Adicionar um enredo no seu idiomaWhen a martial artist called Stryker resurrects three ancient Chinese master assassins so he can take over NYC's underworld, it's up to martial artist cop Tarek Richards to stop them. But he... Ler tudoWhen a martial artist called Stryker resurrects three ancient Chinese master assassins so he can take over NYC's underworld, it's up to martial artist cop Tarek Richards to stop them. But he will need the aid of Stryker's former master.When a martial artist called Stryker resurrects three ancient Chinese master assassins so he can take over NYC's underworld, it's up to martial artist cop Tarek Richards to stop them. But he will need the aid of Stryker's former master.
- Direção
- Roteirista
- Artistas
- Mr. Lau
- (as Gary Foo)
Avaliações em destaque
If you can get past the fact that this movie didn't have the luxury of Chow Yun Fat's endless budget, you'll see that it DOES have what Chow doesn't... Pure fighting arts at it's best. The fighters are real. The fights are real and true to the art... revealing an ancient, yet rarely (if ever) seen denomination of high-precision Kung Fu....
The slick black, soggy streets of the Chinatown "slums" embody the ghost district's pungent heart and soul... reminiscent of that banshee-type taste and feel you get in Michael Mann's THIEF.
Second, this is a Cynthia Rothrock film, so you expect some female fighting action, right? Wrong. As a matter of fact, Cynthia Rothrock is barely in the movie.
Third, this movie sucks in every conceivable way. I keep waiting for Cynthia Rothrock to do a decent movie. I'll be damned if I haven't been waiting for a long time. Now, they're putting her name on a movie simply as a publicity stunt. Next time her name appears on a movie, I'll wait for it to come out on cable.
Fourth, I want my $3.50 back.
Bolo Yeung is missed after he graced the first two films with his presence, though at least in his stead we now have Carter Wong. Wong's attachment is almost one of name only, however, for while consistently present, he is nonetheless given a supporting role that mostly only puts him on a pedestal as though to say, "look who's here!" Cynthia Rothrock, meanwhile, is billed second only to Jalal Merhi - yet while she was sadly only second fiddle in 1991, and saw character Linda Masterston rather reduced to a bit part in 1996, she's barely involved at all in 2000. But maybe that makes her the smartest person here; I can only assume it was a contractual obligation or favor to her fellows that drew her in, and she seems to have ducked out as quickly as she could. At least Merhi is more prominent here than he was in 'Tiger claws II'; take that as you will.
The music of composer Varouje was one of the definite strengths of the first film, and gratifyingly sincere at that as the synth-driven score lent to a measure of atmosphere. Returning for 'II,' Varouje gave his music a more industrial edge - but also didn't seem to spend much time actually writing, as much of what we heard in the first sequel was distinctly repetitive and overused. Bringing their talents to 'III,' Varouje rather seems to be phoning it in. We get overt "traditional Chinese" music cues, tinges of glitch and IDM circa 2000, a little bit of guitar, slivers of spaced-out synthesizer, and... Oh I'm sorry, I'm bored now. Moving on.
Doubling as both writer and director this time around, Maunder mostly seems to have given up as they helm this production, for there's scarcely one iota of authenticity or earnestness about 'Tiger claws III.' Most aspects herein could best be described as perfunctory - serving their purpose, I suppose, but mostly unconvincingly and halfheartedly. Camerawork, editing, direction (building shots and scenes, guiding the cast), acting, humor (mostly boorish one-liners, almost no cleverness), action scenes, special effects, dialogue, characters, scene writing, plot development, and the overall narrative all fail to capture the imagination, and I rather wonder what the point of any of it was. Rounding details like hair, makeup, and costume design are unremarkable, and filming locations and set design and decoration were apparently given the lowest priority of the budget. The most well put-together scenes may well be those in which Tarek trains at the cabin, but one would be forgiven for thinking that Maunder was pointedly trying to draw upon viewer recollections of 'Rocky IV' in the process. The writing depends on a lot of action-thriller tropes to provide filler. Martial arts are played down even more here than in the 1996 feature, and cursory as all elements are - including the acting - nothing is more completely, astoundingly bland and uninspiring than those scenes that needlessly focus on protagonist Tarek's coworkers.
There are scraps of serviceable ideas here. I suppose one could reasonably argue that 'The final conflict' has no real intention but low-grade entertainment as it finishes the saga begun 9 years prior, and those involved worked to bring it to fruition with what they had. I try to find the worth in everything I watch, no matter how deficient a given title may be. Here, unfortunately, the shortcomings so heavily outweigh and dampen any advantages that there's very little enjoyment to be had. I admit I had low expectations in the first place, but I really did try to give this picture a chance. Fair enough, there are certainly worse films one could stumble upon to watch. The fact remains - when all is said and done, even if you're a die-hard fan of someone in the cast, there's just no compelling reason to check out 'Tiger claws III.'
Oh well.
Você sabia?
- CuriosidadesAs of June 2018, this is the final entry in the Tiger Claws franchise.
- Citações
Linda Masterson: "From now on, when I go out with you, I'm wearing pants."
- ConexõesFeatures Garras de Tigre (1992)
- Trilhas sonorasAmbient Dreams
(Varouje (as Varouje Hagopian))
Principais escolhas
Detalhes
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1