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Ray Winkler (Woody Allen) is a "small-time criminal" with big dreams; nevertheless, he's actually a dishwasher. Then, Ray , the blue-collar turned crook, decides to become rich by robbing a NYC bank. Problem is, he teams up with various bumblers to pull off the heist. As he recruits his manicurist wife (Tracey Ullman) and some clumsy coworkers (Michael Rappaport, Jon Lovitz, Tony Darrow) and quits his job as a dishwasher to open a cookie shop next to a bank. He sets up a business as a front to hide the crime that turns out to be more successful than the hold-up it was supposed to hide. And while his wife runs the cookie store, he and his co-workers work in the basement to break into the bank. Wealth comes from an unexpected direction and helps him fulfill his dreams. As a result of some mishaps, the couple accidentally gains fame and fortune only to find it doesn't suit them at all. Explodes with big-time laughter.! They took a bite out of crime!.

Allen writes, directs and stars in a funny comedy in which he returns to the mocking spirit of his beginnings, such as Bananas, The Sleeper and Take the Money and Run. In fact, Woody Allen places a large gumball machine in one of the opening scenes to create a link between his role, Winkler, and the bungling criminal Virgil Starkwell from his other film Take the Money and Run (1969). In this film, Small Time Crooks (2000), highly praised by critics, he plays an inept ex-convict who plans to become a multimillionaire thanks to the money he tries to steal from a bank, setting up a cookie store as a front, but the deal turns out better than the robbery. Co-starring Tracey Ulman, a renowned comedy actress with several awards. Ullman, as usual, is endearing and sympathetic. Woody Allen claims he chose Tracey Ullman because she is one of the few comedians who makes him laugh. Also notable are the lousy thieves played by Jon Lovitz, Michael Rappaport, Brian Markinson and a large cast that includes Hugh Grant as a smarmy art dealer and well-bred snob trying to make a profit while teaching the lower classes some couth and Elaine May, among others.

The soundtrack is filled with Allen's beloved jazz and big band tunes. Adding evocative and colorful cinematography by Chinese Fei Zhao, Yimou Zhang's regular cameraman. This comedy-thriller is full of silliness and ridiculous situations, being competently acted, written and directed by Woody Allen. Hauled by some as Allen's triumphant return to his stylings of old , this comedy 'Small Time Crooks' actually just seems some slow and dated, but decent. In his beginnings Woody made generally hilarious films in which he often acted, such as: "What's Up, Tiger Lily?", "Take the money and run", "Pussycat, Pussycat I Love You", "Sleeper", "Everything You always wanted to know about sex but were afraid to ask¨, among others. Later he created several masterpieces, including a series of films in which he provided good direction, putting enough care, wit and warmth such as : ¨Crimes and misdemeanors¨, ¨New York stories¨, ¨September¨, ¨Radio Days¨, ¨Hanna and her sisters¨, ¨Broadway Danny Rose¨, ¨Zelig¨, ¨Stardust memories¨, ¨A midsummer Night's Sex Comedy¨, ¨Interiors¨, ¨Purple rose of Cairo¨, ¨Manhattan¨, ¨Annie Hall¨, ¨Melinda Melinda¨ and many others . Rating: 6.5/10. Better than average. The film will appeal to fans of Woody Allen's films. Well worth seeing.

SMALL TIME CROOKS (2000) * * * Extremely amusing comedy about a classless, aging ex-con (Woody Allen) with a long-suffering smart-mouthed wife (Tracey Ulman in a great performance) and how his plan to rob a bank with his idiot friends (including Jon Lovitz wearing black socks, shorts, and sandals) takes them into territory they're totally unprepared for. To say more would ruin the fun. If your a fan of Woody's lighter stuff, this one ranks up there with Manhattan Murder Mystery and is maybe a notch below Everyone Says I Love You. Elaine May is hilarious as Ullman's empty-headed cousin. Also stars Hugh Grant and Michael Rappaport.

I'll say this right upfront, I'm not really a Woody Allen fan. I like his earlier movies where he was simply funny and not trying to figure out the meaning of life or display the ennui of rich Manhattanites. I find those films incredibly ponderous and self-indulgent. But stuff like 'Play it Again Sam' (even though it has the equally whiny Diane Keaton), or 'Take the Money and Run' were his best films.

This film is a return to simple funny. One thing that happened while watching this movie: about 20 minutes into the movie I felt something about this movie was strange, but I couldn't figure out what. Then it hit me: no swearing. I can't remember the last time I saw a movie directed at adults that didn't have swearing. I'm not against swearing in movies by any means, but I have to say, I found it really refreshing. The script was forced to find the funny for real, rather on shock value. Needless to say, it also thankfully doesn't have any of the gross-out humour that passes for comedy in most films these days either. In the hands of most writers, it's not about pushing boundaries, but simply revealing the lack of genuine talent.

Although Ullman does a very good job, and Allen is at his comedic best, Elaine May really shines through in her role and is the one that makes me smile the most. It's a shame that she doesn't get, or take, more roles.

I would have never expected a movie like "Small Time Crooks", but one would have to imagine that it could only come from Woody Allen. He plays loser Ray Winkler, who plans to pull off a big heist. But of course, he needs a cover. So, his wife Frenchy (Tracey Ullman) opens a cookie shop above the tunnel that Ray is digging, and lo and behold, the cookie shop is a smash hit, and they never pull off the heist! A year later, Ray and Frenchy are fabulously wealthy, to the point where "60 Minutes" reporter Steve Krofft interviews them. But this all starts exposing the problems in their lives. Maybe crime would have paid after all! Above all, this movie shows that Woody Allen does best when just going for straight comedy. I would say that this was his funniest movie since "Mighty Aphrodite". Also starring are Elaine May, Jon Lovitz and Hugh Grant. You're sure to like it.

Like Mighty Aphrodite and Manhattan Murder Mystery, Small Time Crooks is the kind of movie Woody Allen would have made lots more of if he hadn't, in the post Annie Hall 1970s, started thinking of himself primarily as film auteur, rather than comedian. I count myself among those who are very glad he made the detour into Art that produced such original and challenging films as Manhattan, Hannah and Her Sisters, Crimes and Misdemeanors, Husbands and Wives, and Deconstructing Harry. Small Time Crooks has a much lower level of ambition. Still, like most people in the audience at the showing I attended, I found much in it very amusing.

The film's comic plot starts out like Take the Money and Run revisited, but then takes a number of surprising turns. Along the way, Tracy Ullman, Elaine Stritch, and - especially - Elaine May all give scene-stealing performances. Early Woody one-liners and sight gags sparkle through the script (along with, unfortunately, a higher frequency of duds and chestnuts than in early Woody). Also adding an interesting dimension to the comedy is the influence of The Honeymooners on the relationship between Ray and Frenchie Winkler (Woody and Tracy) and on the film's fish-out-of-water class-based situation comedy. Woody has often professed his admiration for The Honeymooners, but this is the first film where he seems to have consciously reached for similar themes and effects.

On the down side, some of the plot twists seem downright arbitrary and amateurish, especially those involving Frenchie's comeuppance. Inadequate comic use is made of Ray's gang of losers (Jon Lovitz has one good line and too little screen time). And Hugh Grant as a Bluebeard wannabe is too much to ask of any audience. As to Woody himself .... what can you say? It's painful to watch his late career hardening of the comic arteries into stiff, unintentional self-parody. Let's hope the next Allen movie marks a return to high directorial ambition and low (as in "no") acting profile.