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6,1/10
2,7 mil
SUA AVALIAÇÃO
Antes de As Virgens Suicidas e Priscilla, Sofia Coppola influenciou as representações da juventude e amizade feminina na tela com seu primeiro trabalho de direção. Marcado pelas roupas dos a... Ler tudoAntes de As Virgens Suicidas e Priscilla, Sofia Coppola influenciou as representações da juventude e amizade feminina na tela com seu primeiro trabalho de direção. Marcado pelas roupas dos anos 1990 e uma trilha sonora incrível.Antes de As Virgens Suicidas e Priscilla, Sofia Coppola influenciou as representações da juventude e amizade feminina na tela com seu primeiro trabalho de direção. Marcado pelas roupas dos anos 1990 e uma trilha sonora incrível.
- Direção
- Roteiristas
- Artistas
Audrey Kelly
- Chloe
- (as Audrey Heaven)
Rachael Vanni
- Wendy
- (as Rachel Vanni)
Zoe R. Cassavetes
- P.E. Teacher
- (as Zoe Cassavetes)
Bassam Habib
- Boy
- (as Sam Nessim)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
On my opinion this short film is very representative of it's time and depicts clearly a state of mind in which the characters are. Acting and photography may look nahive o little elaborated but i think it's very well blended in this particular style of filmmaking.
Sofia Coppola has a very unique style which is proved by her following, "The virgin's Suicides". Seems to me that it's almost a documentary, always an up close view of whats going on. It's not only the story, but how is told, and Coppola has a great personal, intimate style that i feel as being a truly femenine capacity, to tell stories not only with action but by declaring mood stages, contextual plots and settings to make the story much more credible.
I really enjoyed this short piece, i saw it before the "virgin's..." so I strongly recommend to watch this film to see a less "pinky-tender" side of Coppola.
Sofia Coppola has a very unique style which is proved by her following, "The virgin's Suicides". Seems to me that it's almost a documentary, always an up close view of whats going on. It's not only the story, but how is told, and Coppola has a great personal, intimate style that i feel as being a truly femenine capacity, to tell stories not only with action but by declaring mood stages, contextual plots and settings to make the story much more credible.
I really enjoyed this short piece, i saw it before the "virgin's..." so I strongly recommend to watch this film to see a less "pinky-tender" side of Coppola.
what a captivating little short. Pedophillically (if you will) captured by cinematographer Lance Accord ( Adaptation, Being John Malkovich (1999) and Buffalo '66), this otherwise puerile, syllogical bore looks pretty tempting. Young, unknown Audrey Heaven has something. Sofia rocks. And thats about as deep as this commentary gets ...
Sofia Coppola's 1998 short film "Lick the Star" is about a group of 7th grade mean girls who devise a bizarre plan to "make the boys weak" with arsenic. While that may sound strange, "Lick the Star" actually comes closer to the truth about junior high cliques than one might expect. Early scenes of the girls flaunting their new secret plan to the uninitiated are particularly powerful.
The short was shot at a real life junior high school and it shows, but its inky black-and-white visuals lend it a rather surreal beauty. That many scenes are accompanied by a fitting soundtrack of jangly girl-group rock is an added bonus. "Lick the Star" makes an agreeable 15 minutes or so, to say the least.
The short was shot at a real life junior high school and it shows, but its inky black-and-white visuals lend it a rather surreal beauty. That many scenes are accompanied by a fitting soundtrack of jangly girl-group rock is an added bonus. "Lick the Star" makes an agreeable 15 minutes or so, to say the least.
I have been quoting this movie for years!!
All in all, it has an intensely intuitive message that works not only in the context of this short film about the chaos of adolescence, but in the context of every human interaction I've ever witnessed...
Everything changes, Nothing changes. The Tables Turn and Life Goes On.
All in all, it has an intensely intuitive message that works not only in the context of this short film about the chaos of adolescence, but in the context of every human interaction I've ever witnessed...
Everything changes, Nothing changes. The Tables Turn and Life Goes On.
Cruelty seems an innate skill in this story of junior high school girls. The cliques and the cruel plots and schemes that girls (and boys) can be prone to in that period between when they first start coming into their power as individuals and have yet to develop the emotional maturity that enables the responsibility that comes with power.
Você sabia?
- CuriosidadesRobert Schwartzman (Greg) is the cousin of the director Sofia Coppola.
- Erros de gravaçãoKate references the novel "Flowers in the Attic", saying that the children in the attic are slowly poisoned by their grandmother. The children are actually poisoned by the mother, not their grandmother.
- ConexõesReferences A Pequena Sereia (1989)
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- Tempo de duração14 minutos
- Cor
- Proporção
- 1.37 : 1
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