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Godzilla, o Monstro do Mar

Título original: Godzilla, King of the Monsters!
  • 1956
  • Approved
  • 1 h 20 min
AVALIAÇÃO DA IMDb
6,3/10
9,4 mil
SUA AVALIAÇÃO
Godzilla, o Monstro do Mar (1956)
Home Video Trailer from Toho Film Company
Reproduzir trailer2:31
1 vídeo
99+ fotos
Ação épicaAventura de dinossauroDesastreÉpicoÉpico de ficção científicaKaijuTerror monstruosoTragédiaAçãoFicção científica

Adicionar um enredo no seu idiomaAn American reporter visiting Tokyo becomes a witness to the city's destruction by a dinosaur-like beast awoken from undersea hibernation by atom bomb testing.An American reporter visiting Tokyo becomes a witness to the city's destruction by a dinosaur-like beast awoken from undersea hibernation by atom bomb testing.An American reporter visiting Tokyo becomes a witness to the city's destruction by a dinosaur-like beast awoken from undersea hibernation by atom bomb testing.

  • Direção
    • Ishirô Honda
    • Terry O. Morse
  • Roteiristas
    • Shigeru Kayama
    • Takeo Murata
    • Ishirô Honda
  • Artistas
    • Raymond Burr
    • Takashi Shimura
    • Momoko Kôchi
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    9,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Ishirô Honda
      • Terry O. Morse
    • Roteiristas
      • Shigeru Kayama
      • Takeo Murata
      • Ishirô Honda
    • Artistas
      • Raymond Burr
      • Takashi Shimura
      • Momoko Kôchi
    • 138Avaliações de usuários
    • 47Avaliações da crítica
    • 61Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos1

    Godzilla, King of the Monsters!
    Trailer 2:31
    Godzilla, King of the Monsters!

    Fotos110

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 103
    Ver pôster

    Elenco principal35

    Editar
    Raymond Burr
    Raymond Burr
    • Steve Martin
    Takashi Shimura
    Takashi Shimura
    • Dr. Yamane
    Momoko Kôchi
    Momoko Kôchi
    • Emiko
    • (as Momoko Kochi)
    Akira Takarada
    Akira Takarada
    • Ogata
    Akihiko Hirata
    Akihiko Hirata
    • Dr. Serizawa
    Sachio Sakai
    • Hagiwara
    Fuyuki Murakami
    • Dr. Tabata
    Ren Yamamoto
    • Seiji
    Toyoaki Suzuki
    Toyoaki Suzuki
    • Shinkichi
    Tadashi Okabe
    • Dr. Tabata's Assistant
    Toranosuke Ogawa
    Toranosuke Ogawa
    • President of Company
    Frank Iwanaga
    • Tomo Iwanaga - Security Officer
    Mikel Conrad
    Mikel Conrad
    • George Lawrence
    • (não creditado)
    Paul Frees
    Paul Frees
    • Unidentified Character
    • (narração)
    • (não creditado)
    Fuji
    Fuji
    • Police Officer at Airport
    • (não creditado)
    Hiroshi Hayashi
      James Hong
      James Hong
      • Ogata
      • (narração)
      • (não creditado)
      • …
      Ren Imaizumi
      • Radio Operator
      • (não creditado)
      • Direção
        • Ishirô Honda
        • Terry O. Morse
      • Roteiristas
        • Shigeru Kayama
        • Takeo Murata
        • Ishirô Honda
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários138

      6,39.3K
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      Avaliações em destaque

      8kevinxirau

      The greatest and most realistic of the 50s creature features.

      Godzilla is truly a legendary icon who has really stood the test of time for more than fifty years. His first film back in 1954 was very serious compared to most monster movies at the time. Most agree that it's a typical story of a prehistoric creature mutated by radiation rising up to challenge the world with his newfound power, but it's a little more than that. How so? Everything seems to be taken seriously by both filmmakers and the characters in the story. In this U.S. version, dubbing is kept to a very minimum by the lead characters while everyone else is speaking Japanese, which brings a small sense of realism. Godzilla himself is taken seriously by the filmmakers because while the primitive effects are obvious, his actions are like how a real animal reacts to a certain situation like when he approaches the electrical barrier and pauses to look at it curiously or when he snarls at a ringing clock tower because he thinks it might be another animal. He doesn't "attack" Tokyo just for the hell of it, he's just lashing out at whatever attacked him. After Tokyo is destroyed, the scene where the people mourn for the dead and dying truly moved me because the "attack" was treated like an actual disaster. I truly respect that.

      Tomoyuki Tanaka really knew how to tell a war related story (war films in Japan were illegal at the time) and make his dinosaur the biggest star (literally) in the world. Steve Martin(Raymond Burr) and Dr. Serizawa are among the best known human characters in the entire series. I give this movie little more credit than before because of how it was made and the angle it was going for. Long live the King!
      6sddavis63

      The Americanized Version

      American studios obviously believed two things: (1) that Godzilla could be sold to American audiences, and (2) that American audiences wouldn't watch the original Japanese version, and so a familiar American actor would have to be added. The end result was the filming of many scenes incorporating Raymond Burr as American newspaper reporter Steve Martin, who just happened to be in Tokyo when Godzilla struck.

      In all honesty, I haven't seen the Japanese original ("Gojira") and so I have no basis on which to compare the two versions, so "Godzilla: King Of The Monsters" has to be looked at on its own merits. Let's admit right off the top that it has a lot of weaknesses. The Burr scenes aren't edited in particularly well, there are some strange decisions about dubbing (sometimes the original scenes are left in, with Japanese language and all and a narration by Burr explaining what's happening and sometimes English is dubbed over the original Japanese, and there didn't seem to me to be any particular rhyme or reason for which decision was made to which scene), the special effects are primitive (but it was made in the 1950's), and the monster stretched credibility a bit (partly the costume, and partly that he was 400 feet tall - how would the link between Jurassic era land animals and sea animals be so big?) Having said that, unless your agenda is simply to bash Americans for Americanizing the movie, you also have to admit that it's not bad. The opening scene is marvellous, with Martin being rescued from a destroyed building and brought to a hospital on a stretcher. If you didn't know the story (and we do, so perhaps this loses its impact) you'd swear off the top that this is a movie about an atomic bomb attack. For all the above weaknesses, the movie's fun pretty much all the way through if not particularly scary, and the casting of Burr accomplished what the studios wanted - Godzilla became as much an American cult classic as a Japanese one.

      The ending is a bit abrupt, and seemed pretty decisive, leaving me to puzzle where all the sequels came from, but overall, if not great this was still an enjoyable film, probably undeserving of some of the criticism it gets. 6/10
      Sargebri

      Show Them Back to Back

      Like many of the other Godzilla fans, this is the only version of the the Big-G's debut that I have seen. I have never had the pleasure of watching the original Japanese version, which is even more dark in nature than this Americanized version. I often wonder how much more of an impact the original version of this film would play and would it be treated in a more favorable light than this version. However, this is still a great film despite its flaws. Raymond Burr does a credible job as Steve Martin and he does his best to convey the horror of Godzilla's attack, even though his scenes were shot much later. However, I hope that one day someone will have the bright idea to show both the Americanized version and the original back to back to allow the audience to choose for themselves which one is better.
      7UniqueParticle

      Below par compared to the Japanese version; still really good!

      I prefer English versions in most cases but this is kinda silly having Steve Martin (Raymond Barr) in it and not speaking Japanese. Otherwise this is still a spectacular Godzilla film! The destruction is great and effects were incredible for it's time.
      BaronBl00d

      Poor Tokyo!

      The abuse and destruction unleashed on this Japanese city Tokyo is nothing short of epic in stature. The city, through the various romps of the titular character, literally swirls in flames, buildings fall at amazing speed , and just about every human form of transportation is reduced to rubble. This is the setting for much of the film, Godzilla - King of the Monsters. Despite being nothing more than a film with a man in a rubber suit trashing a miniature Tokyo set, this first Godzilla has much going for it. It is well-paced, and the action is engrossing and climactic. I saw the Americanized version with Raymond Burr, and thought Burr did a fine job playing foreign correspondent Steve Martin. Burr really helps create and add tension in the film with his narration and through the events we see through his eyes. The Japanese actors are very good as is the direction. Really the only low-point of the film for me was the inept dubbing, particularly the Brooklyn accent given to one of the chief Japanese scientists. Quite a gem!

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      Enredo

      Editar

      Você sabia?

      Editar
      • Curiosidades
        Godzilla's roar was made by dragging a resin-coated leather glove up and down a contrabass and having the subsequent recording slowed down significantly.
      • Erros de gravação
        In the American version, during one scene Dr. Yamane's dialogue in Japanese contains the name "Godzilla" even though the monster hasn't appeared yet (revealing that this scene was originally later in the film).
      • Citações

        [first lines]

        Steve Martin: [in voice over] This is Tokyo. Once a city of six million people. What has happened here was caused by a force which up until a few days ago was entirely beyond the scope of Man's imagination. Tokyo, a smoldering memorial to the unknown, an unknown which at this very moment still prevails and could at any time lash out with its terrible destruction anywhere else in the world. There were once many people here who could've told of what they saw... now there are only a few. My name is Steve Martin. I'm a foreign correspondent for United World News. I was headed for an assignment in Cairo, when I stopped off in Tokyo for a social call, but it turned out to be a visit to the living hell of another world.

      • Cenas durante ou pós-créditos
        Many prints and videos have absolutely no credits (including the so-called "uncut" version released on DVD by Simitar in 1998), beyond the title at the start (with a clearly video-generated copyright notice below it) and a "The End" graphic at the close. Classic Media's 2006 release of the film in the Gojira/Godzilla: King of the Monsters on DVD has the restored English credits. The Criterion Collection Blu-Ray release contains all original logos and credits.
      • Versões alternativas
        In the original American version of the film, end credits and the Transworld logo were present. The 1998 DVD release from Simitar restores the logo without the end credits, while the 2006 DVD release from Classic Media restores the credits without the logo. Both were reinstated in the 2012 DVD and Blu-ray releases from the Criterion Collection.
      • Conexões
        Edited from Godzilla (1954)
      • Trilhas sonoras
        Prayer for Peace
        (uncredited)

        Performed by students of the Toho High School of Music

        Lyrics by Shigeru Kayama

        Composed by Akira Ifukube

      Principais escolhas

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      Perguntas frequentes18

      • How long is Godzilla: King of the Monsters!?Fornecido pela Alexa

      Detalhes

      Editar
      • Data de lançamento
        • outubro de 1956 (Brasil)
      • Países de origem
        • Japão
        • Estados Unidos da América
      • Idiomas
        • Inglês
        • Japonês
      • Também conhecido como
        • Godzilla
      • Empresa de produção
        • Toho
      • Consulte mais créditos da empresa na IMDbPro

      Bilheteria

      Editar
      • Orçamento
        • US$ 650.000 (estimativa)
      Veja informações detalhadas da bilheteria no IMDbPro

      Especificações técnicas

      Editar
      • Tempo de duração
        • 1 h 20 min(80 min)
      • Cor
        • Black and White
      • Mixagem de som
        • Mono
      • Proporção
        • 1.37 : 1

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