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William has an overprotective mother, and his sister has already been driven away by her refusal to accept her children's ambitions and interests. William finds solace in his sister's music collection and begins to dream of a life as a rock journalist. At 15 William manages to land a assignment with Rolling Stone Magazine to interview an up and coming band called Stillwater, and he quickly finds himself immersed in the life his mother so desperately wanted to protect him from.

And so the story begins, as William tours with the band, we are taken on a journey of mistrust, discovery, deceit and disappointment; interlaced with the hard truths about the bands lifestyle of drugs, alcohol, sex and music.

Almost Famous pulls no punches, and is a deep insight into the dream that became an ambition, that became a harsh reality.

Packed with top class performances all round and great music score Almost Famous delivers, and delivers with attitude and realism that is rarely captured on film.

A must see for Fans of the genre, but there's certainly enough here for everyone.

9/10

Almost Famous (2000)

**** (out of 4)

Cameron Crowe's masterpiece about high schooler William Miller (Patrick Fugit) who gets a job with Rolling Stone to do a story on an upcoming band named Stillwater. The young and naive kid gets to go out on the road with them where he quickly grows up and sees that the world isn't always perfect. ALMOST FAMOUS is one of the greatest coming of age movies ever made and it's perhaps the greatest love story to rock 'n roll ever filmed. I think a strong argument could also be made that it's the greatest film of the decade as well. There's so much love and passion during every single scene that you can't help but see and feel that this is Crowe's baby and it's easy to see why since much of this is based on his life growing up. This film contains so many terrific moments but I think what makes it so special are the various relationships that are built on the road. This includes William trying to mix it up with the band's guitar player (Billy Crudup) who refuses to give him an interview as well as the girl (Kate Hudson) that both of them love for different reasons. The overly worried mother (Frances McDormand) is perfectly written and thrown into the story for some comic relief but even the smaller characters are so well-written and detailed that by the time the movie is over it's almost like you've seen a documentary of a real band. Crowe's direction has never been better as this film has quite a bit of different emotions going for it yet he perfectly holds it together and really makes the film take off to levels one wouldn't expect. As a fan of rock and roll you have to love the behind-the-scenes look at a tour and the various problems that come from the sex and drugs. You also have to have fun and admire this young kid being able to go out on the road as this would be an ultimate dream job for many. The film mixes in some terrific music but the highlight is of course 'Tiny Dancer' from Elton John, which is without question one of the best and most magical scenes from any movie. The performances are all a major plus from the bigger acts to the smaller roles. Everyone fits their roles perfectly and help bring the story to life. ALMOST FAMOUS is a flawless picture that just keeps getting better with each new viewing. Some say the film is too soft and should have attacked the music harder or been more raw but I really disagree with these comments. The film is a love story to the music and one of the greatest out there.

Elaine (Frances McDormand) is an all-controlling weirdness mother in San Diego, and her daughter Anita (Zooey Deschanel) rebels running away. Elaine even lies to her son William Miller (Patrick Fugit) about his age skipping grades. Anita leaves behind her collection of records for him. Then forward to 1973, William is a 15 year old high school music geek who has written a few things for magazines. Lester Bangs (Philip Seymour Hoffman) is his all-talk mentor. While trying to interview Black Sabbath, he befriends Band-aid Penny Lane (Kate Hudson). Then he meets Russell Hammond (Billy Crudup) and the band Stillwater. A few praises and he's in with the band. Then Rolling Stone magazine calls.

This is based on director Cameron Crowe's life as a young Rolling Stone reporter. As such, it has an air of truth in this fictional account. It hits all the correct notes. It is fun, poignant, and heart warming in all the right places. Kate Hudson is an instant star. The music is wonderful. It won the Oscar for best writing, but I would pick this over any of the best picture nominees. It is simply better than the best of that year.

Young Patrick Fugit, a talented juvenile writer, gets a once in a lifetime opportunity, to travel with a mid level rock band as a journalist. If the piece is good, Rolling Stone may pick it up and his career is made. Trying to pin the band down for an interview, especially the deliberately elusive leader, Billy Crudup is harder than you would think. These guys in the band Stillwater are Almost Famous, they're just a step away, but it's hard step to take.

Billy Crudup is one of the best players around today and it's his portrayal of Russell Hammond, lead singer of Stillwater on which the film pivots. It's a very complex role and we see all sides of Russell Hammond, talented, charismatic, loyal, self indulgent, hedonistic, it's all there and whole lot more. Just how honest can young Mr. Fugit be and where does being a fan stop and being a journalist start. Fugit may not know, but the band members keep asking the question.

Kate Hudson is around and does very well as the girl 'Penny Lane' who follows Stillwater. She's not a groupie, the term she prefers is Band Aide. And Frances McDormand is around as Fugit's mom who is constantly checking in on her son to see that he doesn't enjoy too much of the good life on the rock scene.

Almost Famous is a very graphic picture of the rock scene of the mid Seventies. Director Cameron Crowe did a great job capturing the mood of the times as well as good performances from the cast. Still it's Billy Crudup's picture and this is a must for his fans.

Finally, a movie worth the full price of a ticket! Almost Famous is Cameron Crowe's semi-autobigraphical story of an aspiring rock journalist who goes on tour with a band in the 1970's. If it sounds familiar, it's probably because the story is hardly new. There have been dozens of movies made about the rock and roll lifestyle: the drugs, the sex, the fights, and all the bumps on the road to success.

So what sets Almost Famous apart? The acting, for one. Frances McDormand was brilliant as William's (newcomer Patrick Fugit) well-meaning but overbearing mother. Fugit, for his part, had a convincing performance as the shy, awkward teenager struggling to be a journalist but at the same time aching to belong. Kate Hudson, in her breakout role as groupie "Penny Lane", gave her character depth beyond what might have been a limiting role. And Billy Crudup, as band Stillwater's charismatic lead guitarist, shines. Jason Lee is always good, and as Stillwater's lead singer, this role is no exception. And I can't review this film without giving a shout-out to the chronically and criminally-underrated Philip Seymour Hoffman, who steals every scene he's in with his portrayal of legendary rock journalist Lester Bangs.

The writing in the film also contributes to its effect. Many of the great lines belong to McDormand but there are plenty of others to go around. In addition, the music of the era can't be beat. Everything from Simon and Garfunkle to Alvin and the Chipmunks shows up at some point in the movie's extensive musical score.

The plot may not be particularly original, but it rings true. I of course am approaching this review as a music fan and someone interested in the industry. Nonetheless, I believe that even people who couldn't care less about rock music will enjoy this movie, since it's not so much about the music as it is about life. A central theme is the conflict of William: Should he remain a detached but lonely outsider so as to be an impartial journalist, or allow himself to make friends with these people and feel like he belongs? Aside from bringing up questions of journalistic ethics, this dilemma mirrors much of what people in all wakes of life deal with daily.

Almost Famous is realistic, funny, touching, and one of those rare movies that makes you feel like you've gained something just for having seen it. It's too bad that they say rock and roll is dead, cause we could sure use more movies like this one!