AVALIAÇÃO DA IMDb
5,6/10
1,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA schizophrenic romantic tracks down her college sweetheart to help her find their son she gave up for adoption sixteen years ago to the dismay of his new wife.A schizophrenic romantic tracks down her college sweetheart to help her find their son she gave up for adoption sixteen years ago to the dismay of his new wife.A schizophrenic romantic tracks down her college sweetheart to help her find their son she gave up for adoption sixteen years ago to the dismay of his new wife.
Avaliações em destaque
Where this film isn't a masterpiece by any means, it is certainly worth the time. Melanie Griffith shines in her role as Lulu and Joseph Gordon-Levitt stands out yet again in the role of Martin. Unfortunately, his time is much too brief in the film, as I think he's probably the most underrated actor today. He's extremely believable in his role and he showed us exactly how one would act in the situation his character was in.
Give the film a shot, it's worth the time- forget some of the characters Swayze has played in the past and look at him for the character he's playing now. Watch Melanie become Lulu... And lastly, you'll believe Gordon-Levitt is Martin in the awkward situation he's been thrown into.
Acting is an A, film is a B.
Give the film a shot, it's worth the time- forget some of the characters Swayze has played in the past and look at him for the character he's playing now. Watch Melanie become Lulu... And lastly, you'll believe Gordon-Levitt is Martin in the awkward situation he's been thrown into.
Acting is an A, film is a B.
What was Patrick Swayze thinking here, he may have very well hit his head one too many times in one of those rumored drunken plane episodes. This movie sounded WOW! on paper, had a promising cast, but was put together and written unbelievably lame. Scene-by-scene, decent even good acting, but put into context nothing seemed to jive. The characters were compelled to be together by nothing more than the script, real life could have never fueled so much awkward interaction and endeavor. Any hope the storyline had was completely lost in execution and directing. There were times I heard cameramen groaning. It was great by high school play standards, but less fun. The cross country trip felt like one. Michael J. Pollard (C.W. Moss from 1967's Bonnie and Clyde) was a potential completely misused in this film. My mailman could have played his part. As A hitchhiker with merely a couple of great lines like "can I get in the front seat" and "you're really one crazy lady" his character makes it one mile down the interstate before Griffith kicks him out. I should have gotten out where he did.
"Patrick Swayze and Melanie Griffith are 'Ben' and 'Lulu'. Years ago, they had an intense passionate affair, a relationship that ended very badly. Now, fifteen years later, he's a successful, married writer who gets a desperate call
Lulu needs his help. Chaotic and confused, she reveals a huge secret that they alone must deal with. Together, on a fiery cross-country journey they will find a new direction that points to their future," according to the DVD sleeve's synopsis.
The irrelevant opening has Ms. Griffith and Ryan Bollman (as Freddie) in a San Francisco home for schizophrenics, estimating the number of blow-jobs "Lulu" has given (he calculates the number to be 500). Then, a connection is made between Griffith and Mr. Swayze, as they separately watch a television airing of the "The Hustler" (1961); Griffith and Swayze recite, verbatim, the dialogue delivered by Paul Newman (as Eddie) and Piper Laurie (as Sarah).
Writer/director John Kaye has a good melodrama with the weakly titled "Forever Lulu" (strengthened to "Along for the Ride" for DVD release). But, the film is poorly structured, and looks rushed. The first thing I wanted to re-edit was the bar scene where Swayze re-encounters Griffith; she should have been introduced in long and/or medium shots, followed by a close-up. A later Griffith nude pool scene is much to staid; it should have been shot like Marilyn Monroe's swim in "Something's Got to Give" (1962).
I have met both Swayze and Griffith, and these characters remind me so much of the actors (which is not to say they are exactly like the characters). When watching Swayze during the film's early scenes, I caught on to a layer of sadness he is using for the characterization of "Ben". As the film progresses, a plot revelation confirms something more (sad) about his character. Swayze had a distant melancholy about him, even before his illness was diagnosed; and, I believe this quality, along with an open naturalness, drew you to him. An engaging man.
Griffith is also a lovely person, though quite unlike Swayze (apart from the flashbacks, their characters do not have much "chemistry"). Since Griffith may read this sometime, I met her at a 1980s party - she was (you were) there via a hairdresser friend and I with a DJ friend. We left for the patio to chain-smoke (Hey, Melanie, I quit!), and spoke about life's challenges I didn't "go" to movies then, and was not aware of how popular an actress Melanie Griffith was; seeing her films now, I admire her work, and see some of the "Melanie" I met in the "Lulu" character.
****** Forever Lulu (7/7/00) John Kaye ~ Melanie Griffith, Patrick Swayze, Penelope Ann Miller, Joseph Gordon-Levitt
The irrelevant opening has Ms. Griffith and Ryan Bollman (as Freddie) in a San Francisco home for schizophrenics, estimating the number of blow-jobs "Lulu" has given (he calculates the number to be 500). Then, a connection is made between Griffith and Mr. Swayze, as they separately watch a television airing of the "The Hustler" (1961); Griffith and Swayze recite, verbatim, the dialogue delivered by Paul Newman (as Eddie) and Piper Laurie (as Sarah).
Writer/director John Kaye has a good melodrama with the weakly titled "Forever Lulu" (strengthened to "Along for the Ride" for DVD release). But, the film is poorly structured, and looks rushed. The first thing I wanted to re-edit was the bar scene where Swayze re-encounters Griffith; she should have been introduced in long and/or medium shots, followed by a close-up. A later Griffith nude pool scene is much to staid; it should have been shot like Marilyn Monroe's swim in "Something's Got to Give" (1962).
I have met both Swayze and Griffith, and these characters remind me so much of the actors (which is not to say they are exactly like the characters). When watching Swayze during the film's early scenes, I caught on to a layer of sadness he is using for the characterization of "Ben". As the film progresses, a plot revelation confirms something more (sad) about his character. Swayze had a distant melancholy about him, even before his illness was diagnosed; and, I believe this quality, along with an open naturalness, drew you to him. An engaging man.
Griffith is also a lovely person, though quite unlike Swayze (apart from the flashbacks, their characters do not have much "chemistry"). Since Griffith may read this sometime, I met her at a 1980s party - she was (you were) there via a hairdresser friend and I with a DJ friend. We left for the patio to chain-smoke (Hey, Melanie, I quit!), and spoke about life's challenges I didn't "go" to movies then, and was not aware of how popular an actress Melanie Griffith was; seeing her films now, I admire her work, and see some of the "Melanie" I met in the "Lulu" character.
****** Forever Lulu (7/7/00) John Kaye ~ Melanie Griffith, Patrick Swayze, Penelope Ann Miller, Joseph Gordon-Levitt
Along for the Ride (or "Forever Lulu") is not a special film by any means. It's quite average like most films it has its moments. The only really surprising thing about it is how powerful the source music is at the end. Other than that the plot is pretty much predictable. Melanie Griffith does an absolutely amazing job in this film yet again and if you're a fan of hers its the only reason to see this film. Penelope Ann Miller is also quite good in a supporting part. If you have some time to kill this ain't bad.
I must admit when I first saw this movie come through on preview tape at the video store that I work at, I was a little apprensive to take it home and watch it, mainly because of Patrick Swayze who hasen't had a meaty role since GHOST. I was intrigued by the title and decided to give it a go. THANK GOODNESS I DID !!! This was the most funniest, saddest and beautiful movie I have seen in a long while. It is the sleeper of the year. Griffith shines as the fragile LULU who is stricken down by schizophrenia. After sixteen years LULU escapes from a mental institution and tracks down BEN (Swayze) who was LULU'S sweetheart back in college, before she was sick. She informs him that she gave birth to his son and now wants to make contact with him after all this time. So begins a road trip that will leave you wanting more. I will not spoil this movie for you, but let's just say a good box of tissues for the last 20 minutes of the film will be necessary. Swayze does a good job, but I feel he is overshadowed by Griffith, with her powerful performance. She has a real meaty role where as Swayze is stuck playing second fiddle. This is the only problem I can see with this movie, only because I adore Swayze and would have liked to see him play a better part, but he has a few great scenes, one very emotional and I cried all the way with him. Also look out for Joseph Gordon-Levitt (Third rock from the sun), he plays a very good role as LULUS biological son. All in all if you are looking for a movie that is not only funny, but with a real edge to it then this is it. I was sad, I cried and I shared all the moments on that road trip. This is a movie that is a definate in my movie collection, SHEER BRILLIANCE, 10 OUT OF 10.
Você sabia?
- CuriosidadesAlec Baldwin was offered the role of Ben Clifton.
- Erros de gravaçãoIn the swimming pool at the hotel, Lulu is naked in the long shot, but when she goes to talk to Ben, she wears a top.
- ConexõesFeatures Desafio à Corrupção (1961)
- Trilhas sonorasHound Dog Man
Performed by Lonnie Mack
Principais escolhas
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- How long is Forever Lulu?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Tempo de duração
- 1 h 39 min(99 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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