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War Comes to America

  • 1945
  • Not Rated
  • 1 h 10 min
AVALIAÇÃO DA IMDb
6,8/10
880
SUA AVALIAÇÃO
War Comes to America (1945)
DocumentaryWar

Adicionar um enredo no seu idiomaPart VII of the "Why We Fight" series of wartime documentaries. This entry attempts to describe the factors leading up to America's entry into the Second World War.Part VII of the "Why We Fight" series of wartime documentaries. This entry attempts to describe the factors leading up to America's entry into the Second World War.Part VII of the "Why We Fight" series of wartime documentaries. This entry attempts to describe the factors leading up to America's entry into the Second World War.

  • Direção
    • Frank Capra
    • Anatole Litvak
  • Roteiristas
    • Julius J. Epstein
    • Adolf Hitler
    • Emma Lazarus
  • Artistas
    • Dean Acheson
    • General Bergeret
    • Adolf A. Berle
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    880
    SUA AVALIAÇÃO
    • Direção
      • Frank Capra
      • Anatole Litvak
    • Roteiristas
      • Julius J. Epstein
      • Adolf Hitler
      • Emma Lazarus
    • Artistas
      • Dean Acheson
      • General Bergeret
      • Adolf A. Berle
    • 11Avaliações de usuários
    • 1Avaliação da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória no total

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    • Direção
      • Frank Capra
      • Anatole Litvak
    • Roteiristas
      • Julius J. Epstein
      • Adolf Hitler
      • Emma Lazarus
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários11

    6,8880
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    Avaliações em destaque

    10Bunuel1976

    WHY WE FIGHT: WAR COMES TO America (Frank Capra & Anatole Litvak, 1945) ****

    This is the seventh and last entry in the celebrated documentary series WHY WE FIGHT, dealing with the main events of WWII while it was still raging; ironically, it was the only one I had not watched until now since, when the cycle was broadcast on Italian TV (around 23:00) back in the early 1990s, this episode was never proposed! In retrospect, I wonder whether the station thought it was a two-part film and aborted the screening after they failed to track down its alleged continuation – because, as a matter of fact, the copy I now watched myself actually bore the tell-tale "Part One" on the opening title-card and "End Of Part One" on the concluding one!; the thing is that no source that I know of ever mentions a follow-up to it and, indeed, there exist on "You Tube" prints which omit this bit of misinformation entirely!

    Anyway, back then, I recall enjoying this incredibly informative yet highly entertaining franchise and, having caught up with its final segment, I can safely consider this – collectively – as perhaps the greatest documentary ever made. Many efforts of its ilk and era date because they tend to treat the authentic footage with extra reverence and a certain amount of detachment – so that you feel no different than if you had read about it in a history book! Here, however, all the resources of the medium (including animation) are put at the disposal of the film-makers to provide a comprehensive look at the birth of America all the way up to the infamous attack on Pearl Harbor – taking care to explain what it was really up to during its curious period of neutrality – yet one is never bothered by its being a lecture, because the images and the commentary (spoken by Walter Huston and Lloyd Nolan) balance the necessary gravity with an infectious wryness, not to mention an evident passion.

    The latter would seem misplaced, i.e. an attempt to sell the idea of America as the greatest nation on Earth, if it were not acknowledged early on that, after all, the country was basically composed of virtually every ethnic group imaginable! Ultimately, one has to admit that Frank Capra – forever the champion in his films of the little guy facing apparently insurmountable odds – was the ideal director to tackle this documentary series and make an enduring classic of it.
    5planktonrules

    Rather dated and heavy-handed

    This is the final installment of the "Why We Fight" series--a group of seven films made by Frank Capra in order to bolster the war effort. Some of these films have held up well, though I think "War Comes to America" hasn't--and is a weak entry to the series. Most of this is because the narration is very heavy-handed. Subtle, its message isn't and it came out just before the war in the Pacific ended.

    The film begins with a brief history of the United States. Then, what follows is a long litany of reasons the US is the bestest place to live on the planet. While much of this is true, it's message goes on way too long and is like a long and boring civics lesson. Even back in 1945, I am pretty sure a lot of folks in the audience felt similarly. Then, tons of documentary footage follows about the war and our reasons for becoming involved in it.

    The film probably did a lot to help the war effort but, frankly, there are much better documentaries about the same subjects. The film lacks subtlety and comes across like a pep rally as opposed to a documentary. This one just hasn't held up very well.
    10Quinoa1984

    like other films in the Why We Fight series, utterly sincere, extremely well-directed

    In this final segment of the Why We Fight documentary series, War Comes to America, director Frank Capra puts the focus on America and how it got into World War II. It's no less well-directed than the various other films, or providing in some choice historical goodies. But what makes it stand-out, surprisingly, is how much historical value it has for today, as a document of its time and for people who may have not paid attention to every second in their school history class. At first the film tells us things that we basically already know, what America's good for, our liberties (you may see a bell from time to time saying this), and there's the token image of children practicing the Pledge of Alegiance (and pre "Under God" inclusion!)

    Then we get the real meat of the run-time of this relatively short documentary, which is about America's reactions in the 1930's and up to 1940 and 1941 all the way until December 7th at Pearl Harbor. This footage is riveting stuff, even if it is meant, at the time (albeit already by 1945 near the end of things) propaganda for the US Army. It becomes a truly interesting capsule as to the statistical information of how Americans felt about getting involved with the affairs of the Europeans, which side to take or how much with the Nazis, and then how much sympathy to have for the Chinese during their assault from Japan. I'm reminded of today in news when getting all of these polls on various topics, and Capra builds up a staggering time-line. For anyone who thought that America only got involved in World War Two simply for Pearl Harbor need to see this movie.

    As usual the footage from various politician speeches, of course FDR, and finally some of the footage of how we got involved in 1941 (even before Pearl Harbor America was preparing their alliance with England and other nations to give them weapons), is excellent and well edited and shot. It's emotional uprising is at just a fine pitch for its time and place, and Capra knows how to get someone, anyone, wanting defeat for the Nazis and Japanese riled up for the just cause. Whether it may leave some things out is arguable, albeit in a 70 minute running time there is only so much they can show. But for what it's worth, it's a superb conclusion to this series, bringing it back around from the Prelude to War segment to remind soldiers (or anyone else watching) Why We Fight.
    10tavm

    War Comes to America is excellent conclusion to Frank Capra's Why We Fight series

    Today is November 10. That's Veteran's Day for this year since the usual 11th fell on a Saturday. It's for this occasion that I chose to watch the last of Frank Capra's Why We Fight series: War Comes to America. Walter Huston serves as the elder statesman narrator giving the history of our country from Plymoth Rock to Pearl Harbor. He tells how people of most nationalities have helped to make our country great and how we suffered and triumphed. Through a combination of news footage and recreations we also see what actions from Germany and Japan led us to battle with them. There's also some wonderful use of songs like Gershwin's Rhapsody in Blue, Kern and Hammerstein's The Last Time I Saw Paris (with vocals that sound like Judy Garland), and Berlin's This is the Army. So to anyone who wants to watch what it was like in the mid-20th century, I highly recommend War Comes to America. Oh, and if you happen to meet a veteran, by all means thank him or her!
    mermatt

    A rousing conclusion to the "Why We Fight" series

    This is the 7th and final film in Frank Capra's series "Why We Fight." It sums up the historical and ideological information that was presented in greater detail during the other six films. It is also a rousing summation of what democracy means to Americans and why they must fight to save it, not only for themselves but also for the whole world.

    Walter Huston's grandfatherly voice is used effectively to narrate most of the film with a deftly written script. In the hands of a lesser film maker, the materials presented here would be nothing but propaganda on the level used by Hitler. But Capra stirs the spirit at the same time that he is making his point -- namely, freedom is not something that can be taken for granted. Capra skillfully makes his point that if free people don't stand up for themselves, they will likely be crushed by all the darker elements in human nature -- greed, lust for power, and tyranny.

    The imagery, the music, and the narration are completely effective and have stood the test of time. Even though the events which this film and the whole series cover have passed, Capra's point about the American Dream and how fragile it is remains relevant and powerful.

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    Enredo

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    Você sabia?

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    • Curiosidades
      In the year 2000, the United States Library of Congress mandated that this film (and the other six documentaries in the 'Why We Fight' series)were "culturally significant" and selected them for preservation in the National Film Registry.
    • Erros de gravação
      Twice there appears an animated clip showing about a dozen fully-equipped US troops in gray silhouette marching briskly left to right over a background graphic; however, a close look shows the "soldiers" actually wearing narrow-brimmed office-worker-style civilian hats rather than army helmets.
    • Citações

      [the film explains the dire consequences for the United States of an Axis victory in Eurasia]

      Narrator: German conquest of Europe and Africa would bring all their raw materials, plus their entire industrial development, under one control. Of the two billion people in the world, the Nazis would rule roughly one quarter, the 500 million people of Europe and Africa, forced into slavery to labor for Germany. German conquest of Russia would add the vast raw materials and the production facilities of another of the world's industrial areas, and of the world's people, another 200 million would be added to the Nazi labor pile. Japanese conquest of the Orient would pour into their factory the almost unlimited resources of that area, and of the peoples of the earth, a thousand million would come under their rule, slaves for their industrial machine. We in North and South America would be left with the raw materials of three-tenths of the earth's surface, against the Axis with the resources of seven-tenths. We would have one industrial region against their three industrial regions. We would have one-eighth of the world's population against their seven-eighths. If we, together with the other nations of North and South America, could mobilize 30 million fully equipped men, the Axis could mobilize 200 million. Thus, an Axis victory in Europe and Asia would leave us alone and virtually surrounded, facing enemies ten times stronger than ourselves.

    • Conexões
      Edited from The Negro Soldier (1944)
    • Trilhas sonoras
      Rhapsody in Blue
      (uncredited)

      Music by George Gershwin

      Played during the Modern America montage

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    Detalhes

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    • Data de lançamento
      • 14 de junho de 1945 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Why We Fight, 7
    • Empresa de produção
      • U.S. Army Pictorial Services
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 10 minutos
    • Cor
      • Black and White
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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