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Coração de Cavaleiro

Título original: A Knight's Tale
  • 2001
  • 12
  • 2 h 12 min
AVALIAÇÃO DA IMDb
7,0/10
213 mil
SUA AVALIAÇÃO
POPULARIDADE
1.162
55
Heath Ledger in Coração de Cavaleiro (2001)
Home Video Trailer from Columbia Pictures
Reproduzir trailer2:22
7 vídeos
99+ fotos
Romance alegreAçãoAventuraDramaRomance

Após a morte de seu mestre, um escudeiro, alimentado por seu desejo de alimento e glória, cria uma identidade para si como cavaleiro.Após a morte de seu mestre, um escudeiro, alimentado por seu desejo de alimento e glória, cria uma identidade para si como cavaleiro.Após a morte de seu mestre, um escudeiro, alimentado por seu desejo de alimento e glória, cria uma identidade para si como cavaleiro.

  • Direção
    • Brian Helgeland
  • Roteirista
    • Brian Helgeland
  • Artistas
    • Heath Ledger
    • Mark Addy
    • Rufus Sewell
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    213 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.162
    55
    • Direção
      • Brian Helgeland
    • Roteirista
      • Brian Helgeland
    • Artistas
      • Heath Ledger
      • Mark Addy
      • Rufus Sewell
    • 757Avaliações de usuários
    • 125Avaliações da crítica
    • 56Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 4 vitórias e 13 indicações no total

    Vídeos7

    A Knight's Tale
    Trailer 2:22
    A Knight's Tale
    A Knight's Tale Additional Scene
    Clip 1:09
    A Knight's Tale Additional Scene
    A Knight's Tale Additional Scene
    Clip 1:09
    A Knight's Tale Additional Scene
    A Knight's Tale Scene: We Will Rock You
    Clip 0:58
    A Knight's Tale Scene: We Will Rock You
    A Knight's Tale Scene: Training
    Clip 0:58
    A Knight's Tale Scene: Training
    A Knight's Tale Scene: Concentrate
    Clip 0:55
    A Knight's Tale Scene: Concentrate
    A Knight's Tale: Epk
    Featurette 4:37
    A Knight's Tale: Epk

    Fotos166

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    Elenco principal38

    Editar
    Heath Ledger
    Heath Ledger
    • William Thatcher
    Mark Addy
    Mark Addy
    • Roland
    Rufus Sewell
    Rufus Sewell
    • Count Adhemar
    Shannyn Sossamon
    Shannyn Sossamon
    • Jocelyn
    Paul Bettany
    Paul Bettany
    • Geoffrey Chaucer
    Laura Fraser
    Laura Fraser
    • Kate
    Alan Tudyk
    Alan Tudyk
    • Wat
    Bérénice Bejo
    Bérénice Bejo
    • Christiana
    • (as Berenice Bejo)
    Scott Handy
    Scott Handy
    • Germaine
    James Purefoy
    James Purefoy
    • Colville
    Leagh Conwell
    Leagh Conwell
    • Young William Thatcher
    Christopher Cazenove
    Christopher Cazenove
    • John Thatcher
    Steven O'Donnell
    Steven O'Donnell
    • Simon the Summoner
    • (as Steve O'Donnell)
    Jonathan Slinger
    Jonathan Slinger
    • Peter the Pardoner
    Nick Brimble
    Nick Brimble
    • Sir Ector
    Karel Dobrý
    Karel Dobrý
    • Flanders King of Arms
    Philip Lenkowsky
    Philip Lenkowsky
    • Rouen King of Arms
    Roger Ashton-Griffiths
    Roger Ashton-Griffiths
    • Old Bishop
    • Direção
      • Brian Helgeland
    • Roteirista
      • Brian Helgeland
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários757

    7,0213.4K
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    10

    Avaliações em destaque

    9bhirschi42

    More accurate than you might think

    The first time I saw A Knight's Tale (on cable, missed it in theater), I had the same reaction as many of you - Queen? David Bowie? In a movie set in the middle ages?

    But I stayed with it, and I'm glad I did. Once you get past the glaring anachronisms (put in the film on purpose, of course), you find the movie is actually quite true to its period.

    The presence of Chaucer in the film, combined with some of its details, leads me to suspect that Brian Helgeland has read "Chaucer's Knight" by fellow filmmaker Terry Jones (of Monty Python fame). The book deconstructs the knight in Chaucer's "The Knight's Tale" in a totally unique way -- he is seen NOT as the flower of medieval chivalry (as most scholars have interpreted him), but as a mercenary out for nothing but money and blood. The character in the film Chaucer would have written about, then, is not Sir William Thatcher (Heath Ledger), but Count Adhemar of Anjou (Rufus Sewell).

    The part of the film in which this connection "clicked" for me was the scene where Count Adhemar is called away to his command in a "Free Company" -- a particular stain on the reputation of knighthood which Jones talks extensively about in his book.

    Jones' book made use of extensive research into medieval history, and Helgeland's film obviously does, too.

    Chaucer was a master of satire in his day. Helgeland's use of modern conventions in a period film is a conceit of which - I believe - Chaucer would definitely have approved.

    I gave "A Knight's Tale" 9 out of 10 - it's not perfect, but I like it so much, I try to watch it every time it comes on (it's been on HBO and Cinemax pretty regularly for the past several months). Check it out!
    8HelenMary

    This film was weighed measured and not found wanting at all

    This film shows without any quibbling just how bright the star of Heath Ledger was. He is luminous in this; beautiful, funny, physical and engaging. He plays excellently against the stunning Shannyn Sossamon, who fits perfectly into the modern medieval setting of this film. Set in the C14th a man of poor birth but sharp intellect rises through the ranks of page-dom with the desire to become a nobleman for food, fame, glory and love.

    An impressive ensemble cast including the superior Paul Bettany (Chaucer - you can see he had fun with this rather exposing (!) role), Rufus Sewell, Mark Addy, Christopher Cazenove, James Purefoy and Alan Tudyk provides a film that is nigh-on flawless for cinematography that is exciting and gripping, the screenplay - the script - is amazing, laugh out loud funny all the way through. It's one of those films which require certain intelligence to get all the asides and witticisms, or numerous viewings to pick up on all of them, otherwise its still a funny and enjoyable film. With something for everyone this film is a joy to watch again and again, it's also attractive visually - many points to the costumers who mixed historical fashion with a modern edgy almost punk twist. Ditto the soundtrack - mixing in modern music was a clever touch, similar to Romeo and Juliet (Baz Luhrmann), and also an interesting look at fame and the cult of celebrity.

    A great viewing experience which sometimes even brings a tear to my eye. If you don't enjoy this film, there's something wrong with you. Ignore the haters, it's not supposed to be historically accurate or high-brow! Sometimes a feel-good, comfortable, Disney-esque story arc is just what you want.
    7kergillian

    Could've been an absolute bomb, but somehow magically works perfectly!

    this film is ridiculously unbelievable, thin on plot, shamefully predictable, historically inaccurate in so many ways...yet it all works! The combination of modern music to medieval setting should be awful, but no, it works! The costumes are totally wrong for the period (on purpose I'd hazard to guess - at one point Angelina Jolie lookalike Shannyn Sossamon is wearing a hat & dress outfit that looks startlingly similar to a costume Julia Roberts wore in Pretty Woman...) but it works! Heath Ledger is an Aussie (what happened to the black hair he had in 10 Things I Hate About You! I didn't recognize him!) and Alan Tudyk is a Texan, so their accents should have tanked! But they didn't, just a few slippages a la Mel Gibson in Braveheart or Jonny Lee Miller in Hackers...

    This film is funny, fast-paced (certainly didn't *feel* over 2h...), well constructed, hilariously tongue-in-cheek (From the We Will Rock You opening scene to the Nike swooshes on the armor I couldn't stop laughing!) It certainly has its problems (including some *horribly* cheezy lines - most on purpose but that doesn't make them any less horrible! and an evil Hollywood ending - including a Bravheart-like scream of defiance in the final joust that made me cringe...) but those problems are overcome by sharp wit and consistent amusement. The actors were obviously enjoying themselves, and the action was beautifully blended in with the rest of the film. None of the jousting scenes were too long (like, say, the race in Phantom Menace...) and all were shot in such a way as to make them really exciting!

    And I have to laud Paul Bettany who was an incredible and incredibly amusing Geoffrey Chaucer...even though he looks eerily similar, IMO, to Thom Yorke...)

    Kudos to anyone who recognizes Laura Fraser (the blacksmith) from Man in the Iron Mask...

    Overall: A great watch. I went in expecting little and came out extremely satisfied. Not the best film of its kind, but a head above most. And the blending of contemporary style and music and characterization with the medieval story/setting is really well done. It really shouldn't but it does work! 7/10.
    9Sliperrymoves

    This film should not be any one's favourite film of ALL TIME...

    But it is mine.

    All HUGE heart, loyal friendship and REAL character WITH real characters. And a whole lot of fun and good laughs.

    Just, love it for what it is.
    alancrennell

    If you want to watch a serious film, don't watch this!

    Totally unbelievable.

    Chronologically, historically and geographically incorrect.

    Full of innumerable inaccuracies and made up of a cast who talk as though they are not from the same continent, let alone the same country! What more can I say?

    I tell you what I can say, I thoroughly enjoyed it!!! I laughed from beginning to end and was enraptured by the sense of friendship that these people displayed.

    I only wish we could all be like them!

    I loved it.

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    Drama
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    Romance

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      When Chaucer first introduces "Sir Ulrich" in his speech, the crowd doesn't react at first because the Czech extras didn't understand it. Mark Addy's loud prompt tipped them off to start cheering. The awkward moment was left in because it made the scene funnier.
    • Erros de gravação
      This is a satirical romance, not a historical documentary. While nominally set in the middle of the 14th century (when Edward the Black Prince and Geoffrey Chaucer were active), it freely amalgamates the costume, custom and slang of many different centuries to create a unique world. The Chaucer character (who mentions his signature Canterbury Tales) bears almost no resemblance to his historical counterpart. Matte replicas of the London Eye and the Eiffel Tower are included to drive home the anachronistic intentions.
    • Citações

      Chaucer: You're good. You're very good. My lords, my ladies, and everybody else here not sitting on a cushion!

      [crowd roars]

      Chaucer: Today... today, you find yourselves equals.

      [crowd roars]

      Chaucer: For you are all equally blessed. For I have the pride, the privilege, nay, the pleasure of introducing to you to a knight, sired by knights. A knight who can trace his lineage back beyond Charlemagne. I first met him atop a mountain near Jerusalem, praying to God, asking his forgiveness for the Saracen blood spilt by his sword. Next, he amazed me still further in Italy when he saved a fatherless beauty from the would-be ravishing of her dreadful Turkish uncle.

      [crowd, boo]

      Chaucer: In Greece he spent a year in silence just to better understand the sound of a whisper. And so without further gilding the lily and with no more ado, I give to you, the seeker of serenity, the protector of Italian virginity, the enforcer of our Lord God, the one, the only, Sir Ulllrrrich von Lichtenstein!

      [crowd roars]

      Chaucer: Thank you, thank you, I'll be here all week.

    • Cenas durante ou pós-créditos
      After the credits finish, Roland, Wat, Kate, and Geoff have a flatulence contest/drinking game. Wat loses, but Kate is the obvious winner.
    • Versões alternativas
      There is a slight difference between the UK cinema version and the UK DVD release. In the cinematic release, the queen/Robbie Williams version of We Are The Champions starts playing when William and Jocelyn kiss just before the credits, whereas the DVD release has a different song play. However, We Are The Champions still plays over the last half of the credits.
    • Conexões
      Featured in HBO First Look: The Making of 'A Knight's Tale' (2001)
    • Trilhas sonoras
      We Will Rock You
      Written by Brian May

      Performed by Queen

      Courtesy of Hollywood Records and Courtesy of EMI Records UK Ltd.

    Principais escolhas

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    Perguntas frequentes20

    • How long is A Knight's Tale?Fornecido pela Alexa
    • What is the most repeated line in this movie?
    • What are the differences between the Theatrical Version and the Extended Cut?
    • What song is playing when William is dancing with Jocelyn?

    Detalhes

    Editar
    • Data de lançamento
      • 21 de setembro de 2001 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Francês
      • Latim
    • Também conhecido como
      • Corazón de caballero
    • Locações de filme
      • Barrandov Studios, Praga, República Tcheca(Studio)
    • Empresas de produção
      • Columbia Pictures
      • Escape Artists
      • Finestkind
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 65.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 56.569.702
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 16.511.391
      • 13 de mai. de 2001
    • Faturamento bruto mundial
      • US$ 117.487.657
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 12 min(132 min)
    • Cor
      • Color
    • Mixagem de som
      • DTS
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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