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Adicionar um enredo no seu idiomaA 1968 concert given by the rock group The Doors at the Hollywood Bowl in Hollywood, California.A 1968 concert given by the rock group The Doors at the Hollywood Bowl in Hollywood, California.A 1968 concert given by the rock group The Doors at the Hollywood Bowl in Hollywood, California.
Avaliações em destaque
Have loved The Doors since I was a teenager and still do, despite not enjoying this.
I don't think The Doors were ever known for truly magnificent live performances. This isn't one of them either. I'm surprised by many of the rave reviews about this. I can only imagine those reviewers had dropped even more acid than Jim Morrison. Perhaps that was half my problem. Having 10 years of sobriety perhaps isn't the best preparation heading into this.
But you shouldn't need to be whacked on drugs to enjoy good music. This just came across like a bunch of young, pretentious art students who had discovered acid over their summer break. Unconvincing in its delivery, The Doors more closely resemble a garage band jamming in their Mum's garage here. Occasionally they seem to remember they're performing in front of an audience, which is where the sudden, occasional wailing screams of Jim Morrison abruptly jolt our attention back.
I loved Hello I Love You, Alabama Song and Back Door Man. Light My Fire was alright too, despite Morrison's clear dislike of it. I was relieved when the rest of the show was over though, which is disappointing. I'll stick to playing their records in my bedroom instead.
I don't think The Doors were ever known for truly magnificent live performances. This isn't one of them either. I'm surprised by many of the rave reviews about this. I can only imagine those reviewers had dropped even more acid than Jim Morrison. Perhaps that was half my problem. Having 10 years of sobriety perhaps isn't the best preparation heading into this.
But you shouldn't need to be whacked on drugs to enjoy good music. This just came across like a bunch of young, pretentious art students who had discovered acid over their summer break. Unconvincing in its delivery, The Doors more closely resemble a garage band jamming in their Mum's garage here. Occasionally they seem to remember they're performing in front of an audience, which is where the sudden, occasional wailing screams of Jim Morrison abruptly jolt our attention back.
I loved Hello I Love You, Alabama Song and Back Door Man. Light My Fire was alright too, despite Morrison's clear dislike of it. I was relieved when the rest of the show was over though, which is disappointing. I'll stick to playing their records in my bedroom instead.
Morrison is some force in himself and there are some nice moments, but mainly this just comes across as boring, massively self absorbed and pretentious. Like a bad university poetry slam with noodly muso accompaniment.
I've said all I have to say but apparently a short and concise review is against the rules so I have to write this meaningless extra verbiage oh god still over 200 more characters to go. What a total waste of time to force people to write so much when so little will actually encapsulate one's actual feelings. When I run out of characters I'm just going to stop, but until then I.
I've said all I have to say but apparently a short and concise review is against the rules so I have to write this meaningless extra verbiage oh god still over 200 more characters to go. What a total waste of time to force people to write so much when so little will actually encapsulate one's actual feelings. When I run out of characters I'm just going to stop, but until then I.
To see a complete concert from the Doors is like taking a wild trip into a different frame of mind in rock and roll, when you could see just about anything on stage creatively. This concert, from 1968 in Hollywood, is the band in their utmost prime. With the Doors you get the strange, overpowering presence and lead-man power of Jim Morrison, who gets in such a frame of mind during his sets one wonders if he puts himself in a trance (or maybe not- before 'The End' plays, he tries to tell the lighting people to fix something, and it becomes a little comical). Bottom line is that the concert features the best of the Doors live, and for especially the more blues-driven rock fans, there are some great numbers of 'Alabama Song', 'Back Door Man', and 'Five to One'. But mostly, and this was the pleasure for me, the highlights include the longer songs- the slow, pulsating 'When the Music's Over', the classic hit 'Light my Fire' (as many times as I've heard it on the radio, it never gets old live), 'The End' being one of the Doors most notorious and beautiful epics, and their most stream-of-consciousness work 'Celebration of the Lizard' which has the distinction of having Morrison's poetry overcoming the rock parts of the song. Basically, it's one of the purest rock concert videos out there, and it may even turn on some casual observers of the Doors to check out more of the non-radio stuff like 'Lizard' and 'Spanish Caravan'. A+
You would think that a guy has famous as Jim Morrison was in the history of the rock 'n roll would be a little more dynamic.
When I saw this on VHS way back when I was expecting something exciting. I grew up with all these bands (and a lot earlier rock in the '50s). I knew the songs and I had heard about Morrison making obscene gestures, etc., in concerts. I didn't expect, or want, that but I wanted SOME visuals worth watching, otherwise why not just stick with the CDs?
Morrison might have well have been in a coma for all the animation he exhibited. What you get on this tape (or DVD) is seeing a singer grabbing on the to microphone with two hands and singing into it - nothing else. I saw more life in zombie movies.
Hey, I usually liked music of The Doors. Their songs and lyrics were dramatic and bold and exciting....everything this concert is not.
When I saw this on VHS way back when I was expecting something exciting. I grew up with all these bands (and a lot earlier rock in the '50s). I knew the songs and I had heard about Morrison making obscene gestures, etc., in concerts. I didn't expect, or want, that but I wanted SOME visuals worth watching, otherwise why not just stick with the CDs?
Morrison might have well have been in a coma for all the animation he exhibited. What you get on this tape (or DVD) is seeing a singer grabbing on the to microphone with two hands and singing into it - nothing else. I saw more life in zombie movies.
Hey, I usually liked music of The Doors. Their songs and lyrics were dramatic and bold and exciting....everything this concert is not.
The Doors' concert at the Hollywood Bowl was very easily one of their finest moments. This performance was once thought to have been lost but I for one am very grateful that it was discovered and released on video for all their fans to see because it's an awesome showcase of the Doors captivating their audience as only they knew how. Most definitely a must have for any fan.
Você sabia?
- CuriosidadesJim Morrison had taken LSD prior to going on stage. The effects become noticable during the set. John Densmore commented that "I felt something was a bit off, Jim would come in early or late in different sections of the song."
- Versões alternativasThe Special Edition released in 2021, in celebration of L.A. WOMAN, includes a brand-new musical performance and a conversation with John Densmore, Robby Krieger and Doors Manager, Jeff Jampol, filmed exclusively for the big screen. It was also remastered in Dolby ATMOS® and 5.1 surround sound by Bruce Botnick, the original engineer & mixer for The Doors who recorded the live performance at the Hollywood Bowl in 1968 and co-produced L.A.WOMAN. Meticulously restored from original camera negatives and remixed and mastered using original multi-track tapes, "The Doors: Live At The Bowl '68 Special Edition" features the concert in its entirety, including "Hello, I Love You", "The WASP (Texas Radio and the Big Beat)", "Light My Fire" and "The End".
- ConexõesEdited into The Doors Collection (1999)
- Trilhas sonorasWhen the Music's Over
Written by The Doors
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- The Doors: Live at the Bowl '68
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- Orçamento
- US$ 600.000 (estimativa)
- Tempo de duração
- 1 h 11 min(71 min)
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- Mixagem de som
- Proporção
- 1.78 : 1
- 1.33 : 1
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