Entre Eu e Eu Mesma

Based on the popularity of the TV show, "Six Feet Under", Rachel Griffiths is now getting the popular and critical recognition she deserves. But to really appreciate her breadth as an actress you must watch some of her earlier films, and "Me Myself I" is a good candidate. For one, it's almost a one-woman show, and Griffiths actually plays two parts.

We all wonder what would have happened if we'd made a critical life-decision differently. Driven, single professional, Pamela Drury (Griffiths), gets the chance to actually experience this 'what if'. Through some weird event, Pamela is thrust into an alternate reality where her new life is as if she had married her childhood sweetheart and settled down to some serious homemaking. At the same time, her double (the homemaker from the parallel reality), trades places with her and assumes the life of a single professional. I know it's confusing, and I can't explain it any better. If it sounds intriguing, rent the movie.

Compare the hollywoodian 'bigger than life' approach of "The Family Man" -- luxurious flat/sports car/supermodel girlfriend vs perfect family, nice house, lovely wife -- with down-to-earth approach of "Me Myself I" -- single professional woman living alone vs housewife in the suburbia. That's a script: about credible characters, a touching slice of life, real people. A pleasure to watch.

I have to admit, the only reason I watched this is because I'm a die-hard Christine Stephen-Daly fan. However, although she didn't feature in it as much as I would have liked, Rachel Griffiths provided a fairly compelling performance which kept me happy throughout the rest of the movie.

I was a little disappointed by all the characters EXCEPT Pamela though, and I'm afraid not even the girl who played Stacey can sway me on that. I felt that they were all very 2D.

I am glad I've seen the movie (if only to get a glimpse of Christine in such AWFUL tights) but I'm also glad I didn't have to pay any more than £4.99 for it.

Me, Myself, I combines two genres of romantic comedy: the "body swap" with the "what if?" story (you know, Dating the Enemy meets Sliding Doors). The film flounders a little in the first twenty minutes or so as it establishes Pamela (Rachel Griffiths), single and luckless in love. Pamela is a journalist, and has just met a fellow writer (Sandy Winton) who seems to be the perfect mate. Until she sees him with his kids... Pamela is wondering what her life would have been like if she'd married high school sweetheart Robert Dickson (David Roberts) when WHAM! she's hit by a car. She comes to in the arms of married Pamela (also Rachel Griffiths) who takes her home to her suburban house, three kids and married life with Robert.

This is writer-director Pip Karmel's first feature (she received an Oscar nomination for editing Shine). Karmel is obviously close to her material, but she's not overly protective of it - she wants us to enjoy her conception. She has the perfect star in Rachel Griffiths, who we're more used to seeing in supporting roles (most famously, Muriel's Wedding and Hilary and Jackie). She carried a film in Amy, but she played a glum, washed-out single mum. Here, she's a lot of fun. You want to know more about Pamela, and the subtle differences between the single and married Pamelas are simply, but impressively, conceived. She's well supported by David Roberts and Sandy Winton, as husband and potential boyfriend. Refreshingly for a romantic comedy, the men aren't thoroughly likeable or dislikeable. I found it easy to suspend my disbelief with Me, Myself, I. It's that rare beast: an Australian romantic comedy that's funny, and leaves you with a warm glow inside when it's over.

No denying the talents of Rachel Griffiths and her turn in this "dual" role shows that she is quite capable of carrying a film. Also, a great comic turn, with a flush of drama.

The film goes where we would all like to go, (It's a Wonderful Life style) the path not taken. Answers to the "what if's" that plague a person over time.

Terrific handling of the subject matter and great performances by the supporting cast.