- Prêmios
- 5 vitórias e 13 indicações no total
Avaliações em destaque
This is not the movie I'm used to watching, and I didn't know what to expect. The amazing story that resulted is definitely one I'll be watching again. And again. And again. I laughed when I should've laughed, and I was intrigued when it was intriguing. This movie will probably be considered a classic in the future because of how special and inspiring it is. I'm proud that I got the chance to watch this movie and I'm excited for the next time I do.
September 2004.... While walking through the aisles of Blockbuster in search of films my wife and I may have missed through the years, we stumbled on "Finding Forrester". I had a slight recollection of a recommendation from a friend some time ago. In a nutshell, we really enjoyed this film. Both main characters are charming and convincing. The story makes you think and is clever. If you liked "Good Will Hunting" you will probably like this movie too, since it has a similar flavor to it. Though the film is 4 years old, the story is timeless and worth watching. Enjoy, Jimmy
A reclusive author, whose only published novel won the Pulitzer Prize, becomes the mentor of an underprivileged and talented sixteen-year-old in `Finding Forrester,' directed by Gus Van Sant and starring Sean Connery and newcomer Rob Brown. Young Jamal Wallace (Brown) is a star basketball player in his neighborhood, and-- unbeknownst to his peers-- also has a gift for writing. The acceptance he needs from his friends, however, that need to `fit in,' is derived from playing ball; yet his heart is in his writing. But he knows that within the limited confines of his environs his skill with the written word means next to nothing in regards to his future, and he sees basketball as the only viable means of doing anything worthwhile with his life. That is, until one day circumstances bring him into contact with William Forrester (Connery); and it's an encounter that ultimately changes the direction of his life forever. Working from an intelligent, well crafted screenplay by Mike Rich, Van Sant establishes the milieu within which the story will unfold with his opening shot: A black youth setting the stage in rap. It's clever and effective, and the contrast between the rap at the beginning and the song at the end not only frames the film but underscores the impact of the story, as it succinctly encapsulates the changes in Jamal's life. As he did with `Drugstore Cowboy' and `Good Will Hunting,' Van Sant successfully captures the essence of a particular culture and how those living within it relate to those apart from it. It's a study of human nature and the levels of diversity of which our society is comprised, and Van Sant does it exceedingly well. As far as performances go, Connery makes the most of one of his best roles in years. Perfectly cast as Forrester, he lends an adamant toughness to the character initially, then slowly and subtly allows the vulnerability that lies beneath the gruff exterior to surface. It makes for a well-rounded, complete portrayal, as we see not only his iconoclastic leanings, but the very human and caring side of the man as well. And it's Connery's superlative performance, through which he conveys the complexities of the character so well, that illuminates the true depth and multi-faceted dimensions of Forrester; it is not only memorable, but worthy of an Oscar. In his motion picture debut, Brown takes the screen by storm; a storm that is at once gentle and discerning, yet endowed with a strength born of it's own momentum. With a manner reminiscent of Cuba Gooding Jr. in `Boyz N the Hood,' he has a natural acting ability that commands attention, and if his performance here is any indication of his talents (which obviously it must be), then it is safe to say that the cinematic world has certainly just been enriched by his presence. The supporting cast includes F. Murray Abraham (Professor Robert Crawford), Anna Paquin (Claire), Busta Rhymes (Terrell), April Grace (Ms. Joyce), Michael Pitt (Coleridge) and Michael Nouri (Dr. Spence). An uplifting example of deriving hope from hopelessness, `Finding Forrester' is an entertaining and moving testimony to the resilience and depth of the human spirit. It's a film that will stay with you long after the screen has gone dark, for there is much here to be savored and embraced; a film too good to be allowed to let pass you by. I rate this one 9/10.
'Finding Forrester' is without any doubt the best movie of the year 2000. I've heard many people say that this is just director Gus Van Sant's retread of his oscar winning hit 'Good Will Hunting'. That is the furthest statement from the truth. Eventhough the general idea of two different people bonding is here, everything else is as different as it comes.
The story is about Jamal Wallace(Rob Brown, making his bigscreen debut), an allstar basketball player who's only 16 but has a passion for writing and reading. One night on a bet he breaks into the apartment of a person only known to the neighborhood kids as "The Window". But when he's caught, Wallace bolts and forgets his backpack. Later he gets his backpack back, with all his written material analyzed, corrected ect. After revisiting the man, Wallace finds out that "The Window" is none other than reclusive author William Forrester(Sean Connery), who has been hiding for 40 years. They cut a deal that as long as Jamal doesn't tell anybody about William, then William must help Jamal with his writing. Over the course of the movie a beautiful bond forms as the two different people become friends and partners. Along the way William helps Jamal deal with his biased english professor Robert Crawford(F. Murray Abraham), his new girlfriend(Anna Paquin), his brother(rapper Busta Rhymes) and everyone else in his life.
The acting in this film is universally excellent, and no matter how it is billed Brown is the real star of this movie. Connery is brilliant but isn't on the screen enough to outshine Brown. Abraham comes off as the perfect nemesis and Busta Rhymes acquits himself rather well. Anna Paquin isn't too bad but she isn't given too much to do. Excellent supporting cast withstanding the best scenes in the film are the one on one interactions between Brown and Connery. I especially loved the "Soup questions" scene and the Jeopardy scene.
Considering this is Van Sant's first film since the terrible 'Psycho' remake he made a few years back he does very well. And surprisingly he generates more tension and suspense in one basketball sequence late in the movie than he did in all of 'Psycho'.
Overall this is not only Van Sant's best movie but also the best film all year. And after seeing this movie three weeks after the Academy Awards it makes it all the more shocking that 'Gladiator' won as I can't see how, in any way, it is better than this great film. Like a great book 'Finding Forrester' gets better every viewing and i'm sure it will stand the test of time. 10/10
The story is about Jamal Wallace(Rob Brown, making his bigscreen debut), an allstar basketball player who's only 16 but has a passion for writing and reading. One night on a bet he breaks into the apartment of a person only known to the neighborhood kids as "The Window". But when he's caught, Wallace bolts and forgets his backpack. Later he gets his backpack back, with all his written material analyzed, corrected ect. After revisiting the man, Wallace finds out that "The Window" is none other than reclusive author William Forrester(Sean Connery), who has been hiding for 40 years. They cut a deal that as long as Jamal doesn't tell anybody about William, then William must help Jamal with his writing. Over the course of the movie a beautiful bond forms as the two different people become friends and partners. Along the way William helps Jamal deal with his biased english professor Robert Crawford(F. Murray Abraham), his new girlfriend(Anna Paquin), his brother(rapper Busta Rhymes) and everyone else in his life.
The acting in this film is universally excellent, and no matter how it is billed Brown is the real star of this movie. Connery is brilliant but isn't on the screen enough to outshine Brown. Abraham comes off as the perfect nemesis and Busta Rhymes acquits himself rather well. Anna Paquin isn't too bad but she isn't given too much to do. Excellent supporting cast withstanding the best scenes in the film are the one on one interactions between Brown and Connery. I especially loved the "Soup questions" scene and the Jeopardy scene.
Considering this is Van Sant's first film since the terrible 'Psycho' remake he made a few years back he does very well. And surprisingly he generates more tension and suspense in one basketball sequence late in the movie than he did in all of 'Psycho'.
Overall this is not only Van Sant's best movie but also the best film all year. And after seeing this movie three weeks after the Academy Awards it makes it all the more shocking that 'Gladiator' won as I can't see how, in any way, it is better than this great film. Like a great book 'Finding Forrester' gets better every viewing and i'm sure it will stand the test of time. 10/10
I'd heard a little about this movie before and entered into watching it merely expecting to see another of Sean Connery's typical Connery performances. Don't get me wrong, there's nothing wrong with that, he is a very good actor, but he always plays himself. Other than that, I had no inclination what the story was about so there was surprise from the outset seeing that the movie was starring Busta Rhymes and was set in the Bronx.
How surprised I was as this gentle and perfectly paced tale brings together two people who share a common love for writing, one is a faded writer who once had success, and the other is a new talent who faces so many obstacles in his path to let his talent shine.
There are similarities to other films such as Dead Poets Society, but what captures the viewer and their imagination is the restraint and the simplicity. There are no great acts or contrived emotionally charged plot twists, this is real and it's character driven. You believe in the characters, the acting is so natural and understated you are easily drawn into the movie and the characters lives, and it's hard to break free. Choices and actions are small, compassionate, and you can relate them to real life.
The relationship between Forrester (Connery) and Jamal (Rob Brown) is superbly played with Brown holding back perfectly until the scene where his restraint fails, and Connery giving one of the most emotive and complex performances I have ever seen. His performance is simply stunning and totally off of the Connery mould. Watching his face as he struggles with demons long past was extraordinary.
Overall the story is very well written, and doesn't fail to pull you along with the emotional journey and yet never hit the twee button. You can feel the passion that Connery has for writing, and see the complexity of emotions as he wants to help the boy but gets pulled back by hidden problems. Problems which slowly reveal themselves and get shared and dealt with in the most natural of ways, again never falling foul of an emotion overload.
It's warm, uplifting and an inspiring story and I recommend it to anyone. I really can't be vocal enough about the stunning performance by Connery, and the matching performance by Brown. Even Rhymes shows that he has talent.
How surprised I was as this gentle and perfectly paced tale brings together two people who share a common love for writing, one is a faded writer who once had success, and the other is a new talent who faces so many obstacles in his path to let his talent shine.
There are similarities to other films such as Dead Poets Society, but what captures the viewer and their imagination is the restraint and the simplicity. There are no great acts or contrived emotionally charged plot twists, this is real and it's character driven. You believe in the characters, the acting is so natural and understated you are easily drawn into the movie and the characters lives, and it's hard to break free. Choices and actions are small, compassionate, and you can relate them to real life.
The relationship between Forrester (Connery) and Jamal (Rob Brown) is superbly played with Brown holding back perfectly until the scene where his restraint fails, and Connery giving one of the most emotive and complex performances I have ever seen. His performance is simply stunning and totally off of the Connery mould. Watching his face as he struggles with demons long past was extraordinary.
Overall the story is very well written, and doesn't fail to pull you along with the emotional journey and yet never hit the twee button. You can feel the passion that Connery has for writing, and see the complexity of emotions as he wants to help the boy but gets pulled back by hidden problems. Problems which slowly reveal themselves and get shared and dealt with in the most natural of ways, again never falling foul of an emotion overload.
It's warm, uplifting and an inspiring story and I recommend it to anyone. I really can't be vocal enough about the stunning performance by Connery, and the matching performance by Brown. Even Rhymes shows that he has talent.
Você sabia?
- CuriosidadesRob Brown got the role after initially auditioning as an extra. Brown had no aspirations of being an actor, and was only hoping to make some money to pay his $300 cell phone bill. But director Gus Van Sant invited him to audition for the role of Jamal, and liked his natural ability.
- Erros de gravaçãoAt one point in the film Jamal mentions to Claire that, "It was Stamford... At the bar in London... He was the one who introduced Watson to Holmes", alluding to the Sherlock Holmes novels and stories. However, it wasn't at a bar in London where Stamford introduced Watson to Holmes but at a hospital's chemical laboratory near the bar.
- Cenas durante ou pós-créditosJamal and friends play basketball through the end credits, viewed from the window of Forrester's apartment.
- ConexõesEdited from Q & A - Sem Lei, Sem Justiça (1990)
- Trilhas sonorasVerse Flow
Written and Performed by Jimmy Bobbitt
Principais escolhas
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- How long is Finding Forrester?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Descubriendo a Forrester
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 43.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 51.804.714
- Fim de semana de estreia nos EUA e Canadá
- US$ 701.207
- 25 de dez. de 2000
- Faturamento bruto mundial
- US$ 80.049.764
- Tempo de duração
- 2 h 16 min(136 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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