Coração de Cavaleiro

I first saw "A Knight's Tale" by chance. A few of us had decided on an ad hoc visit to the local cinema and selected "A Knight's Tale" simply because it sounded the least "teen" movie on the bill. We slapped down our cash and took our seats.

The movie began...

A crowd of peasants are assembled to watch the jousting. And they're singing "We Will Rock You."

My initial response was "God, this is going to be bad."

But as the movie continued, it suddenly dawned on me - I wasn't hating the movie at all! On an intellectual level, I should have been booing and throwing stuff at the screen but there's something about the sheer verve and energy of "A Knight's Tale" that just drags you in on an emotional level.

A clever script with many modern references, a good cast of likeable characters and a fantastic soundtrack (the reveal of "Golden Years" is particularly good) all add up to make "A Knight's Tale" one of the most entertaining mainstream movies I've seen in a long time.

Normally I hate "popcorn" movies - not because I consider them "low brow" or an insult to the intelligence, but because they're shallow, tired and lack soul. Yet "A Knight's Tale" is different. No, it won't change your life and it won't make you ponder your place in the universe. But it will entertain you.

If you're looking for an "old fashioned" good vs. evil movie with a twist, or your copy of "The Princess Bride" is wearing thin, check out "A Knight's Tale."

8/10

Brian Helgeland's A Knight's Tale is a hugely entertaining medieval romp set to modern rock classics such as Queen's 'We Will Rock You' and Thin Lizzy's 'The Boys are Back in Town'. The movie urges you to join in the fun with recognisable songs that is a jarring juxtaposition to the 14th century goings on at first but you soon get used to the idea.

Heath Ledger is excellent as the peasant who wants to be a knight and, upon meeting a homeless writer, who turns out to be Chaucer, offers to forge papers so that Ledger can bluff his way into the annual jousting competition to prove his worth as a knight and finds romance along the way.

This film has everything - action, adventure, comedy, romance and rock songs. It's feel good entertainment and Helgeland's unique approach still feels fresh, sassy and on point. Ledger is surrounded by a good supporting cast of Paul Bettany, Rufus Sewell, Mark Addy, Shannyn Sossamon and James Purefoy.

It's the perfect mix of a smart witty script, solid acting and an off kilter approach that really works. Baz Luhrmann pulled a similar trick with both Romeo & Juliet (1996) and Moulin Rouge (2001) by mixing up period pieces with modern songs to serve the narrative in an unconventional way.

Totally unbelievable.

Chronologically, historically and geographically incorrect.

Full of innumerable inaccuracies and made up of a cast who talk as though they are not from the same continent, let alone the same country! What more can I say?

I tell you what I can say, I thoroughly enjoyed it!!! I laughed from beginning to end and was enraptured by the sense of friendship that these people displayed.

I only wish we could all be like them!

I loved it.

The first time I saw A Knight's Tale (on cable, missed it in theater), I had the same reaction as many of you - Queen? David Bowie? In a movie set in the middle ages?

But I stayed with it, and I'm glad I did. Once you get past the glaring anachronisms (put in the film on purpose, of course), you find the movie is actually quite true to its period.

The presence of Chaucer in the film, combined with some of its details, leads me to suspect that Brian Helgeland has read "Chaucer's Knight" by fellow filmmaker Terry Jones (of Monty Python fame). The book deconstructs the knight in Chaucer's "The Knight's Tale" in a totally unique way -- he is seen NOT as the flower of medieval chivalry (as most scholars have interpreted him), but as a mercenary out for nothing but money and blood. The character in the film Chaucer would have written about, then, is not Sir William Thatcher (Heath Ledger), but Count Adhemar of Anjou (Rufus Sewell).

The part of the film in which this connection "clicked" for me was the scene where Count Adhemar is called away to his command in a "Free Company" -- a particular stain on the reputation of knighthood which Jones talks extensively about in his book.

Jones' book made use of extensive research into medieval history, and Helgeland's film obviously does, too.

Chaucer was a master of satire in his day. Helgeland's use of modern conventions in a period film is a conceit of which - I believe - Chaucer would definitely have approved.

I gave "A Knight's Tale" 9 out of 10 - it's not perfect, but I like it so much, I try to watch it every time it comes on (it's been on HBO and Cinemax pretty regularly for the past several months). Check it out!

I'd read that Brian Helgeland had been soured by the movie industry due to his mistreatment on his film, "Payback." I use "his film" in the most liberal sense here, as star Mel Gibson wrestled control of the film from Helgeland and imposed his own view on the final editing process. With this situation in mind, I fully expected "A Knight's Tale" to be a creative response to that negative filmmaking experience, a fun and free film that thumbed its nose at tradition and set style and which allowed the director's true vision to shine through with no outside interference. And my friends, that's exactly what I got when I first sat down to watch in back in 2001. "A Knight's Tale" celebrates the classic and vastly misused/underused genre of medieval movies, while at the same time knocking the genre on its ear by instilling the film with modern themes, attitudes and a classic rock score. Sadly, it was these elements which repelled most viewers and led to "A Knight's Tale's" lackluster performance at the box office. Were these people just a little more open minded, they would have allowed themselves a wonderful movie-going experience that celebrates individuality, love, and above all else, friendship. Though the music is crucial to the uniqueness of this film (and a brilliant addition, I might add), it's the relationships amongst the characters that gives this film its heart. William and Jocelyn are the perfect couple: bickering, floundering, and absolutely in love with one another. Wat, Roland, Kate and Geoff, wonderful characters unwilling to be fopped off as simple comic reliefs, show genuine love and loyalty to William, and do as much to contribute and carry the story along as William and the other two leads accomplish. Count Adamar, the film's villain, is a wonderful foil for William. He is cunning and cruel, and even in his moments of defeat, a character to respect. In many cases, such a villain would be made to seem wimpy or, at his moment of defeat, clumsy. Not so here, as Adamar is, throughout the film, a force to be reckoned with. I suppose part of why I love "A Knight's Tale" is my ability to relate to it so personally. I've certainly had my share of challenges, and aspired to be more than what I currently was. And I've also known friendships so loyal and loving that fiction could never invent. Most significantly, I've lived the pursuit of true love and, like William, have obtained it with no small amount of satisfaction. Everyone to some degree or another has also had these experiences in their lives, and its these experiences that built the foundation of "A Knight's Tale," which is exactly what makes it such a wonderful film, more than worthy of a second chance by those who previously doubted it, and much more than worthy of a spot in any fan's movie collection.