this century's most inspiring survival epic.

This is a remarkable film, just in that Frank Hurley was there--surviving the harsh conditions and circumstances like the rest of Sir Ernest Shackleton's crew. Moreover, he didn't interfere, or invent a story, in the way other pioneer documentary filmmakers did, as with "In the Land of the Head Hunters" (1914), Flaherty's "Nanook of the North" (1922) or the films by Cooper and Schoedsack. He had an interesting and amazing story and only needed to record it. Hurley tells the adventure of Schackleton's Antarctic expedition largely by intertitles, but there is some interesting photography, nonetheless.

Film-making isn't a priority when lives are in peril, so the title cards, in addition to still photographs and some drawings help to tell the entire story. Most of the moving pictures are of the exotic animals they encountered and the many dogs they took with them to Antarctica. There's also the slow demise of their ship, Endurance. Two of the images that stood out to me, however, were the shadows of crosses upon the ice when the ship was battering through it and the shot of the ship charging full stern ahead, approaching the camera head on, a la the Lumière brothers' "Arrivée d'un train" (1895). Mostly, the motion pictures help illustrate a story told by intertitles, but it's quite a story. And, like its subjects, the film remarkably survived.