The Source: The Story of the Beats and the Beat Generation
- 1999
- 1 h 28 min
AVALIAÇÃO DA IMDb
7,2/10
865
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTraces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs.Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs.Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs.
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- 3 indicações no total
Avaliações em destaque
The best (and seemingly only coherent) documentary on the Beat Generation and their affect on the world and modern literature. Its strength lies in the great plundering of archive material that doesn't restrict itself to the usual photos and clips. All three actors deliver amazing performances during the readings (esp. Dennis Hopper as Burroughs).
8/10!
8/10!
The Source takes some priceless footage of this country's seminal beat poets and traces their impact on our society over 5 generations, from the 50's up through present time. Back in the 40's a young football player named Jack Kerouac at Columbia College in New York broke his leg and spent some time talking with other intellectuals, befriending one spindly young lad named Allen Ginsberg. Eventually they met up with another fellow named William S. Burroughs. From this small kernal sprang a movement that begat or aided in the progress of other movements throughout the past 50 years.
Piecing together footage from home movies, interviews, TV shows, films, and many other sources, Workman has built a very effective argument for this thesis: young intellectuals sharing thoughts about humankind's existence and our reason for being. It was right after the atomic bomb had been dropped. Film noir reflected the country's fears and anxieties. The world was no longer what it seemed. Existentialism and intellectualism were entering a new phase in society, and a group of free thinkers were born. Kerouac published a book which gave this group a name - "beats." Thus the beatnik was born. Gone. Crazy. Hip. Far out. Anything that questioned authority or existence, whether art, music, poetry, writing, performance...anything.
Strangers in their own country, these restless explorers were considered too weird for maintstream society, and were largely ignored or shunned. Eventually beatniks were accepted for what they were, evolving into "hippies." The movements of the 60's gave us "special interest groups" - gay & lesbian groups, the feminist movement, and others that owe a debt of gratitude to the free thinking beats.
Piecing together footage from home movies, interviews, TV shows, films, and many other sources, Workman has built a very effective argument for this thesis: young intellectuals sharing thoughts about humankind's existence and our reason for being. It was right after the atomic bomb had been dropped. Film noir reflected the country's fears and anxieties. The world was no longer what it seemed. Existentialism and intellectualism were entering a new phase in society, and a group of free thinkers were born. Kerouac published a book which gave this group a name - "beats." Thus the beatnik was born. Gone. Crazy. Hip. Far out. Anything that questioned authority or existence, whether art, music, poetry, writing, performance...anything.
Strangers in their own country, these restless explorers were considered too weird for maintstream society, and were largely ignored or shunned. Eventually beatniks were accepted for what they were, evolving into "hippies." The movements of the 60's gave us "special interest groups" - gay & lesbian groups, the feminist movement, and others that owe a debt of gratitude to the free thinking beats.
"The Source" is witty, intelligent and fun. This is a nostalgic romp through our Cultural History that will entertain and validate anyone who has felt alien in this culture. The directive is to enjoy.
This film is simply a love letter to the three writers Allen Ginsburg, Jack Kerouac, and William Burroughs. The film offers no dissenting viewpoints, and provides very little evidence to back up its claims that these three men were somehow 'The Source' for all counter culture movements that followed them.
This is a preposterous claim. The Beats were simply part of a long tradition of counter culture art that began in earnest in the mid 19th Century.
Anyways, outside of some sloppy history, the film does at least seem to capture the spirit of who the Beats were. What it fails to do, however, is convince me that I should still actually care who they were. So, for a fan this film will be a joy ride, but for people, like me, who have always been somewhat ambivilant about the Beats, it doesn't do much convincing.
This is a preposterous claim. The Beats were simply part of a long tradition of counter culture art that began in earnest in the mid 19th Century.
Anyways, outside of some sloppy history, the film does at least seem to capture the spirit of who the Beats were. What it fails to do, however, is convince me that I should still actually care who they were. So, for a fan this film will be a joy ride, but for people, like me, who have always been somewhat ambivilant about the Beats, it doesn't do much convincing.
The Source was the first documentary I have ever seen on the big screen beside those huge IMax films. The Source was very enjoyable film. I have always read Kerouac and Burroughs w/ much enthusiasm and this film helped me to fall in love w/ their work all over again and some more. The Beats were an aquired taste, but if you are searching for yourself (and I believe most people are) these guys can help you start. They don't show you the way but they give you a good start. This film was very insightful into the lives of these life searching nomads. See this if you enjoy their work. Even if you never read any of their stuff, see it anyway.
Você sabia?
- CuriosidadesFilmmaker Jason Rosette appears briefly in the scene at the student center during the reading of Kerouac's "On the Road".
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 362.649
- Faturamento bruto mundial
- US$ 362.649
- Tempo de duração1 hora 28 minutos
- Cor
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By what name was The Source: The Story of the Beats and the Beat Generation (1999) officially released in Canada in English?
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